Gangues de Lagos

Gangs of Lagos reminded us of Jade's Brotherhood, having similar energies and location spots. The movie was more advanced in terms of quality; it wasn't bad at all, just could have benefited from a robust screenplay to make a bigger impact

DELICIOUS

-Jade Osiberu=quality and originality, and that's what we got. Gangs of Lagos, just like Brotherhood, are never-before-seen scripts in Nollywood, so bravo Jade for pushing the envelope!

Sound design, photography, sound engineering, and score were on the plus side. They radiated the Lagos vibe making us feel like we were navigating the rough streets with Oba and his friends.

-We can never get tired of Tobi Bakre, Adesua Wellington is a sweetheart, and first time seeing Chike Osebuka, he has great potential.

Tayo Faniran and Olarotimi Fakunle take home the awards; they were elegant and notorious at the same time. The kind of people you don't want to be stuck in a room with😅

How can we miss Chioma Akpotha's performance? She was the lovable and dramatic African mother who rejoiced, danced, and also got very emotional

-It was humbling to walk in the shoes of these three friends who were trapped in a life of violence and bloodshed yet aspired for a better life.

BLAND

-Oba, Ify, and Gift were childhood best friends, however, we didn't feel a strong chemistry between them.

There wasn't that inspiring camaraderie or strong attachment you'd expect from people who've gone through thick and thin together. They acted more like common friends

-The fighting sequences, though much improved, needed a further push, especially during the closing scene between Oba and his opponent

-Why did the camera operator capture a close shot of Ekun's fake beard?😖We were so impressed with the beard until the close-up shots revealed it was fake...

-Because Gangs of Lagos was a story we've seen before, it was easy to predict the end from the beginning.

It would have made a huge difference to add something new to the table, e.g. Design Teni in a more sophisticated way, have the three friends lock horns with each other, or end in a manner that signaled the battle wasn't over.

Something out of the ordinary would have elevated Gangs of Lagos to greater standards.

I came to this with pretty low expectations: while I enjoy some 'classic' West-African cinema, Nollywood tend to horrify me, often taking the worse of Western cinema and leaving the out the good bits.

It is far from perfect: a lot of the secondary and some of the primary characters are acted by amateurs. The fight scenes, while sometimes well choregraphed, are evidently mimed (the lack of sync between the moves and sound effects being partly to blame). The camera work is unobtrusive and we are served some inevitable clichés (i.e. Pink-and-blue-lighting in the club scenes), and the soundtrack is a bit homogenous for my taste But the scenario actually holds its own pretty well, offering a gritty and credible slice of Nigerian street-life and a classic 'rise of the foot-soldier' narrative. Most of the characters are morally ambiguous and while it remains fairly predictable, we are far from the simplistic Manicheism of Nollywood. While the dialogues could have been better, all of the main characters are credible, and the writing for the most part successfully walk the fine line between the grotesque and the spectacular, which most crime-stories have to tread.

Gangs of Lagos is a Nigerian gangster crime thriller film that was released on April 7, 2023, as the first Amazon Original Movie from Africa1. It is directed by Jade Osiberu and stars Tobi Bakre, Adesua Etomi, Iyabo Ojo, and many others. The film is about a group of friends who grew up in the Isale Eko area of Lagos, Nigeria, and became involved in crime and violence. The film follows their lives as they face challenges, betrayals, and revenge. The film has received positive reviews from critics and audiences, who praised the film's authenticity, action, and performances23. The film also sparked some controversy over its portrayal of the Eyo masquerades, a cultural symbol of Lagos.

I watched this as a Westerner - imagine the experience might be different for those versed in Nollywood.

The first half of the film is solid - a brothers-from-the-streets tale of organised crime of the kind that you've seen a dozen times before, but the Lagos setting and solid performances (at least from the leads) help it stand out. The second half limps home though. As the action ramps up the plot becomes increasingly threadbare, as it seems does the budget. It's telling of this decline that - bizarrely - a large chunk of the final showdown is very obviously greenscreened, despite just having a generic rooftop background. Without the grounding in the Lagos streets that carries the opening, the latter stages just feel like a very low budget US action flick.

I don't watch much Nigerian media, but this is a quality show. Fast paced, even if the dialogue drags on sometimes. All in all, the show gives you a feet-on-the-ground feel for the no-tourists parts of Lagos.

The actors come across as authentic denizens of the streets. Refreshing to see from a Western perspective where Africa is otherized beyond recognition. I'd love to see more of these shows even if the gangland storylines can get a bit worn out. But it's set apart from Nollywood because it cuts out all the melodrama.

Cool soundtrack, fun actors and a real eye-opener for audiences overseas.