Do Outro Lado da Dor

Beautifully filmed in London and Paris. Excellent cinematography and set decoration. And just the right pacing of motion and lighting by first time movie direction from Daniel Levy, who also wrote, produced and stars in his unique story of love, loss, sadness and friendship. Its so refreshing to see a story of queer love without seeing guys just ripping off their shirts for one night stands. Not much happiness is found here, but that's what makes this so true to life. I highly recommend watching this on Netflix and look forward to seeing what's next from Daniel Levy. Don't watch this looking for comparison to Shitts Creek, it's about 180° opposite.

Definitely fits into the underwhelming category based on the well known writing capability of Dan Levy. I liked the concept, but don't think it delivered. The opening segment was anticlimactic and didn't illicit the expected empathy, it was almost like "okay... now what". And the now what, was three self obsessed people pretending to be friends and having mostly meaningless conversations. The characters were all for the most part unlikeable, and therefore it didn't matter to me if they got "happy endings" and dealt with their hangups. Overall, okay, no depth to characters or story. I feel no need to ever watch again.

A really perfectly balanced film. It would have been so easy to play it safe and make a typical 'bubblegum' movie, with guaranteed well rehearsed tropes and clichés. So I admire Dan Levy's restraint, and that he took a risk with a more subtle approach. It isn't, as I imagined, a romcom, rather, a gentle exploration of grief, friendship and complicated legacies. I found it quite emotive without sentimentality. I loathe feeling manipulated by film makers- when the music, sappiness and script so deliberately and blatantly are working their formulaic chops off in a contrived effort to control every reaction a viewer is having.

While I wasn't 'blown away' by this film, I was impressed and engaged. I suspect/hope that Levy will continue to create as well as act, and be a well regarded director/writer in his own right.

Finally, the performances were great and the chemistry between the 3 friends felt authentic. The script could have been sharper and, as much as I usually love Luke Evans, I thought his performance in this perhaps the weakest of all the cast. But these a minor criticisms. I understand it if isn't what some people drawn to the film were hoping/expecting , and can understand some disappointment. But, for me, it was just right in tone and I think Dan Levy will go from strength to strength.

Good Grief delivers a compelling narrative with Dan Levy's standout performance stealing the spotlight. He knows what he is doing and what he wants to achieve and he does that well, with raw, honest emotions. His portrayal is both captivating and, at times, a tad obnoxious, but if it is part of the storytelling, I accept it.

The storytelling is enriched by a well-curated musical backdrop. I love the music.

However, the subplot involving his female friend feels somewhat disjointed, lacking the depth that could have enhanced the overall experience. It's a little bit too much, for my taste.

While the film offers a love story, it falls short of exploring the characters' personalities and stories in a more profound manner.

Have you ever experienced the loss of your partner in your life? Have you tried to find fault with others in order to better cope with the situation? How much did your friends help you get through this stage in your life, and how important were they to you during this time? Is there a time frame for how long a person should grieve a loss? These are the questions you will ask yourself while watching Good Grief. Dan Levy's directorial debut, in which he has put a significant part of his story, is an unorthodox romantic drama that touches closely on the themes of love, grief, forgiveness, reconciliation and new beginnings.