AVALIAÇÃO DA IMDb
5,5/10
3 mil
SUA AVALIAÇÃO
Depois de terminar um relacionamento, Marilyn decide participar de um concurso de dança do ventre com a sua melhor amiga, Mona.Depois de terminar um relacionamento, Marilyn decide participar de um concurso de dança do ventre com a sua melhor amiga, Mona.Depois de terminar um relacionamento, Marilyn decide participar de um concurso de dança do ventre com a sua melhor amiga, Mona.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 2 indicações no total
Jesse Bob Harper
- Harvey
- (as Jesse Harper)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Like in Ridley Scott's film, so in this one we have the story of two desperate women who fed up with the depression they get from their lives, decide to try their own getaway in an effort to be free and liberated. Only in "Thelma and Louise" we have the case of two otherwise very "main stream" females like the big majority of the average ordinary women and wives of the real world are, who facing the same routine never realize the depression which marks them through the conformity of the men's world they have to live in as women, wives, girl friends. Given this,"Thelma and Louise"'s characters represent the average modern woman to whom they deliver a straightforward feminist message: "You think that you are free and emancipated, well you are not!" . In Buchareb's film on the other hand, being a woman is only a part of the whole thing. What we have here is the case of two persons who are oppressed not just because they are women, but also because they are "different" women. Oppressed by husbands, mothers in law, even other women either because they can not have children, or because they like belly dance, even because they are dark skinned, the tortures of the main characters of the film are clearly not only associated with their sex but also with the fact that they try to pursuit their unconventional wishes. Being women makes things worse, but even if they were males they would have to undergo the same or similar discrimination, hence the only ones who sympathize with them and are kind and helpful to them, are the ones who are victims of discrimination themselves - the Indian Americans of the Indian land area-. I did like the film. The story was intriguing and touching, the acting was good, and the Arab music sonic background adorable!
10sommese
Been looking for this film for awhile. Just purchased copy on Amazon Prime. LOVE, LOVE, LOVE SiEnna in this film. Anyone who views her in "Factory Girl" and this film can readily see why any Hollywood director would want her for "American Woman" (2019) Roadside Attractions/Vertical Entertainment. Her portrayal of Marilyn O'Connor here is very reminiscent of her award winning performance in "American Woman" as Deb Callahan. She gives the viewer an enduring image of young struggling women in difficult almost insurmountable difficulties . BRAVO. LIKE. LOVE. SiEnna is a SUPERSTAR. She may have 3 stars on her right shoulder but she gets 10 above her door here. : - ))))
Some reviews complain that the story is weak. I didn't see the same movie, apparently. This is a buddy flick about two young women who bath hit rough patches in their already rough lives, and join forces to look out for themselves. If I thought that the story was weak, I would still have watched it for the privilege of looking at Golshifteh Farahani, and seeing her dance.
Golshifteh is a rare beauty, a stunner who avoids looking glamorous or acting weak or foolish. "Girls of the Sun" was the first film I saw her acting chops and was impressed with how well she carried her character. I tried to watch "Patterson" but it was a typical Jim Jarmusch film, which killed it for me. I managed about 10 minutes of it before starting to jump ahead.
This film delivers a story that has my favorite actress in the center of attention. Any failings of the screenwriters or the director are easily ignored for my taste.
Golshifteh is a rare beauty, a stunner who avoids looking glamorous or acting weak or foolish. "Girls of the Sun" was the first film I saw her acting chops and was impressed with how well she carried her character. I tried to watch "Patterson" but it was a typical Jim Jarmusch film, which killed it for me. I managed about 10 minutes of it before starting to jump ahead.
This film delivers a story that has my favorite actress in the center of attention. Any failings of the screenwriters or the director are easily ignored for my taste.
An American road movie about two women in a red car. It's « Thelma & Louise » from Ridley Scott for sure but you are wrong : it's this « just like a woman » from french director Bouchareb. As he is a famous director in my country for « Indigenes », i really don't understand why this movie was still unknown, above all it has such famous cast : Zem + Golshifteh + Sienna. In all cases, all my fellows french ignorant don't know what they miss as it's really a strong, moving movie.
Maybe the stories of those women can be a little too much in despair and bad relationships (which husband can cheat on Sienna or be distant to Golshifteh ?) but their trip is just a great breath of liberty, freedom and dreams ! I don't know about you but i resent my actual life the same way they did : i'm a bachelor so maybe I don't know about quarrels but i'm for sure restless and if i'm not without job, the one i do is just alienation. So, like those 2 women, i would like to run away « where the streets have no name » like U2 sing accurately ! Actually, the movie offers this opportunity for a too short 90 minutes and in addition, it's also back to nature and escaping civilization because this team goes camping in the West.
And can you imagine that for this fundamental trip, you go along brunette Goldsifeth and blonde Sienna. It's a dream-team for me as i appreciate the two of them but if Sienna can find now at least one good movie, for personal reason, the black sad eyes of Goldsigeth just take me away !
Maybe the stories of those women can be a little too much in despair and bad relationships (which husband can cheat on Sienna or be distant to Golshifteh ?) but their trip is just a great breath of liberty, freedom and dreams ! I don't know about you but i resent my actual life the same way they did : i'm a bachelor so maybe I don't know about quarrels but i'm for sure restless and if i'm not without job, the one i do is just alienation. So, like those 2 women, i would like to run away « where the streets have no name » like U2 sing accurately ! Actually, the movie offers this opportunity for a too short 90 minutes and in addition, it's also back to nature and escaping civilization because this team goes camping in the West.
And can you imagine that for this fundamental trip, you go along brunette Goldsifeth and blonde Sienna. It's a dream-team for me as i appreciate the two of them but if Sienna can find now at least one good movie, for personal reason, the black sad eyes of Goldsigeth just take me away !
Not sure why Rachid Bouchareb would make such a movie. The guy's been involved in some heavy-duty historical projects that have been very well-received in the past.
Why, Rachid, why?
For some reason, all his movie magic goes right out the door in this uninspiring and impotent road movie featuring a Golshifteh Farahani, in her usual affected demeanor (deep, slow and tragic voice, and the big dark eyes that never seem to blink) entirely devoid of any charisma, a Siena Miller who's trying to save the scenes on her own, and some of the worse performances (lines are spoken artificially and thoughtlessly) from just about everyone. The fact that Bouchareb would hire a French actor like Roshdy Zem (who's otherwise a great actor) is evidence that somebody either lost a bet or had to repay a past favor. Zem is awkward speaking in English and his performance is none the better for it.
Farahani was magical and arresting in The Patience Stone. She had a lot of presence when she shared the screen with Di Caprio.
Her performance is a fail in Just like a Woman, as is Bouchareb's directing.
Nothing to see here, keep moving, folks.
Why, Rachid, why?
For some reason, all his movie magic goes right out the door in this uninspiring and impotent road movie featuring a Golshifteh Farahani, in her usual affected demeanor (deep, slow and tragic voice, and the big dark eyes that never seem to blink) entirely devoid of any charisma, a Siena Miller who's trying to save the scenes on her own, and some of the worse performances (lines are spoken artificially and thoughtlessly) from just about everyone. The fact that Bouchareb would hire a French actor like Roshdy Zem (who's otherwise a great actor) is evidence that somebody either lost a bet or had to repay a past favor. Zem is awkward speaking in English and his performance is none the better for it.
Farahani was magical and arresting in The Patience Stone. She had a lot of presence when she shared the screen with Di Caprio.
Her performance is a fail in Just like a Woman, as is Bouchareb's directing.
Nothing to see here, keep moving, folks.
Você sabia?
- CuriosidadesLady Gaga lobbied hard for the role of Marilyn.
- Erros de gravaçãoAt the 36:35 mark, as Mona is sleeping leaning on the passenger door of the car, in the passenger side mirror can be seen the arm of a crew member in the back seat wearing a white t-shirt.
- Trilhas sonorasYa Rayah
Written by Rachid Taha and Dahmane El Harrachi (as Abderrahmane Amrani)
Performed by Rachid Taha
Courtesy of Delabel Editions & FKO Music & Ind Editions
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- How long is Just Like a Woman?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Idioma
- Também conhecido como
- Just Like a Woman
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 11.403
- Faturamento bruto mundial
- US$ 34.206
- Tempo de duração1 hora 27 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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