Grandes Esperanças

Great Expectations is one of my favorite novels and I have seen every screen adaptation to date. None has made more impact on me than the David Lean version. I was so looking forward to Mike Newell's version which seemed to have the perfect casting. I was though quite disappointed. Granted that it is very difficult to tell this story in a couple of hours of screen time, but that is no excuse for making a film which rushes through the events in the book without providing sufficient depth of the characters and motivation for their actions for the audience to feel empathy with them. Such a story deserves a longer screen time or alternatively cut out some of the secondary characters and provide more focus on the main characters. The film has a very "Harry Pottery" look which is no surprise since Newell made one of the films in that series. Performances are generally fine, with Ralph Fiennes and Helena Bonham Carter predictably stealing the main honors.

This adaptation of Great Expectations did enchant me at some points. There was a definite highlight in the relationship between Magwitch (played by Fiennes)and Pip (Irvine). The issue, however, comes with a certain lack of focus in the film: it could have centered on the gripping dynamic of those two, but instead wandered between hopeless Estella-loving Pip and confused gentleman-aspiring Pip, not choosing to dwell on the excellent depictions of rough father figure Magwitch and reluctant son Pip. The best moments involved them - from the disbelief when Pip realizes who Magwitch is to the suspense and melancholy of their later scenes.

In short, the acting was spot-on, but the story wavered. Director Newell walked a very fine line between kitschy and touching in depictions of Havisham, Estella and Pip's relationship. With Estella and Pip's main confrontation, for example, I found myself drawn in and absorbed by their emotions - but the over-the-top display of melodrama, with Estella over-symbolically torn between Havisham and Pip, quickly cut through the tension and made it veer toward the more absurd. Bonham Carter as Havisham was a good choice, but it seemed almost too obvious: she plays the part as if straight from Tim Burton's CORPSE BRIDE, a film she herself has compared her character to.

It was worth it to watch the excellent acting by Irvine and Fiennes. There were laughs and tension but it was all quite formulaic; and the meandering film focus, finally leading to a spotlight on Estella/Pip but without a satisfying kick in the end, did not add up to a particularly memorable film. 6/10.

Thematically speaking, Mike Newell's GREAT EXPECTATIONS depicts a world in which money talks: where rich n'er-do-wells such as Bentley Drummle (Ben Lloyd-Hughes) manage to find the girls of their choice, while fundamentally good people such as Pip (Toby/ Jeremy Irvine) end up unlucky. To survive in this world, Pip has to shed his humanity; this is especially evident in his offhand treatment of Joe Gargery (Jason Flemyng), when the blacksmith comes to visit him in London. Likewise Estella (Helena Barlow/ Holliday Granger) is brought up in a world where any display of emotion or human feeling is considered weak; hence she believes it is her destiny to marry Bentley, even though the couple are not in love with one another. The quintessential representative of this rapacious world is Jaggers (Robbie Coltrane), who believes that everything - including human beings - are to be bought and sold for money. Hence Joe Gargery should be happy to accept twenty-five guineas in exchange for Pip. Unless you've got money, you'll not have any Great Expectations. Newell's film is also very good at depicting the relationships between Pip, Estella and Miss Havisham (Helena Bonham Carter) - although somewhat young for the role, Bonham Carter comes across as a fundamentally vindictive person, who enjoys playing with Estella and Pip's feelings in revenge for her own frustrations at being jilted on her wedding-day several years previously. As with most BBC- inspired costume dramas, the sense of place is beautifully evoked, even though Jim Clay's production designs; nineteenth-century London is a teeming, threatening world in which self-interest prevails. This is contrasted with the rural Kent coast where Joe and his sister (Sally Hawkins), a lonely world of sprawling landscapes and russet sunsets. Perhaps the only criticism that might be leveled at this adaptation is the fact that David Nicholls' screenplay runs out of steam somewhat: the plot-details are rather hurriedly wrapped up in the last half-hour at the expense of characterization and atmosphere. This is a shame, as it deflects out attention from the developing relationship between Pip and Abel Magwitch (Ralph Fiennes), which proves beyond doubt that compassion is far more significant than money to ensure human survival.

Acceptable translation of classic Dickens book with a competent direction by Mike Newell . The movie deals with an orphan child called Pip (Jeremy Irvine, though Alex Pettyfer turned down the role) meets on the dark moor an escaped convict hiding out in the Victorian English countryside called Magwitch (Ralph Fiennes) and helps him . A kindness that will change the course of Pip's life , though he doesn't realize it . Magwitch escapes and is aided by young orphan Pip ; then Magwitch discovers a fortune , which he decides to use to make him into a gentleman . Later on , at a musty mansion Pip meets an old woman , Miss Havershan (Helena Bonham Carter , though Meryl Streep was approached for the role, but turned it down due to scheduling conflicts), and a beautiful girl called Stella (grown-up, a haughty beauty Holliday Grangier , though Rooney Mara turned down the role) who has been raised by the eccentric Miss Havershan . Pit suddenly becomes a gentleman with the support of an unknown benefactor and his advocate (Robbie Coltrane) . But his enemies would like to get Pip's inheritance for themselves . Meanwhile , Pip befriends Herbert Pocket (Olly Alexander) and Pip's likable flatmate .

The film is an alright adaptation based on Charles Dickens's novel , being pretty well directed by the nice director Mike Newell . In the movie there is intense drama , a love story , emotion , tragedies and is pretty entertaining , though has more style than substance . Although the images and settings are compelling , the filmmaker should have learned that beauty on the surface isn't all essential . This is a respectable but sometimes dull recounting about notorious novel , being finely performed , splendidly staged with adequate sets , stunning visuals and interesting drama of a well known story . Newell's professional retelling of Dickens tone but easily dwarfed by the classic 1946 David Lean's version . Well-acted by all , but especially by Helena Bonham Carter's slightly pathetic and mad Miss Havishan decided to wreak havoc on the male gender ; Helena stated in an interview that she wore only one shoe for the shooting , as Dickens described Miss Havisham as wearing only one shoe . Jeremy Irvine's enjoyable acting as starring , he's romantic , sympathetic , attractive but also vulnerable and memorable . Robbie Coltrane as the agreeable lawyer is top notch , and secondary cast as Ewen Bremner , Olly Alexander , Sally Hawkes , Jason Fleming , among others , are excellent . Special mention to Ralph Fiennes as the unknown benefactor who becomes Pit into a well-heeled gentleman . Atmospheric as well as colorful cinematography by John Mathieson . Evocative and sensitive musical score by Richard Hartley . Rating : Above Average . Well worth seeing for Charles Dickens lovers .

There are many adaptations about this famous novel , they result to be the followings : ¨Great expectations¨ (1943) by Stuart Walker with Phillips Holmes , Henry Hull , Jane Wyatt , Francis L Sullivan ; ¨Great expectations¨ (1946) by David Lean , considered to be the greatest version of the Charles Dickens novel with John Mills , Finlay Currie , Martita Hunt , Valerie Hobson , Alec Guinnes , Jean Simmons , Francis L Sullivan , possibly the best Dickens on film . The modern rendition by Afonso Cuaron featured by Ethan Hawke as Pit , Gwyneth Paltrow as Stella and Anne Bancroft as Miss Havershan is deemed average . And several TV adaptations and miniseries such as : 1981 with Bratford Jones and John Hickson ; 1987 The untold story with John Stanton , Sigrid Thornton , Anne Louise Lambert , 1989 by Kevin Connor with Anthony Hopkins , Jean Simmons , John Rhys Davies , 1999 by Julian Jarrold with Ioan Gruffud , Justine Waddell , Charlotte Rampling and Bernard Hill .

Before the review starts I must say that it might be a little biased. Coming from another country, before I saw the movie I had never heard of the book (maybe the title once or twice in a different translation) or any of the movie adaptations. For everyone else I suspect it wasn't as interesting as it was to me.

The movie is about a boy, Pip, who gets in the possession of some money and coming from a poor background, goes on to become a gentleman in London.

The movie is filled with a very well-known cast, e.g. Helena Bonham Carter and Jeremy Irvine, and directed by Mike Newell (Harry Potter and the Goblet of Fire). As seen from previous movies, everyone delivers a remarkable performance, especially Carter with the wounded character of Miss Havisham (there's a good twist around the end involving her). Another great stand out was Holliday Grainger in the role of Estella. I loved her, and will be definitely looking at what projects she chooses in the future. It was a nice surprise when she appeared in Anna Karenina (2012), and although just for a couple of seconds, she played her part there very well too.

The story, although I've never heard of it, is a classic. It's handled very well, and the love story too. Two people that were never meant to be together. Even though Estella is trying to push Pip away, Pip always comes back. There is definitely chemistry between the two.

The sets and costumes were another high point of the movie. The women's wear in particular worked very well for the time period in which the story is set. The depiction of 1980s London was very graphic and very well done. Nothing seemed CGI, and all the sets looked very realistic.

Every movie has a flaw, and nearly every time it's the pace. The movie did slow down around the middle, after Pip arrives in London and settles down. Not much happened.

I recommend this to most movie fans looking for a good drama. Fans of the story will probably dig the new adaptation too. Enjoy.

Acting - 10/10 Costumes - 10/10 Pace - 8/10 Sets - 10/10

Overall - 9/10