Elena

Perhaps not quite as ravishing or intense as the director's earlier or later works, this is nevertheless riveting enough. From a beautifully observed and measured opening with wondrous light patterns falling within the interior of a luxury apartment in Moscow we gradually learn of the daily movements of Elena and her less active but wealthy husband. We learn too of the husband's grown up daughter, living a 'hedonistic' life and Elena's extended family living within cramped social housing. For such a modest and leisurely paced film it is extraordinarily impressive how captivating it all is. Markedly different from the other films of Andrei Zvyagintsev, this is still a most impressive ad involving tale.

The director makes the statement that the devil you know might strike any time. The darkness is present all around. This is not Disney.

Most of the complaints about the movie fail to realize that sometimes, in more artistic works time, lighting, limited dialogue are used to create a mood. This move had a very interesting message, and in order to demonstrate the predicament that Elena is in. I could relate to her and how she felt that she was used and that her step daughter takes things for granted. While Elena is a very modest women who is looking out for the best interests of those around her.

I did enjoy the film, and as with most foreign films I enjoy the lighting the music and the overall feel. This goes a long way in order to transport us to another time and place. I actually felt for Elena right from the start of the film.

You must see in order to understand but I hope you get as much as I got out of it.

Sometimes downbeat but often a thought provoking Russian picture; concerning the central character (Elena) and her troubled family life. The issues and choices she has to both endure and subsequently execute, become the crux of the story. the immoral conclusion (incredibly) seems to be the most reasonable outcome and as blood is thicker than water, the ending deed seems as natural as it could ever possibly be. such slow burning tension comes as a welcome relief to the predictable crash, bang, wallop offered at the local multiplex. 'Elena' is actually a high quality thriller of an entirely different pace and it's a classic case of more drama, less action.

This movie is great, slow but beautiful, but the ambiguity is the best part, all the themes are condensed in the first and final frame, think about it, what is worth? the welfare of many aside his flaws or the coldness and sterility of few.

The atmosphere is hypnotic.

All the characters have reasonable grounds, all are ugly but very real.

The synthesis to show the decadence and disillusionment of Russian youth is strong

the performances are outstanding overhanging the main female character which we do not know if understand or condemn and even though the couple has some reason the mother instinct is prevalent, is simply a game of survival.