Adicionar um enredo no seu idiomaA bloodthirsty Bigfoot, which kills without warning, is on a rampage. A strong, beautiful, woman shows up claiming to represent the Government and pushes the local Sheriff into hunting this ... Ler tudoA bloodthirsty Bigfoot, which kills without warning, is on a rampage. A strong, beautiful, woman shows up claiming to represent the Government and pushes the local Sheriff into hunting this creature.A bloodthirsty Bigfoot, which kills without warning, is on a rampage. A strong, beautiful, woman shows up claiming to represent the Government and pushes the local Sheriff into hunting this creature.
- Direção
- Roteiristas
- Artistas
Art. James
- Cooter Brown
- (as Art 'Sunshine' James)
Candace Weber
- Linda
- (as Candace Weber Shiffman)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
This movie tried to bring in a lot of plot points and twists and random, movie-cliché junk. It was as if it was trying to be multiple different movies whilst simultaneously failing at all of them. Not worth the watch.
Bigfoot walks around in the forest and kills two young people. Although they have been torn into pieces with incredible strength, the sheriff believes a human killer must be to blame, even if the claw marks seem a bit weird. Several tourists and hunters enter the forest so the beast gets plenty of opportunity to kill more people. Besides, one of the hunters has a personal revenge business going on, for which the beast's attacks will provide enough distraction.
Hard to believe this movie was shot in the 2010s, it is totally 1980s. Which is good. Instead of CGI creatures, you get an old-fashioned monster (tall guy in a hairy suit) walking around, and there are several familiar actors from 80s trash movies (Reb Brown as the sheriff, Frank Stallone, Ted Prior). Simple minded fun mainly for the older supporters of the genre, probably young audiences will like it less.
Hard to believe this movie was shot in the 2010s, it is totally 1980s. Which is good. Instead of CGI creatures, you get an old-fashioned monster (tall guy in a hairy suit) walking around, and there are several familiar actors from 80s trash movies (Reb Brown as the sheriff, Frank Stallone, Ted Prior). Simple minded fun mainly for the older supporters of the genre, probably young audiences will like it less.
I don't normally write film reviews but just had to regarding this, i can safely say this is the worst film i have ever had the misfortune to watch, in fact it was that bad i had to turn it off an hour into it, the acting is diabolical as well as the script, it came off as if a child had written and directed it, a huge killer Bigfoot that walks around the forest tearing people up which you don't see much of and some dippy sheriffs who thinks its a serial killer, its so corny it makes you cringe, it could of had potential if more money was available and they got actors who could actually act, a complete waist of time so watch it at your peril!!! you've been warned.
"Night Claws" looks like it was really fun to make, with David A. Prior meeting a lot of his old friends again. At this point Prior had pretty much retired, but a young producer by the name of Fabio Soldani gave him some money and sent him back to those woods in Mobile, Alabama where he filmed roughly 102% of his movies. Hell, by this point I'm pretty sure I could be a tour guide in that town. Unfortunately, as fun as this reunion must have been, the joy doesn't translate well to the screen.
This movie is supposed to be about Bigfoot, but he's really just an afterthought. His plot remains unresolved and we barely ever see him. For some reason creature features often have the tendency to add human villains as well, which never works and just takes up precious screen-time from the monster we actually want to see. To add insult to injury, this movie looks really ugly. Most of it is shot day-for-night, which really shouldn't be that obvious when shot by a director who's been at this for three decades. There are amateur films on YouTube who use this technique far better than "Night Claws", which is not a ringing endorsement.
That's not to say the movie is completely without enjoyable moments. The climax is very low on Bigfoot, but high on laughable plot twists and unexpected deaths. Everyone's favorite Norm MacDonald punchline Frank Stallone shows up from nowhere for a cameo so brief I'm pretty sure he left his engine running. Sherrie Rose co-stars as a deputy, but looks way more like a stripper. The best part has got to be the unknown Art James though, who gives us some great line readings as the town drunk who tells us everything about Bigfoot (in exchange for alcohol, naturally). This movie has some decent laughs, but no story progression or coherent action. Given that you don't know what's happening half the time, you'll be looking at the clock regularly.
P.S: The credits read 'no Bigfoots were harmed in the making of this movie'. It deserves an extra star for that at least.
This movie is supposed to be about Bigfoot, but he's really just an afterthought. His plot remains unresolved and we barely ever see him. For some reason creature features often have the tendency to add human villains as well, which never works and just takes up precious screen-time from the monster we actually want to see. To add insult to injury, this movie looks really ugly. Most of it is shot day-for-night, which really shouldn't be that obvious when shot by a director who's been at this for three decades. There are amateur films on YouTube who use this technique far better than "Night Claws", which is not a ringing endorsement.
That's not to say the movie is completely without enjoyable moments. The climax is very low on Bigfoot, but high on laughable plot twists and unexpected deaths. Everyone's favorite Norm MacDonald punchline Frank Stallone shows up from nowhere for a cameo so brief I'm pretty sure he left his engine running. Sherrie Rose co-stars as a deputy, but looks way more like a stripper. The best part has got to be the unknown Art James though, who gives us some great line readings as the town drunk who tells us everything about Bigfoot (in exchange for alcohol, naturally). This movie has some decent laughs, but no story progression or coherent action. Given that you don't know what's happening half the time, you'll be looking at the clock regularly.
P.S: The credits read 'no Bigfoots were harmed in the making of this movie'. It deserves an extra star for that at least.
Goofballs in the woods try to figure out what happened to a couple of dumbbells who died violently last night.
Lots of talk and other bulls**t. It takes a long time for more of these in-bred scumbags to buy it, and predictably, there's no monster to be found. Why do all these half-wit directors make the same kinds of movies? They want to create, but all they do is regurgitate. Jesus, take a lesson from my words, you greasy dildos.
Just another small-time attempt to cash in on interesting subject matter, followed up with just another small-time failure.
Avoid this tripe. Go to YouTube and watch the Leonard Nimoy 'In Search Of' episode about Bigfoot instead.
Lots of talk and other bulls**t. It takes a long time for more of these in-bred scumbags to buy it, and predictably, there's no monster to be found. Why do all these half-wit directors make the same kinds of movies? They want to create, but all they do is regurgitate. Jesus, take a lesson from my words, you greasy dildos.
Just another small-time attempt to cash in on interesting subject matter, followed up with just another small-time failure.
Avoid this tripe. Go to YouTube and watch the Leonard Nimoy 'In Search Of' episode about Bigfoot instead.
Você sabia?
- CuriosidadesThe bulk of the nighttime scenes were shot day for night.
- Erros de gravaçãoWhen Sarah Evans introduces herself to Sheriff Joe, she hands him her business card, but look carefully, and she actually hands him a "Get Out of Jail Free" card from the "Monopoly" board game.
- Cenas durante ou pós-créditosNo Bigfoots were harmed during this production.
- ConexõesFeatured in The Spoony Experiment: Night Claws (2013)
- Trilhas sonorasI Believe in Battle
Written by Steve McClintock and James Pitts
Performed by Steve McClintock
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- Também conhecido como
- Apex-Predator
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- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração1 hora 23 minutos
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- Mixagem de som
- Proporção
- 1.78 : 1
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By what name was Night Claws (2012) officially released in Canada in English?
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