A mãe solteira Adele e seu filho Henry oferecem uma carona a um homem ferido. À medida que a polícia procura o fugitivo, a mãe e o filho aprendem gradualmente sua verdadeira história à medid... Ler tudoA mãe solteira Adele e seu filho Henry oferecem uma carona a um homem ferido. À medida que a polícia procura o fugitivo, a mãe e o filho aprendem gradualmente sua verdadeira história à medida que suas opções se tornam mais limitadas.A mãe solteira Adele e seu filho Henry oferecem uma carona a um homem ferido. À medida que a polícia procura o fugitivo, a mãe e o filho aprendem gradualmente sua verdadeira história à medida que suas opções se tornam mais limitadas.
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- 6 indicações no total
- Direção
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- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Labor Day is an unbelievably gorgeous mood piece, a finely-tuned film which is strongly driven by senses and emotions over plot or story. It's arguably one of the best films of 2013.
I haven't seen a Reitman film since Juno so I haven't caught up. So I'm not sure where he matured from a 'good' director of a quirky script to an 'art' director who can carry an entire film on his shoulders. That's not to say everyone else in this film didn't do a great job. But the film works because of Reitman's meticulous vision.
Heavy use of cross-fades, editing driven by emotional undercurrent over logic, and some stream-of-consciousness flowing from a mysterious source. The music is avant-garde and beautiful, one moment eerie and unsettling, the next pleasant and lilting. Which reflects the way the film, like a piece of classical music, displays sudden shifts of mood or tonality, back and forth, requiring your utmost concentration and appreciation.
Writing too much else would spoil the fun. But the mindset you should bring this film, should you want to see it, is to give yourself over to the experience, rather than bringing an overly (and unnecessarily) critical mind to it's 'unoriginal' or 'uneventful' plot.
I haven't seen a Reitman film since Juno so I haven't caught up. So I'm not sure where he matured from a 'good' director of a quirky script to an 'art' director who can carry an entire film on his shoulders. That's not to say everyone else in this film didn't do a great job. But the film works because of Reitman's meticulous vision.
Heavy use of cross-fades, editing driven by emotional undercurrent over logic, and some stream-of-consciousness flowing from a mysterious source. The music is avant-garde and beautiful, one moment eerie and unsettling, the next pleasant and lilting. Which reflects the way the film, like a piece of classical music, displays sudden shifts of mood or tonality, back and forth, requiring your utmost concentration and appreciation.
Writing too much else would spoil the fun. But the mindset you should bring this film, should you want to see it, is to give yourself over to the experience, rather than bringing an overly (and unnecessarily) critical mind to it's 'unoriginal' or 'uneventful' plot.
Today I gave my rating for this movie that I really liked. I did not want to write a review but I was a little disappointed by the summary for the movie written on IMDb. It says: "Depressed single mom Adele and her son Henry offer a wounded, fearsome man a ride." Adele and her son do not offer the man a ride which is very important for the story. Having said this, let me say a little about this movie. The movie plays very nicely with fear and tension. Any moment we expect something very terrible to happen. Murder, betrayal, rape, you name it. In contrast, an interesting and amicable relationship between the three main characters develops. The movie even has a happy end that is kind of unexpected. Seeing this movie I felt like being in an earthquake only to learn afterwards that no damage was done.
This word say nothing. Because the beauty of this film is bitter and hard and melancholic and high delicate. The life of a single mother and her son is changed in profound sense by the presence of a stranger. A love story. And more. A story about chance and a sort of profound America, so familiar to not Americans, a sort of peach pie in the veil of cinnamon. And magnificent performances. Not surprising but a precious gift.
I haven't got to say a lot about this upcoming motion picture but praise Kate Winslets dynamic intimate and breath taking performance.Kate once again gives it all on the big screen. And one thing I am telling you for sure, she is going for an Oscar. Since we saw Kate winning that golden statue back in 2009 for her performance in the historic ''The Reader'', Kate has been a bit distant from the screen. Apart from her minor movie roles in ''Contagion'' and ''Movie 43'' and of course the successful ''Carnage'', Kate hadn't had a big emotional performance like that for years. The English Rose once again leaves us with tears on our eyes with her performance. She proves us through the film that she for sure deserves the title of one of the greatest actresses of all times. Apart from Winslet's praised and acclaimed performance the film is generally very good and it will make you tear a bit that's a fact! However, the screenplay is a bit dull for this film and the rhythm of the whole motion picture a bit slow. I wont be surprised if the film receives mixed reviews from critics.
OK, Josh Brolin has redeemed himself after the disaster of "Old Boy", phew...i was getting worried there as he is one of my favorite actors. this movie is totally different then what i had thought of it in my head. i thought it was gonna be a little bit like the movie " a perfect world " but it was nothing like that.
i was surprised this movie came and went without any fanfare as it really is a good movie and one of my favorites of the year. the 2 adult leads were great and the kid was also very good.
the story is about an escaped convict who gets holed up in a mentally fragile divorcée and her sons home over Labor Day and then what happens the next few days and the consequences of peoples actions even if they didn't mean anything bad by doing such acts.
loved the setting in a slow moving beautiful town atmosphere where it seems like everything moves like molasses, there seem to be a calmness to the picture but right underneath that you could feel the uneasiness and hidden angst of each of the characters in this movie.
also this is a movie about the coming of age of the boy and some of the logical and illogical choices he makes, including one biggg one that has direct consequences for Josh Brolins character.
very very solid movie, bittersweet and moving, almost, but not made me cried. Josh Brolin is back on track again, very good performance from him and everybody involved. one of the must see movies of the year.
i was surprised this movie came and went without any fanfare as it really is a good movie and one of my favorites of the year. the 2 adult leads were great and the kid was also very good.
the story is about an escaped convict who gets holed up in a mentally fragile divorcée and her sons home over Labor Day and then what happens the next few days and the consequences of peoples actions even if they didn't mean anything bad by doing such acts.
loved the setting in a slow moving beautiful town atmosphere where it seems like everything moves like molasses, there seem to be a calmness to the picture but right underneath that you could feel the uneasiness and hidden angst of each of the characters in this movie.
also this is a movie about the coming of age of the boy and some of the logical and illogical choices he makes, including one biggg one that has direct consequences for Josh Brolins character.
very very solid movie, bittersweet and moving, almost, but not made me cried. Josh Brolin is back on track again, very good performance from him and everybody involved. one of the must see movies of the year.
Você sabia?
- CuriosidadesKate Winslet and Josh Brolin agreed to do the movie, but Jason Reitman and Brolin had to wait for Winslet for over a year to begin shooting.
- Erros de gravaçãoThe Panasonic VHS VCR on the top of the TV did not exist in 1987 - it has a center deck style that was common in the late 1990s (e.g. it looks similar to Panasonic's PV-V4020 model that was made in 1999). VCRs of the time had a deck on the left-hand side and display on the right.
- Cenas durante ou pós-créditosThe copyright statement at the end of the credits reads, in all caps: "Frank's Pie Company Is The Author Of This Film (Motion Picture) For The Purpose Of Copyright And Other Laws."
- ConexõesFeatured in Film '72: Episode dated 30 January 2014 (2014)
- Trilhas sonorasI'm Going Home
Written by Arlo Guthrie
Performed by Arlo Guthrie
Courtesy of Warner Bros. Records Inc.
By arrangement with Warner Music Group Film & TV Licensing
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- How long is Labor Day?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Aires de esperanza
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 18.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 13.371.528
- Fim de semana de estreia nos EUA e Canadá
- US$ 5.175.282
- 2 de fev. de 2014
- Faturamento bruto mundial
- US$ 20.275.812
- Tempo de duração1 hora 51 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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