Lore

Director/writer Cate Shortland has created something truly remarkable, forcing us to find within ourselves sympathy for a young Nazi. The story is grim and dense, but features one hell of a lead performance. Shortland combines wonderful visuals with a brutal story of survival, involving family and patriotism, and a running commentary on the state of Germany after the fall of the Third Reich.

As the German army collapses in the spring of 1945, the breakdown of a family serves as a microcosm of a country in despair in the closing days of World War II. Lore (Saskia Rosendahl) and her four younger siblings are abandoned as their Nazi- supporting parents are forced to flee the Allied forces. As they travel on foot to their grandmother's house in Hamburg, the children encounter a young Jewish refuge, Thomas, on whom they are forced to rely for both food and safe passage through Ally-occupied lands. As she is exposed to the lies of their parents, and begins to develop feelings for one whom she has been taught to hate, Lore is forced to come to terms with a belief system that is quickly unraveling.

It's the children that have to do all the heavy lifting in the film dramatically, and they carry their weight, and then some. The film is anchored by a remarkable lead performance from Rosendahl, who comes across as a seasoned veteran, despite this being her debut performance. Her character goes from obnoxious adolescent to young adult, via a series of confronting moments where her morals and beliefs are challenged. Her vibrant youthful spirit is replaced with a burning rage with a war torn Europe as the backdrop.

A new perspective on an event often forces an audience to confront disturbing realities they may wish to avoid. Although "Lore" relates a story from the second world war, it reveals the point of view of those we do not often consider: children of a high-ranking Nazi official. This story may not be pleasant, but it is certainly fascinating.

You'd think that, 68 years after the end of the second World War, every perspective would have been covered by the numerous films that have been made about it. But 'Lore' proves that it's still possible to make a movie about an unknown aspect of the war.

In this case, it's the situation in Germany just after the victory of the allied forces. It's a very interesting perspective, because things get turned around. The Nazis are no longer powerful rulers, but hapless losers, afraid to get caught by the Americans. And the Jews, although still despised by most Germans, are the ones who get things done with the allied troops.

The movie shows a country in an almost apocalyptic state, with dead people and destructed buildings everywhere. Citizens can't trust each other and are willing to do anything for some food or transportation. The powers are constantly shifting; an ally can suddenly turn into an enemy.

It's in this utterly destructed and disheartened country that a family without parents is finding its way, led by Lore, a girl of approximately 16 or 17 years old. Her parents, high-ranking Nazis's, have left her to hide from the Americans, and it's up to her to lead her younger sister and three little brothers (of which one is still a baby) to her grandmother in the north of the country. They have to beg for food and shelter, sometimes paying with the jewels her mother left behind.

Australian director Cate Shortland is very good in capturing the mood of desperation and defeat. She uses faded colours, almost like a Polaroid picture, and shows lots of close-ups. Not only of faces, but also of hands, feet, clothes and shoes. It accentuates the oppressive atmosphere in post-war Germany, and the terrible fate of the children. The story gets a twist when the children meet a young man, who for some reason is willing to help them. The relationship between Lore and the young man is ambiguous, for several reasons.

'Lore' is not easy to watch. There are several disturbing and gruesome scenes in the film. But it's a gripping tale of the human urge to survive in almost inhuman circumstances. And most of all, it reminds us of the utter horrors of war. This war, and any war.

An intense coming of age film set during an immense period of modern European history. Finding original stories related to the European theatre of World War Two is difficult, however this film brings an engaging and refreshing lens to the period.

The film focuses on the events at the end of World War II including the death of Adolf Hitler, the tracking down of the perpetrators of the Holocaust, the aftermath of camp survivors, and the territorial carve up of Germany. A time of lawlessness, starvation and depredation.

Within this historical period the film focuses on 5 children brought up as Hitler's Youth, who are on a journey to their Aunt's. The journey brings both physical and psychological challenges along the way for the children. Lore as the eldest child takes on the responsibility of guide, provider and parent. The historical events create the incredible physical tension in the film of a fallen 'utopia' with all of its personal dangers, violence, and hardship.

Along the way they encounter Thomas, a recently released from a concentration camp. The ensuing relationship between Lore and Thomas, which is part survival, part attraction, part revulsion and part adolescent, creates the psychological tension that is at the centre of the film.

The film has echoes of the Films Downfall of the Third Reich and Zentropa in its subject material. All three films by necessity are deeply intense psychological films. The end of the world as most in Germany new it and the incredible psychological changes that the ushering of an entirely new political, social and cultural regime brings. In my world it is almost impossible to imagine, but the children that lived through this are still alive, still with us, the living memories of that period of incredible turmoil. Fertile ground for story telling and film telling about our world and our society.

Set in Germany at the end of the Second World War, this film takes up where others like Downfall leave off and asks questions about how the erstwhile beneficiaries of Nazi rule cope with their new world. The film tracks the journey of five innocents as their life of privilege collapses and they are forced to come to terms with the effects of dreadful events over which they had no control but to which they have given their tacit support.

Four of these children are really too young to bear any culpability. Only the oldest, Lore, is really capable of comprehension and it is through her eyes that the film is focused, as she slowly realises just how much her parents are implicated in the horrors of the Nazi regime, and, as an extension of this, herself and the whole German people. Lore is helped to this realisation by Thomas, a Jew who appears to have been liberated from a concentration camp. But Thomas also has a psychological burden and may not be all he appears.

This is another fine film from Cate Shortland, someone who surely should be making more films more often.

The unusual thing about Lore is that, perhaps for the first time, we witness the devastation that Germany itself suffered as a result of World War II. And that was no little thing, something many are not aware or perhaps do not acknowledge.

As for the film, following the end of the war and specially the death of the one many Germans had come to think of as a saviour there is a sense of hopelessness and devastation.

In the family that the focus is placed, the mother has to entrust the safety and wellbeing of her children to her teenage daughter Lore. This mother had to flee for reasons that remained unknown.

What follows is that Lore had to abruptly grow up, without any training or warning and face a battle for survival as she heads to a place of safety. The film therefore is a chronicle of the journey undertaken by 4 children, led by a teenager, from a place of abandonment to a place of safety.

During this journey, they had to face the best and worst of human nature in their encounters with others. Some tried to help, whilst others only cared to take advantage of their predicament. An interesting scene was in the house of a woman who had a framed photo of the Fuhrer and said: Can you believe the lies they said about him? e only wanted to help? The endeavour got even more interesting when their paths crossed with a young Jewish man, who though seemed helpful the young lady in charge had to face a dilemma: In this difficult hour, do we get the help we desperately need from someone willing, or because I was brought up believing he is part of a filthy, inferior people I should just disregard him? The sexual tension between the two is also pivotal for the outcome of this adventure.

Furthermore, it seemed incomprehensible to this young person, how the country of superior people that was meant to lead the world is now occupied and divided into a Russian, American and British zones. He hear somewhere in the film: I am German and this is Germany.

A striking, sensitive film about growing up suddenly, the extreme sides of human nature and where the ultimate battle for survival can lead us to.