Inocente

This made-for-TV version of the Scott Turow novel is a competently made but not particularly inspiring translation to the small screen. With Bill Pullman and Alfred Molina in two of the leading roles, the acting is fine, but for some reason there seem to be a lot of English-as-a-second-language characters. Molina and the woman who portrays the judge play them with accents.

One of the issues of courtroom dramas on screen is that they take place in a small space and there isn't much real movement going on. Typically, this is covered by an active camera, and that happens here, with short editing cuts and a camera that moves. Injudiciously applied, it becomes frantic, even hysterical, and that happens occasionally here.

Even so, the central story is a solid one. If you have any taste for this genre, it's a couple of hours well spent.

This is an efficient movie with some neat twists and turns in the solving of a crime. It is largely inoffensive because it is constructed to the well worn formula of finger pointing to a murderer and then seeing just how many things can change your mind before the credits roll.

The acting is reasonable but not sensational with the victim, Barbara (Marcia Gay Harden), being the best at everything in the back story played out throughout the film. Nothing sticks out as faulty, but it is not especially memorable either.

If you like courtrooms and enjoy trying to work crimes out then it is worth a rental.

Judging by its all-star cast, this movie should be enough to be put on the pedestal. Yet, its quality more liked those on Lifetime channel. From the beginning, it did not have such suspensions like Hitchcock's movies. Although the plots were complicated, they did not resonate with audiences. The intensity of dark dramas also did not have enough momentum to carry through the whole movie. Its surroundings and paces were also lack of plausibility among other things.

It probably should be remade by different directors. I was not thrilled by those presumptuous plots which the writer tried to reinvent. In my opinion, it should have revealed the wife's mental illness from the beginning. The disclosure in the end was not enough. The wife's struggling needed to be drawn to connect the whole storyline. This missing part is crucial to the whole movie. It indeed required better cinematographers, too. I hope to see a different version of it in the future.

Trurow's novel was long and dealt with all the legal details unfolding with tremendous justice and competence. Think of this movie as a very abridged version of the novel trying to cram in a lot of character and plot development with a lot of very competent actors. There are 'hints' of Barbara Sabich's psychological problems from the onset, and you have to deftly catch them to make sense of the movie as it develops. Of course, Marcia Gay Harden does justice playing the part very carefully and not obviously if you don't look for her frailties from the start. Bill Pullman playing Judge Rusty Sabich, his son played by Callard Harris, the court clerk who ends up being the mysterious mistress for the prosecution and girlfriend played by Mariana Klaveno are all capably performed considering the pressures of an 'abridged' version. The prosection played by Richard Schiff and Tahmoh Penikett - the latter plays an over enthusiastic, careless and doltz of an assistant prosecutor to Schiff's diligence and care, while the defense handled by Alfred Molina and Janet Kidder are just great at letting the prosecution exhaust itself with its poorly constructed case against the judge. "Hey", it's an entertaining movie if you have the time and mindset to watch it carefully. It's not a 'disappointer' at all! (And you don't have to be 60 years or older to appreciate the contradictions presented between impatient youth and crafty and forbearing senior adults in the movie.)

This is uninspiring legal drama and the kind of film where the behavior of the characters only adds up in the sense that it serves the script, not in a way that resembles real life. It feels like a rushed job with rather crude characterization, while Bill Pullman looks bored and some of the actors like lost in translation (especially T. Penikett, C.L. Haggquist, N. Oliver). You will like it only if you are close to the age of 60 or above. "Old" ideas, "old" execution and VHS type of movie.

Rating: 5+/6-