Em um futuro próximo, o crime será patrulhado por uma força policial mecanizada. Quando um dróide policial, Chappie, é roubado e recebe uma nova programação, ele se torna o primeiro robô com... Ler tudoEm um futuro próximo, o crime será patrulhado por uma força policial mecanizada. Quando um dróide policial, Chappie, é roubado e recebe uma nova programação, ele se torna o primeiro robô com a capacidade de pensar e sentir por si mesmo.Em um futuro próximo, o crime será patrulhado por uma força policial mecanizada. Quando um dróide policial, Chappie, é roubado e recebe uma nova programação, ele se torna o primeiro robô com a capacidade de pensar e sentir por si mesmo.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 3 indicações no total
Yo-Landi Visser
- Yo-Landi
- (as ¥o-Landi Vi$$er)
Johnny Selema
- Pitbull
- (as Johnny K. Selema)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
I went into Chappie as a huge fan of the gritty action and social commentary of District 9. I expected that this would be more of the same. Both are still present, but surprisingly, with laughs.
This is one of the more entertaining movies from every angle that I've seen in awhile. I described it as I left as funny, sad, uplifting, dark, light, silly, and tense.
The center of the story is Chappie. He is a hero you want to shelter, even though you want him to learn. But even as you love his curiosity, you fear his naiveté. He is the most complex character, and gives a fascinating paradigm into how children must receive and process human society and contradiction. There are some inconsistencies in Chappie's character (is he already programmed to raise his voice if he's scared, or did he learn that?), but he still succeeds as a dynamic, independent being.
Yes, the humans characters are flat. They are merely roles. The Maker. The Villain. Mommy and Daddy. The friend. But as Chappie begins to learn, you see why they have to be flat. They are trying to exert influence on a (robotic) child. Therefore, they must simplify their own motivations and desires into the most basic explanations possible for Chappie to understand. This leads to hilarious imitation and thought-provoking perspectives.
Chappie's curiosity was once ours. Chappie's confusion was once ours. Watching Chappie is like watching a sped-up version of childhood social and moral development, with all of the Hollywood tension, explosions, and naughty words to keep you interested, too. There are parts to laugh at because it's funny, parts to laugh at because the costuming and set design is ridiculous, but you still end up thinking seriously the whole time.
Give it a chance. You might love it. I did.
This is one of the more entertaining movies from every angle that I've seen in awhile. I described it as I left as funny, sad, uplifting, dark, light, silly, and tense.
The center of the story is Chappie. He is a hero you want to shelter, even though you want him to learn. But even as you love his curiosity, you fear his naiveté. He is the most complex character, and gives a fascinating paradigm into how children must receive and process human society and contradiction. There are some inconsistencies in Chappie's character (is he already programmed to raise his voice if he's scared, or did he learn that?), but he still succeeds as a dynamic, independent being.
Yes, the humans characters are flat. They are merely roles. The Maker. The Villain. Mommy and Daddy. The friend. But as Chappie begins to learn, you see why they have to be flat. They are trying to exert influence on a (robotic) child. Therefore, they must simplify their own motivations and desires into the most basic explanations possible for Chappie to understand. This leads to hilarious imitation and thought-provoking perspectives.
Chappie's curiosity was once ours. Chappie's confusion was once ours. Watching Chappie is like watching a sped-up version of childhood social and moral development, with all of the Hollywood tension, explosions, and naughty words to keep you interested, too. There are parts to laugh at because it's funny, parts to laugh at because the costuming and set design is ridiculous, but you still end up thinking seriously the whole time.
Give it a chance. You might love it. I did.
Why all the hate for this movie? I understand not liking something, but everyone seems to just TRASH it. Did I see the same movie? I saw an emotional film about innocence and loss. I REALLY don't understand. Sure, maybe the film didn't have the best dialogue or the best acting in the world, but it hit home for me. The VFX were phenomenal, Chappie is the best CGI motion capture I have seen in a long time, the 100% electronic musical score by Hans Zimmer was really unique and fresh, and it has a really great ending. I DON'T UNDERSTAND. If you like Blomkamp's previous films or are remotely interested, please watch it yourself. I think the critics are wrong on this one. I have been thinking for a while about why the reviews are so out there. First off, the trailers are AWFUL. The first to come out was this philosophical "What does it mean to be human?" kinda movie. The TV trailers were "GUNS, EXPLOSIONS, ROBOTS!!!" and it is neither. Think "Little Miss Sunshine" with a robot, that is a more accurate representation. Blomkamp's most underrated film.
If there was ever a movie that needed a sequel more than another, it's Chappie.
It's literally probably the best movie I've ever seen, still (and it's 2021 as of this update/writing).
It's literally probably the best movie I've ever seen, still (and it's 2021 as of this update/writing).
Another user made a point that this movie is essentially a blend of "RoboCop" and "Short Circuit". Of course, that is a great combination of movies, but Chappie manages to add it's own charm to the mix. I think the South African characters that have divided many viewers' opinions actually adds to the uniqueness and charm of the movie. The movie raises questions about morality, and about the value of a life, even if that life isn't human. Perhaps the science behind this movie might be unrealistic, but if you suspend your disbelief and focus on the main themes of this movie, it's a really heart-warming movie.
While this movie isn't necessarily one for the history books of cinematography, it's certainly a good film and definitely worth a watch, in my opinion.
While this movie isn't necessarily one for the history books of cinematography, it's certainly a good film and definitely worth a watch, in my opinion.
Upon seeing so much hype of Neill Blomkamp's latest project, Chappie, I had to see what his follow-up from past hits like District 9 and Elysium can do. When I did, the movie itself further left me puzzled, but kept me engaged in the action scenes. The idea of a robot who was originally programmed for serious community work with no sentient purposes seems to follow the trail left behind by past robot-based films like 'Wall-E,' 'I, Robot,' and notably 80s comedy 'Short Circuit.' Blomkamp film regular, Sharlto Copley certainly delivered such an amazing motion-capture performance as the innocent, yet gifted robot Chappie.
Comparing Chappie to Johnny 5 in terms of witty humor is something that has been done before, but the action sequences began to remind me of the intense, anarchic moments shown in Blomkamp's District 9, which is kind of the recurring themes in his previous projects. 'Slumdog Millionaire' star Dev Patel plays inventor Deon who reprograms one of the decommissioned robots (along with the assistance of two individuals of South African rap-rave group Die Antwoord) leading to Chappie seeing them as his parental figures as well as him focusing on the concepts of compassion, existentialism, and even nonconformity. It now proves that Chappie can be much more than just an obedient robot, but can actually express himself in ways the average human cannot comprehend.
The villain (played by Hugh Jackman) considers this sentient being a threat and plans to eradicate it in anyway possible, thus bringing Chappie and his human comrades to a full-scale rebellion against the oppressive tyrant and his forces.
I found the film to be enjoyable and sometimes laughable because it reminded me of the themes in not just the humor of 'Short Circuit,' but a near-similar scenario shown in 'I, Robot' as well in terms of consciousness being tested. The movie does indeed demote Jackman's hero reputation from past movies as the villain Vincent Moore since the archetypes of his character here feel too cliché. Sigourney Weaver's role as CEO Michelle Bradley feels unclear on what side does she really condone, but I felt her character development could've stretched more than what is shown on screen. Since the movie's setting takes place once again in the derelict, yet prosperous areas of Johannesburg, South Africa, I can already tell that it comes from the same vein as District 9. Since Blomkamp admitted that he would helm the next 'Alien' film, only time will tell of what he really thinks about the critical outcome of Chappie's success.
To conclude, whether they are misdeeds or not, Chappie is a likable robot who can pull off extraordinary things as any human (albeit even outlandish), maybe something better. The entire movie is nowhere near the equivalent of District 9 story-wise, but as Chappie quotes, "I am consciousness. I am alive." This further emphasizes that he is capable of thinking on his own and upon his understanding, it's human nature.
Comparing Chappie to Johnny 5 in terms of witty humor is something that has been done before, but the action sequences began to remind me of the intense, anarchic moments shown in Blomkamp's District 9, which is kind of the recurring themes in his previous projects. 'Slumdog Millionaire' star Dev Patel plays inventor Deon who reprograms one of the decommissioned robots (along with the assistance of two individuals of South African rap-rave group Die Antwoord) leading to Chappie seeing them as his parental figures as well as him focusing on the concepts of compassion, existentialism, and even nonconformity. It now proves that Chappie can be much more than just an obedient robot, but can actually express himself in ways the average human cannot comprehend.
The villain (played by Hugh Jackman) considers this sentient being a threat and plans to eradicate it in anyway possible, thus bringing Chappie and his human comrades to a full-scale rebellion against the oppressive tyrant and his forces.
I found the film to be enjoyable and sometimes laughable because it reminded me of the themes in not just the humor of 'Short Circuit,' but a near-similar scenario shown in 'I, Robot' as well in terms of consciousness being tested. The movie does indeed demote Jackman's hero reputation from past movies as the villain Vincent Moore since the archetypes of his character here feel too cliché. Sigourney Weaver's role as CEO Michelle Bradley feels unclear on what side does she really condone, but I felt her character development could've stretched more than what is shown on screen. Since the movie's setting takes place once again in the derelict, yet prosperous areas of Johannesburg, South Africa, I can already tell that it comes from the same vein as District 9. Since Blomkamp admitted that he would helm the next 'Alien' film, only time will tell of what he really thinks about the critical outcome of Chappie's success.
To conclude, whether they are misdeeds or not, Chappie is a likable robot who can pull off extraordinary things as any human (albeit even outlandish), maybe something better. The entire movie is nowhere near the equivalent of District 9 story-wise, but as Chappie quotes, "I am consciousness. I am alive." This further emphasizes that he is capable of thinking on his own and upon his understanding, it's human nature.
Você sabia?
- CuriosidadesThe house used for Hippo's lair was co-writer and director Neill Blomkamp's childhood home.
- Erros de gravaçãoWith hundreds of scout units in the field, the movie starts by making a point of saying that there is a completely secure way of reprogramming them, ensuring that there is no problem with programming in the field. Yet two characters set out to retrieve the single "key" that prevents this from happening and there is not a single camera, security guard, two-person key lock, or even a janitor in the building that houses the lock.
- Cenas durante ou pós-créditosIn the closing credits appears "Be Moved" in large font.
- Versões alternativasIn an alternate ending, Chappie has an army in downtown then ends the footage of William Roberts.
- Trilhas sonorasHappy Go S*cky F*cky
Written by Ninja, Yo-Landi Visser (as ¥o-Landi Vi$$er), D.J. Hi-Tek (as DJ Hi-Tek), Motohiro Kawashima
Performed by Die Antwoord
Courtesy of Zef Records
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Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Chappie: Cảnh Sát Người Máy
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 49.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 31.569.268
- Fim de semana de estreia nos EUA e Canadá
- US$ 13.346.782
- 8 de mar. de 2015
- Faturamento bruto mundial
- US$ 102.811.889
- Tempo de duração2 horas
- Mixagem de som
- Proporção
- 2.39 : 1
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