Um pai ranzinza de meia-idade e seus dois melhores amigos se sentem ultrapassados em um mundo repleto de CEOs bem mais jovens e diretoras de escola poderosas.Um pai ranzinza de meia-idade e seus dois melhores amigos se sentem ultrapassados em um mundo repleto de CEOs bem mais jovens e diretoras de escola poderosas.Um pai ranzinza de meia-idade e seus dois melhores amigos se sentem ultrapassados em um mundo repleto de CEOs bem mais jovens e diretoras de escola poderosas.
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
As a comedy it wasn't super funny I would say but it's still an enjoyable movie to watch. I like Bill Burr as a stand-up comedian so I was curious how he would be as a director. I just finished the adult animation series F Is For Family so every time I heared Bill Burr's complaining voice I was picturing him as a cartoon. The thing I liked the most about Old Dads is their mocking the whole woke generation now. I can't say I didn't agree with it, on the contrary, this whole generation are a bunch of wussies that need to man up a little bit. Everybody is hypersensitive about everything. So yes I thought making fun of the woke generation was the main thing that made this movie worth watching. And also the good chemistry between the three main characters played by Bill Burr, Bobby Cannavale and Bokeem Woodbine.
A refreshingly unapologetic and on point observational comedy.
I sat there thinking why havnt I seen anything like this in years.
Well reading some other reviews I got my answer, yell and cry load enough and you get what you want. If what you want is boring paint by numbers PC appease everyone crap.
I'm thankful to say this is not that.
It does at some points push a little to far with Bobby's I used to be cool narrative.
My wife and I both sat there saying wow this is so true. We need more comedy's that are not afraid to by funny, there is a reason all the comedy's you love and remember we're not made in the last decade.
I sat there thinking why havnt I seen anything like this in years.
Well reading some other reviews I got my answer, yell and cry load enough and you get what you want. If what you want is boring paint by numbers PC appease everyone crap.
I'm thankful to say this is not that.
It does at some points push a little to far with Bobby's I used to be cool narrative.
My wife and I both sat there saying wow this is so true. We need more comedy's that are not afraid to by funny, there is a reason all the comedy's you love and remember we're not made in the last decade.
Let me start by saying that there is a definite trigger warning if you are a man in the male cast members age group. There is plenty of realism here with how women treat men especially in relation to the children. The plot is simple and pretty predictable but the men in this film took more mess than they deserved. There was really no apology or remorse from the offenders. As I said I guess it's realistic and very sad for older men. The whole scene with the children's private school and the head of the school was absolutely disgusting. The fact that the females turn on their men so quickly is just a sad thing to see. My hope is that women watching this movie will open their eyes and see how damaging their words can be and realize that..even though as a mother your child is a top priority.. you can easily push the man away at the same time.
The most amusing humor is the one that reflects reality. Jack's interactions with the school staff and other parents, and their exaggeratedly militant "faux sensitive" responses, are difficult to watch because they mirror real-life situations. Each of them hides behind a shield of political correctness, using it as a weapon, which contradicts their claimed "sensitivity." Jack confronts them, stating at one point, "All you care about is not getting in trouble." The obnoxious 20-something who takes over their company embodies the tiresome, lazy, and arrogant boss we all fear - he has never worked hard, relying on his sense of being "special" to mistreat others. Unfortunately, Jack's "epiphany" about two-thirds of the way through spoils the entire story. His wife shuts him out, citing his "anger" issues. But he doesn't have anger issues. He doesn't physically harm anyone, damage property, unjustly dismiss people from their jobs, avoid work while others labor, or torment his peers or colleagues with a superior attitude. Occasionally, he may call people names and raise his voice. That's about it. Otherwise, he is the most honest, hard-working, and fair person in the entire narrative. It's disheartening that the movie takes a downturn by depicting his "transformation" into a diluted, weak version of himself. This is a TERRIBLE outcome, yet the film portrays it as if he has achieved some kind of successful peak.
I loved it. I haven't laughed like that in ages. Some of Jack's retorts are painful-cringe-funny. Especially when he insults Rachael Harris' character (Dr. Lois Schmieckel-Turner). At one point, I was screaming at my screen "just elbow her in the face". Speaking on behalf of all sensible women: we would have forgiven you.
You know Burr is quoting from life with a lot of these interactions, and he's right to highlight the absurdity of some behaviours, but I absolutely loved that he also showed the progress we've made as a society.
When the men are having their toxic conversations in the car and Travis (Justin Miles) breezily and confidently calls the friends out for it, I was very happy because media is a great way to normalise these types of conversations between men. I also liked that Jack pointed out it was a private conversation and people are entitled to privacy.
There was never a lull, I didn't feel the need to check my phone, and the pace was sharp. I actually forgot I was watching Bill Burr after only a few scenes. He's a genuinely good actor and fit in very well with the rest of the cast. They all had great chemistry as friends - Mike and Connor (Bokeem Woodbine and Bobby Cannavale) were the perfect combination with Jack (Burr). Mike in particular did some fine acting as a man having a bit of a mental breakdown, and Bobby has perfect comedic timing, as always. Absolute natural.
Justin Miles as Travis gets two of some of the most memorable laugh out loud scenes: one with Mike (Woodbine) in the car. Genuinely think I startled my neighbours with my cackling at that scene.
Other mentions are the actresses portraying Leah, Britney and Cara (Katie Aselton, Reign Edwards, Jackie Tohn). It makes all the difference when your actors can.. erm.. act(!) I really felt Leah's frustration and empathised with her even through just a handful of scenes. Britney had even less screen time (and her Beyoncé level of beauty was frankly, distracting..!) but she was effortless and likeable. Cara was hilarious!! Somehow, she was written to be infuriating and endearing simultaneously. She has a habit at the beginning that had me rooting for someone to punch her in the face!
I liked the ending. It didn't feel forced and because I follow Burr, and have watched films before, I knew what to expect. What makes this film great isn't the originality. Is that a thing anymore, anyway? It's the writing, the acting, the fact that you're invested, and the realistic outcomes. I particularly loved the very final scene(s). They summed up the film really well. I took away from this that we can all meet somewhere in the middle.
It's 9/10 for me.
You know Burr is quoting from life with a lot of these interactions, and he's right to highlight the absurdity of some behaviours, but I absolutely loved that he also showed the progress we've made as a society.
When the men are having their toxic conversations in the car and Travis (Justin Miles) breezily and confidently calls the friends out for it, I was very happy because media is a great way to normalise these types of conversations between men. I also liked that Jack pointed out it was a private conversation and people are entitled to privacy.
There was never a lull, I didn't feel the need to check my phone, and the pace was sharp. I actually forgot I was watching Bill Burr after only a few scenes. He's a genuinely good actor and fit in very well with the rest of the cast. They all had great chemistry as friends - Mike and Connor (Bokeem Woodbine and Bobby Cannavale) were the perfect combination with Jack (Burr). Mike in particular did some fine acting as a man having a bit of a mental breakdown, and Bobby has perfect comedic timing, as always. Absolute natural.
Justin Miles as Travis gets two of some of the most memorable laugh out loud scenes: one with Mike (Woodbine) in the car. Genuinely think I startled my neighbours with my cackling at that scene.
Other mentions are the actresses portraying Leah, Britney and Cara (Katie Aselton, Reign Edwards, Jackie Tohn). It makes all the difference when your actors can.. erm.. act(!) I really felt Leah's frustration and empathised with her even through just a handful of scenes. Britney had even less screen time (and her Beyoncé level of beauty was frankly, distracting..!) but she was effortless and likeable. Cara was hilarious!! Somehow, she was written to be infuriating and endearing simultaneously. She has a habit at the beginning that had me rooting for someone to punch her in the face!
I liked the ending. It didn't feel forced and because I follow Burr, and have watched films before, I knew what to expect. What makes this film great isn't the originality. Is that a thing anymore, anyway? It's the writing, the acting, the fact that you're invested, and the realistic outcomes. I particularly loved the very final scene(s). They summed up the film really well. I took away from this that we can all meet somewhere in the middle.
It's 9/10 for me.
Você sabia?
- CuriosidadesBill Burr's real-life wife Nia Renee Hill portrays the nurse in the maternity ward.
- Erros de gravaçãoJust before they meet Ed Cameron they hit an armadillo with the rental car. Ed Cameron lives in New Mexico and they are driving from California, yet there are no wild armadillos in California, Arizona, or New Mexico.
- Citações
Cara Brody: You think I'm cold?
Connor Brody: Babe, when you open your legs, I can actually hear the East German national anthem
- ConexõesReferences Miami Vice (1984)
- Trilhas sonorasYou've Got Another Thing Coming
Written by Glenn Tipton, Rob Halford (as Robert Halford), K.K. Downing (as Kenneth Downing)
Performed by Judas Priest
Courtesy of Sony Music Entertainment (UK) Ltd.
By arrangement with Sony Music Entertainment
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
- How long is Old Dads?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Papás a la antigua
- Locações de filme
- 18500 block, San Jose St at Reseda Blvd, Northridge, Califórnia, EUA(Jack turns off Reseda to follow superannuated scooter rider down San Jose)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração1 hora 44 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente