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IMDbPro

A Hora Mais Escura

Título original: Zero Dark Thirty
  • 2012
  • 14
  • 2 h 37 min
AVALIAÇÃO DA IMDb
7,4/10
332 mil
SUA AVALIAÇÃO
POPULARIDADE
540
11
Jessica Chastain in A Hora Mais Escura (2012)
Watch the final theatrical trailer for Kathryn Bigelow's chronicle of the decade-long hunt for Osama bin Laden.
Reproduzir trailer2:34
9 vídeos
99+ fotos
DocudramaPolitical DramaPolitical ThrillerDramaHistoryThriller

Uma crônica da "década da caça" do líder terrorista da Al Qaeda, Osama Bin Laden, após os ataques de setembro de 2001, e sua morte nas mãos do Time 6 da Marinha dos Estados Unidos em maio de... Ler tudoUma crônica da "década da caça" do líder terrorista da Al Qaeda, Osama Bin Laden, após os ataques de setembro de 2001, e sua morte nas mãos do Time 6 da Marinha dos Estados Unidos em maio de 2011.Uma crônica da "década da caça" do líder terrorista da Al Qaeda, Osama Bin Laden, após os ataques de setembro de 2001, e sua morte nas mãos do Time 6 da Marinha dos Estados Unidos em maio de 2011.

  • Direção
    • Kathryn Bigelow
  • Roteirista
    • Mark Boal
  • Artistas
    • Jessica Chastain
    • Joel Edgerton
    • Chris Pratt
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,4/10
    332 mil
    SUA AVALIAÇÃO
    POPULARIDADE
    540
    11
    • Direção
      • Kathryn Bigelow
    • Roteirista
      • Mark Boal
    • Artistas
      • Jessica Chastain
      • Joel Edgerton
      • Chris Pratt
    • 816Avaliações de usuários
    • 584Avaliações da crítica
    • 95Metascore
  • Veja as informações de produção no IMDbPro
    • Ganhou 1 Oscar
      • 85 vitórias e 174 indicações no total

    Vídeos9

    Best Picture Nominee
    Trailer 2:34
    Best Picture Nominee
    U.S. Version #2
    Trailer 2:16
    U.S. Version #2
    U.S. Version #2
    Trailer 2:16
    U.S. Version #2
    U.S. Version -- #1
    Trailer 1:15
    U.S. Version -- #1
    Zero Dark Thirty
    Trailer 2:03
    Zero Dark Thirty
    Zero Dark Thirty: The Meaning Of Zero Dark Thirty (Featurette)
    Featurette 1:20
    Zero Dark Thirty: The Meaning Of Zero Dark Thirty (Featurette)
    Zero Dark Thirty: Compound (Featurette)
    Featurette 2:56
    Zero Dark Thirty: Compound (Featurette)

    Fotos187

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    Elenco principal99+

    Editar
    Jessica Chastain
    Jessica Chastain
    • Maya
    Joel Edgerton
    Joel Edgerton
    • Patrick - Squadron Team Leader
    Chris Pratt
    Chris Pratt
    • Justin - DEVGRU
    Mark Strong
    Mark Strong
    • George
    Jason Clarke
    Jason Clarke
    • Dan
    Reda Kateb
    Reda Kateb
    • Ammar
    Kyle Chandler
    Kyle Chandler
    • Joseph Bradley
    Jennifer Ehle
    Jennifer Ehle
    • Jessica
    Harold Perrineau
    Harold Perrineau
    • Jack
    Jeremy Strong
    Jeremy Strong
    • Thomas
    J.J. Kandel
    J.J. Kandel
    • J.J.
    Wahab Sheikh
    • Detainee on Monitor
    Alexander Karim
    Alexander Karim
    • Detainee on Monitor
    Nabil Elouahabi
    Nabil Elouahabi
    • Detainee on Monitor
    Aymen Hamdouchi
    Aymen Hamdouchi
    • Detainee on Monitor
    Simon Abkarian
    Simon Abkarian
    • Detainee on Monitor
    Ali Marhyar
    • Interrogator on Monitor
    Parker Sawyers
    Parker Sawyers
    • Interrogator on Monitor
    • Direção
      • Kathryn Bigelow
    • Roteirista
      • Mark Boal
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários816

    7,4331.9K
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    Avaliações em destaque

    6rooee

    Propaganda done properly

    Zero Dark Thirty is a procedural CIA-based thriller in the mould of TV's Homeland. This film, however, is based on real-life events, so it doesn't have the benefit of being able to withhold in the way Homeland's first series did with Twin Peaks-like delectation. What Zero Dark Thirty does have is a narrative based on first-hand accounts, and it makes no explicit judgement about the content of those accounts. We simply get to see what (apparently) happened during the manhunt for "UBJ".

    The film's lack of polemic is both a blessing a curse. It's a blessing because it's rare that a film dealing with such volatile subject matter is depicted procedurally. Usually when a narrative is made ostensibly apolitical it's as a result of an unconvincing moral rebalancing, where the filmmakers go to great lengths to present both sides fairly. But Mark Boal and Kathryn Bigelow's disinterest is also a curse because, in avoiding judgement, it surreptitiously falls firmly on the side of the CIA. It shows what it's allowed to show, but keeps their secrets ("undisclosed location" and all that); and it portrays the operatives as the honourable front-liners getting their hands dirty (but not bloody), beyond moral reproach by virtue of hard graft. In Bigelow's world, it's the suits in Washington who have the blood in their hands - they're disconnected, as evidenced when torture-specialist Dan (Jason Clarke) returns to US headquarters from the field and loses his nerve, becoming a man of soft probabilities.

    Clarke is solid but lost amidst superior talent, as he was in John Hillcoat's recent Lawless. Jessica Chastain delivers a nuanced performance. Driven professionals in films often come across as stolid, but Chastain is an actor of subtlety - even if Bigelow can't help lensing her like a wind-swept movie star in the Middle Eastern magic light. Jennifer Ehle uses her moon-faced radiance to good effect, filling her eager operative Jessica with youthful energy. There's a fair amount of distracting spot-the-cameo going on, particularly toward the end, when Joel Edgerton, Mark Duplass and James Gandolfini turn up.

    Bigelow's directorial talent is never in doubt. The final sequence in particular is harrowingly tense, even though we know the outcome. And she generally gets the best out of actors. But make no mistake: this is a deeply patriotic film which is cheering for the home team, and it does so under the guise of objectivity, which makes it more manipulative than flag-waving fare like Last Ounce of Courage or Act of Valor, albeit much more skilfully made.
    7Danusha_Goska

    Technically Impressive but Surprisingly Hollow

    "Zero Dark Thirty" is a grim, clinical depiction of the CIA search for Osama bin Laden. Its strongest feature is its dramatization of the Navy Seal Team 6 operation in Abbottabad, Pakistan, that killed bin Laden. That sequence is so professionally shot it could be actual documentary footage.

    "Zero" has no real plot. Episodic scenes occur in a choppy manner, one after the other. Scenes consist of depictions of beating and water boarding of detainees in order to gather information, agents stalking a suspect in Pakistan's crowded, chaotic bazaars, terrorist bombings, assassinations and assassination attempts. There are also scenes in offices where characters stare intently at computer screens or interrogation videos, and characters yell at each other and use obscenities, as their frustrating hunt for Osama bin Laden wears them down.

    "Zero" makes no attempt to draw the viewer in with any human sentiment. Characters are given no backstory and no character arch. CIA agent Maya, played by Jessica Chastain, is the closest the film has to a main character. She reveals no affect. Her face is blank. She isn't so much robotic as inert. We know nothing about her, except that she was recruited to the CIA while in high school – we are never told what would draw the CIA to a high school student. I didn't care about this character at all. All I kept thinking was, "Jessica Chastain is being praised for *this* performance? Why?" The dullness of her performance, and the underwritten character, made it almost impossible for me to lose myself in the story, such as it was.

    Jason Clarke is very strong and charismatic as Dan, a CIA interrogator. Dan humiliates, beats, and water boards suspects, and then feeds them delicious meals of hummus and olives when they deliver. His depiction of his work as just another job – he could be playing a bus driver with the same amount and degree of expressiveness – is provocative. I wish I had gone to see a film built around his character and his performance.

    Overall, I was disappointed in the film. Feature films are an art form. I want them to do to me what drama can do. I want to be made to identify with a character and I want, through that identification, to learn more about life, or I want to be entertained. "Zero" did neither for me. I wasn't entertained, and my understanding and worldview were not expanded. I think the same material could have been better treated in a documentary with selective re-enactments.

    "Zero Dark Thirty" sidesteps key questions. Maya sacrificed years of her life to the hunt for Osama bin Laden. Dan risks his humanity by making his living beating and humiliating other men. Men, women and children throughout the Muslim world, and, as the film makes clear, in America's and Europe's cities, are eager to blow themselves up, as long as they can take some infidels with them. Why? The film doesn't even acknowledge that there are people out there asking the question, never mind attempting to suggest an answer.

    The film opens with audio from the September 11, 2001 terror attacks, suggesting that the war between Islam and the non-Muslim world dates from that attack. Not so. Islam increased its territory through jihad from its invention in the seventh century until September 11, 1683, at the Battle of Vienna. After that defeat, Islam stopped its spread. The significance of the date of September 11 goes back over four centuries.

    America's founding fathers had to deal with jihad; see Thomas Jefferson and the Barbary Pirates. Some argue terrorism, including the 9-11 attack, is caused by Western imperialism. The solution to these thinkers is for the Western world to be nicer to non-Western nations, to practice multiculturalism and to share the wealth. Others argue that jihad is inextricable from Islam, and that one necessary step is for the West to recognize and cherish its own unique virtues – to cherish that for which its spies, soldiers, and citizens fight, sacrifice, kill and die.

    "Zero Dark Thirty" never so much as brushes up against these questions. At its key moment, the film is hollow. We all know how the hunt ends – we all know Osama bin Laden is dead. "Zero" might have addressed why Maya gave the time of her life to that hunt, why Dan risked his humanity, why Seal Team 6 trained for years and risked their lives. "Zero" never does consider why these, who might have been the film's heroes, did what they did, and I walked out of the theater oddly unmoved by all the high tension and graphic violence I'd just sat through.
    babe_in_arms

    torture is just another form of terrorism

    (1/10/13, one star) Kathryn Bigelow and her new movie Zero Dark Thirty deserve our universal contempt and condemnation for condoning torture. Bigelow revisits the darkest chapter in U.S. history (U.S. torture in the Middle East in the aftermath of 9/11) and dwells on it, not to condemn the actions of U.S. leaders who authorized this campaign of state terror against Muslim prisoners but rather to vindicate the torturers and justify the savagery that earned the undying enmity of millions of Arabs. Bigelow is too crafty to explicitly hold up criminals as heroes worthy of veneration but instead constructs a superficial veneer of faux-journalistic neutrality that will fool only the most gullible along with those anxious to buy into the dangerous delusion she is peddling. She dedicates large segments of her movie to portraying U.S. torturers as selfless patriots and their victims as homicidal maniacs, but not one minute to explaining why they attack us. Of course, we can't have Americans wondering what our government had been doing to make Muslims hate us so much. And with 9/11 our national descent into deceit, denial and self-delusion began, with no end in sight yet. According to the official myth still being perpetuated by our government and unconscionable propagandists like Bigelow, Muslim radicals are never rational actors but rather just crazed fanatics, to be tortured and destroyed like mad dogs. And now Bigelow compounds this ongoing national folly with the resurrection of its corollary Big Lie: torture of detainees is compatible with democracy, even necessary to protect it.

    Torture is just another form of terrorism. When the state tortures detainees, it is state terrorism, directed ultimately against all humanity as well as against individual detainees. Torturers degrade and dehumanize themselves, their victims, and any society that tolerates their crimes. How can anyone claim victory over terrorism when they employ it themselves? Besides, torturers (most famously, the Nazi and Communist regimes in Germany and Russia) have always rationalized torture on grounds of public security, but have always ultimately used torture as a weapon to terrorize the public and crush political opposition. (Do we really want to emulate the Nazis and Communists?) In the long run, torturers are a more pernicious threat to both our security and our liberty than any Al Qaeda agent could ever hope to be.

    Senator McCain is right when he says that Zero Dark Thirty gives our enemies powerful ammunition to use against us, especially if it garners awards. Audiences around the world will see the movie as confirmation that the horrors of Abu Ghraib reflect the real soul of America.
    8SnoopyStyle

    Shocked how real the raid look

    Maya (Jessica Chastain) is a CIA analyst who won't rest from the hunt fro Bin Laden. Director Kathryn Bigelow has followed the hunt from 9-11 to the tension filled raid in Abbottabad, Pakistan. The movie is based on the true events. There is a relevant question of how true to the events is the movie. Unlike most movies, this is actually an important question.

    Most of us have no hope of knowing the true facts that actually happened. This movie is certainly a possible reality. Some of it is probably wrong. They've probably changed some of it to not reveal CIA trade craft. Others looks different than what's been reported on the news. However it is overall following the story already laid out for the public.

    The hunt for Bin Laden can meander and not follow a straight line. It doesn't really built like a normal movie. Bigelow is still able to maintain the tension throughout the movie. The last 40 minutes is where this movie truly excels. The raid in Abbottabad is incredibly tense. The Hollywood flashiness is mostly removed. It takes its time. It's done almost in real time. It has the intensity of realism. It's shocking how real the raid looked.
    7drqshadow-reviews

    Dense, Valid and Sometimes Riveting, it Frequently Gets Lost in its Own Material

    This (slightly) fictionalized dramatization of the decade-long hunt for Osama Bin Laden is often difficult to watch, for a variety of reasons, but that doesn't mean it isn't any good. It's just not your typically polished, glistening Hollywood rendition, and that takes a bit of getting used to. Flubbed lines are left in the final cut, which serves to humanize the cast. Quiet, unsuspecting character moments are unforgettably interrupted by sudden explosions of violence - effectively mimicking (or so I have to imagine) the bloodrush of a real-world terrorist assault. The methods of torture employed in America's hunt for Al-Qaeda's leader are brazenly featured, as are the mixed spoils of their occasional success. The first act points a firehose of information at the audience, leaving them just as overwhelmed and buried by minutiae as the lead. Jessica Chastain is fiery and confident in that role, essential traits for the complicated character she occupies, but the rest of the supporting cast fades into the wallpaper when she's around. The actual onslaught on Bin-Laden's compound, which eats up the last hour of the film, is the smoothest and most accessible scene by a longshot, remaining factual and vividly lifelike while also ratcheting up the pacing and the tension. As a whole, though, the film is well-acted and effective, but often slow and over-inflated. Though it paints just one side of the story, it refrains from drawing any final conclusions and instead leaves the viewer to deal with the validity of America's motives and methods.

    Jessica Chastain Through the Years

    Jessica Chastain Through the Years

    Take a look back at Jessica Chastain's movie career in photos.
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    Você sabia?

    Editar
    • Curiosidades
      The movie was originally about the unsuccessful decade-long manhunt for Osama bin Laden. The screenplay was completely re-written after bin Laden was killed.
    • Erros de gravação
      During the raid on Osama bin Laden's compound, some neighboring houses are shown with lights going on in different rooms as the neighbors become aware of the activity in the compound. In Mark Owen's book, "No Easy Day" and also in the reports on the raid from the New York Times, all the electricity in the neighborhood had been cut a short time before the start of the raid.
    • Citações

      Maya: [to Navy SEALs] Quite frankly, I didn't even want to use you guys, with your dip and velcro and all your gear bullshit. I wanted to drop a bomb. But people didn't believe in this lead enough to drop a bomb. So they're using you guys as canaries. And, in theory, if bin Laden isn't there, you can sneak away and no one will be the wiser. But bin Laden is there. And you're going to kill him for me.

    • Cenas durante ou pós-créditos
      The filmmakers wish to especially acknowledge the sacrifice of those men, women, and families who were most impacted by the events depicted in this film: the victims and the families of the 9/11 attacks; as well as the attacks in the United Kingdom; the Marriott Hotel in Islamabad, Pakistan; in Khobar, Saudi Arabia; and at the Camp Chapman Forward Operating Base in Afghanistan. We also wish to acknowledge and honor the many extraordinary military and intelligence professionals and first responders who have made the ultimate sacrifice.
    • Conexões
      Featured in Chelsea Lately: Episode #6.187 (2012)
    • Trilhas sonoras
      Pavlov's Dogs
      Written by Charles Maggio, Keith Huckins, Andrew Gormley, Nick Forte III and Chris Laucella

      Performed by Rorschach

      Courtesy of Gern Blandsten Records

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    Perguntas frequentes31

    • How long is Zero Dark Thirty?Fornecido pela Alexa
    • Is there a tune copied from the Telugu film Leader?
    • What does Maya write (or draw?) with red marker on the office window? (about 1:50:15)
    • What is 'Zero Dark Thirty' about?

    Detalhes

    Editar
    • Data de lançamento
      • 15 de fevereiro de 2013 (Brasil)
    • Países de origem
      • Estados Unidos da América
      • Índia
      • Jordânia
    • Centrais de atendimento oficiais
      • Official Facebook
      • Official site
    • Idiomas
      • Inglês
      • Árabe
      • Urdu
      • Pachto
      • Francês
    • Também conhecido como
      • La noche más oscura
    • Locações de filme
      • Manimajra Fort, Chandigarh, Punjab, Índia(Abottabad, Pakistan)
    • Empresas de produção
      • Columbia Pictures
      • Annapurna Pictures
      • First Light Production
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 40.000.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 95.720.716
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 417.150
      • 23 de dez. de 2012
    • Faturamento bruto mundial
      • US$ 132.820.716
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      2 horas 37 minutos
    • Cor
      • Color
    • Mixagem de som
      • Dolby Digital
      • Datasat
      • SDDS
      • Dolby Atmos
    • Proporção
      • 1.85 : 1

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