Femme Fatales

Finally caught up with this show after a few of my friends told me it was really good. Given it was a show on Cinemax, I didn't' really have any high expectations, but after downloading a few episodes from Amazon I was really surprised. The thing that caught my eye immediately was how good the show looked. Like classic crime thrillers from the 40s, it had a very unique style and some of the same kind of dialogue you expect in an old classic pulp film. Although the twist endings were usually surprising and cool, the thing that really grabbed me was the way characters moved in between episodes giving it the feel of a shared universe in a comic book. And there is even a comic book episode at the end of season 2 which was a ton of fun. For the most part, there are also some really strong performances and memorable femme fatales or femmes fatales, more accurately. There is a dark nihilistic quality to the show that I personally liked and it combines darkness and hmor in the way of a Breaking Bad does. I probably watched about 10 episodes so far and I liked them all, some I loved. The requisite women in prison episode is really a great homage to the 70s classics and the lead performances are all very engaging and the twist totally caught me by surprise. The second episode, Something Like Murder, feels like it came right out of the 1940s, if it weren't for some very sexy and beautifully photographed love scenes with an incredible twist at the end. But as soon as I thought I had this show pegged, it threw a change up with the antic Speed Date, a delightfully wacky screwball comedy with Girlfriends Reggie Hayes who's hysterical as a befuddled dating fraud. It's just a wonderful mash-up of some of my favorite movies. I also enjoyed The Clinic which featured Angus Scrimm, one of my favorite horror actors and The White Flower which had another great twist ending and one of the sexiest femme fatales in the entire series, Tina Casciani. I've only just started watching the second year of the show, other than skipping ahead to the comic book episode because I couldn't help myself. So far the episodes that have been even better and each one has had some of my favorite character actors like Chris Mulkey and Eric Roberts who are in two of the standouts so far. I also really liked Vivica Fox in the Femme Fatales goes to college episode and there's a strange sci-fi episode that feels like an old 70s TV series, the old evil twin chestnut, which got a neat spin, although it wasn't one of my favorites. All in all, I highly recommend the show and am looking forward to watching the rest and may even have to subscribe to Cinemax to watch the third season when it airs.

*****UPDATED REVIEW******

I HAD ORIGINALLY rated this Cinemax "after hours" series a two. Based on a single lack luster episode (entitled "Help Me Rhonda" - I honestly could not envision myself, at the time, watching the series again after this)that I still maintain, failed to deliver on multiple levels.

However after recently viewing another earlier episode (ironically and by no planning of my own, CONNECTED to the previous episode I'd reviewed)I found it to be shockingly conflicting to the PREVIOUS episode I'd watched, as well as the subsequent review.

The episode "Behind Locked Doors" proved to well surpass my earlier designation of the "adult action" in this series as "feather core" and move well into the standard (albeit, still somewhat lack luster) "softcore" range and while the acting won't be winning any awards, it was far more palatable than the unfortunate assembly of actors had been apparently capable of delivering in the first episode I reviewed.

Overall the after hours fare in this respect lived up to and surpassed my most minimal expectations and the knowledge that it tied into a later episode (again, strangely enough the first one I'd previously suffered through) was an especially alluring and surprising bonus.

Being somewhat partial to a "presentably" made W.I.P. storyline (Jailbait 2014, anyone?) I felt compelled to give this series its day in court and revise my earlier rather scathing review.

Again, this is no award winner, but at least in the case of THIS episode, it delivered MORE than I expected and deserved a retrial and pardon.

Of note: I noticed the latest particular episode reviewed (premier ep.)was almost 43mins long where the later episodes are only in the neighborhood of 30mins. Comparably I'd say even an extra 12 mins could make a world of difference in both the storyline and plot. So let's just call this "probation," for now.

Well mostly not "cute" that is. Maybe a little QT (the cover art of the Box Sets indicating that this is "Sin City meets Tarantino"), but not a lot either. What it is though, is erotic short stories, with strong female leads. You may not always like where they are leading to, but most of them are very satisfying nonetheless (in more than one way as you can imagine).

Not every short story does the trick, but even the weaker ones have something that is at least worthwhile. Some are more predictable than others and some have more sex than others. Some of them are even connected (characters popping up at different episodes making it a fun watch). Give the show a try. Curious to see if there is a third season with even more guest appearances (second season had Eric Roberts, Vivica A. Fox and others)

It's always nice to see more anthology shows on TV. Femme Fatales is probably the first erotica/crime anthology show since The Hitchhiker.

Femme Fatales shares The Hitchhiker's wildly uneven nature, as it luxuriates in gunplay, murder, and exploitation of women, all while trying to give lectures on violence and the exploitation of women (see the "Girls Gone Dead" slam with Charlie O'Connell pitch-perfect as the sleazy producer). The main difference between the two shows is the adrenaline jolts of humor and pure insanity which kept The Hitchhiker going. Femme Fatales usually takes itself very seriously, and often seems very flat, in everything from lighting to acting. It's half-baked noir. Worst of all is they continue to have a host who can barely read her lines and who was presumably hired solely for a British accent and for her large breasts. Imagine Alfred Hitchcock Presents hosted by the local sweater girl.

When you watch old Hitchhiker episodes, you can ogle the absurd fashions, hairstyles, pulsing synthesizers, and general paranoid cocaine blindness which makes up so much of 1980's TV. You get an extra kick from nostalgia. You don't get that with Femme Fatales. The show represents the directionless blandness of so much of today's pop culture.

I sometimes here the proverb that "this film is so bad that's good," and I never believed it. But then "Femme Fatales" assaulted my senses. "Femme Fatales" is such a hilariously stupid porno series that it's surprisingly good. Most of the dialogue was so incredibly ridiculous that it could not possibly be taken seriously and probably was not even meant to be. Yet at the same time, my reaction to the stupid lines was not boredom or disgust, but amusement, because the screen writers miraculously gave this idiotic dialogue an originality and a quirky black humour that I frankly have never seen before in any porno. The plot lines were preposterous, but they were so fast-paced, so difficult to predict (there is nothing worse than a movie or series that you can predict), so breathtakingly violent and savage and so unusual that I did not even care that much about the flaws. Finally the acting may not be the best in the world, but for a porno series it is pretty exceptional. I challenge anyone to prove that Hanna Harper, Bree Olson or Steven St. Croix can act better than cast for the Femme Fatales series.

Owing to the bold and breathtaking approach "Femme Fatales" takes to its own subject matter, I suspect that this series is going to be very controversial. Yet if you like porn and are open to something radically different, then you may want to give this series a try.

6.7/10