The Hunt for Raoul Moat

It featured the continuous abuse of a young woman and the ignorance of police in paying scant attention to so-called "domestic situations" a demeanng term if ever there was one.

So very many women. All the time, every day ,are the victims of what I could call "domestic terrorism" by a toxic violent male.

Sam was only 16 years old when she met this monster who was 20 years older than her. A red flag of course. He behaved as if he owned her and their child and bullied her incessantly and went to prison for abusing their child. Even when he was in prison and a guard overheard him and reported it to the police the only response was *crickets*.

The manhunt itself was really well done, full marks for the tension and the pacing as it all unravels into the inevitable ending.

No holds barred on the police behaviour which was very good.

8 out of 10. Excellent for its calibre and only the British have the skill for this type of series.

As a working class Geordie myself this dramatisation felt authentic and realistic with a largely local cast. I'm happy to report that it didn't give a voice to Moat himself. Instead it focused on his toxic masculinity, his violent crimes, their impact and legacy and the race to capture him. Nor did it gloss over the errors made by the police.

I thought it was well written (by Kevin Sampson who also wrote the excellent 'Anne' last year) and produced and the cast was very good led by the always reliable Lee Ingleby.

Overall a strong and successful drama that is sadly timely with so many stories of domestic violence still featuring in our news every day.

My wife and I possibly made the mistake of watching beforehand the repeated original TV news documentary outlining the actual events depicted here in this new three-part mini-series. In so doing, I obviously learned first hand all that the dramatisation portrayed, thus filling in all the blanks about it in my memory and precluding any sense of surprise at the nonetheless horrific sequence of events surrounding the crazed killer Raoul Moat.

What this also did unfortunately was evidence again the obeisance to diversity which today's television programme-makers feel obliged to follow. Under their usual disclaimers in shows like this of inventing composite fictional characters and imagining situations and dialogue for dramatic purposes, it was just too obvious for me that the prominent interpolation of a black female investigating officer or female senior DCI wasn't based on fact but purely to cater to wokism. I'm fine with this to a large extent but I suppose I'm a bit less tolerant when it so obviously alters real events captured on film less than fifteen years ago.

Anyway, mini-moan over, the three episodes nonetheless sharply conveyed the evil acts of Moat, a convicted felon who on his release from prison sought out his ex-partner's new boyfriend and with the help of two equally deluded accomplices, shot the poor guy down in cold blood before also attempting to kill her too. She had told him that her new man was in the police to try to deter him from coming after her but this tragically backfired with Moat turning his mad rage on the police itself to the extent that he went on to callously shoot in the face an innocent policeman sat in his patrol car, who we learn at the end was blinded by this and who tragically took his own life only a year or two later, making him another belated victim of this evil man.

What I didn't pick up in the real-life documentary was the extent to which Moat apparently garnered a following among some deluded individuals on the internet who somehow saw him as an anti-establishment hero whose actions were justified because the ex-girlfriend he'd abused for years had the temerity to try to move on with her life. Much is made of Moat's climactic suicide denying his victims' relatives justice, but you know, I don't think his self-destruction would have been too upsetting for me if I'd been in their place.

Presented relatively straightforwardly without histrionics, well acted by all the main cast members, this was a compelling retelling of a shocking and almost unbelievable story of coercive behaviour and jealous vindictiveness taken to horrific extremes.

I had no idea they made this. Maybe they should've consulted my ex-girlfriend. She went to school with him. He was the only person at her school that didn't bully her, due to them both being 'foreigners'.

We arrived in Spain at her apartment late at night and chucked on Sky news (as you do, seeing as every other channel was in Spanish) and her jaw dropped as she said 'I went to school with him!'. We sat up and watched it all unfold. I think there was maybe an element of it being handled badly. He was one messed up cookie. Just because you're built, doesn't mean you're a monster. He'd had all sorts of rubbish thrown at him, winding him up and pushing his buttons. He was a man on a ledge, pushed to his extreme mental limits and pushed over the edge.

Don't judge unless you at least know even just a little bit about a person. Despite all, I don't think he was a bad person. Roid rage aside, he probably could have been rehabilitated.

Why is it that true life crime is far more absorbing and watcheable than the contrived drama being turned out these days.

We have given up on three contemporary cop dramas in recent weeks, but this was far more interesting.

Watching the companion documentary that followed the conclusion of the three episodes, it is clear that the drama was very accurate. No creation of additional scenes or stories like The Gold a few weeks ago.

All those involved in the hunt never got the opportunity to find out what was really behind Moat's paranoia. It was probably embedded in his youth, but this never came out.

It was mentioned at the end that the true victims of this crime have been largely forgotten, and this is true. It should never be forgotten that this was an extremely dangerous man who felt he had nothing to lose. He was a cold blooded killer, you can't get away from that.