Uma crônica da "década da caça" do líder terrorista da Al Qaeda, Osama Bin Laden, após os ataques de setembro de 2001, e sua morte nas mãos do Time 6 da Marinha dos Estados Unidos em maio de... Ler tudoUma crônica da "década da caça" do líder terrorista da Al Qaeda, Osama Bin Laden, após os ataques de setembro de 2001, e sua morte nas mãos do Time 6 da Marinha dos Estados Unidos em maio de 2011.Uma crônica da "década da caça" do líder terrorista da Al Qaeda, Osama Bin Laden, após os ataques de setembro de 2001, e sua morte nas mãos do Time 6 da Marinha dos Estados Unidos em maio de 2011.
- Ganhou 1 Oscar
- 85 vitórias e 174 indicações no total
Avaliações em destaque
The film's lack of polemic is both a blessing a curse. It's a blessing because it's rare that a film dealing with such volatile subject matter is depicted procedurally. Usually when a narrative is made ostensibly apolitical it's as a result of an unconvincing moral rebalancing, where the filmmakers go to great lengths to present both sides fairly. But Mark Boal and Kathryn Bigelow's disinterest is also a curse because, in avoiding judgement, it surreptitiously falls firmly on the side of the CIA. It shows what it's allowed to show, but keeps their secrets ("undisclosed location" and all that); and it portrays the operatives as the honourable front-liners getting their hands dirty (but not bloody), beyond moral reproach by virtue of hard graft. In Bigelow's world, it's the suits in Washington who have the blood in their hands - they're disconnected, as evidenced when torture-specialist Dan (Jason Clarke) returns to US headquarters from the field and loses his nerve, becoming a man of soft probabilities.
Clarke is solid but lost amidst superior talent, as he was in John Hillcoat's recent Lawless. Jessica Chastain delivers a nuanced performance. Driven professionals in films often come across as stolid, but Chastain is an actor of subtlety - even if Bigelow can't help lensing her like a wind-swept movie star in the Middle Eastern magic light. Jennifer Ehle uses her moon-faced radiance to good effect, filling her eager operative Jessica with youthful energy. There's a fair amount of distracting spot-the-cameo going on, particularly toward the end, when Joel Edgerton, Mark Duplass and James Gandolfini turn up.
Bigelow's directorial talent is never in doubt. The final sequence in particular is harrowingly tense, even though we know the outcome. And she generally gets the best out of actors. But make no mistake: this is a deeply patriotic film which is cheering for the home team, and it does so under the guise of objectivity, which makes it more manipulative than flag-waving fare like Last Ounce of Courage or Act of Valor, albeit much more skilfully made.
Most of us have no hope of knowing the true facts that actually happened. This movie is certainly a possible reality. Some of it is probably wrong. They've probably changed some of it to not reveal CIA trade craft. Others looks different than what's been reported on the news. However it is overall following the story already laid out for the public.
The hunt for Bin Laden can meander and not follow a straight line. It doesn't really built like a normal movie. Bigelow is still able to maintain the tension throughout the movie. The last 40 minutes is where this movie truly excels. The raid in Abbottabad is incredibly tense. The Hollywood flashiness is mostly removed. It takes its time. It's done almost in real time. It has the intensity of realism. It's shocking how real the raid looked.
Torture is just another form of terrorism. When the state tortures detainees, it is state terrorism, directed ultimately against all humanity as well as against individual detainees. Torturers degrade and dehumanize themselves, their victims, and any society that tolerates their crimes. How can anyone claim victory over terrorism when they employ it themselves? Besides, torturers (most famously, the Nazi and Communist regimes in Germany and Russia) have always rationalized torture on grounds of public security, but have always ultimately used torture as a weapon to terrorize the public and crush political opposition. (Do we really want to emulate the Nazis and Communists?) In the long run, torturers are a more pernicious threat to both our security and our liberty than any Al Qaeda agent could ever hope to be.
Senator McCain is right when he says that Zero Dark Thirty gives our enemies powerful ammunition to use against us, especially if it garners awards. Audiences around the world will see the movie as confirmation that the horrors of Abu Ghraib reflect the real soul of America.
It's a very captivating film (even with its 160 minutes runtime), and the big raid at the end is quite intense and realistic. That said, Bigelow's previous 'The Hurt Locker' was (even) better. But it's close!
As for the controversy whether the film is 'pro-torture propaganda' or not: it shows what (likely) happened. A very unpleasant sight for Americans, sure, but that's no reason to leave it out. Whether or not 'OBL' would've been caught without the use of torture is speculation that has no place in this movie (it's a depiction of events, not a moral study).
Some Americans might still find it hard to watch a movie that requires you to form your own opinion about the actions of your country/government/army, instead of getting one spoon fed by those very same institutions. But given the America's options in government- potential it seems a luxury Americans no longer have.
Jessica Chastain Through the Years
Jessica Chastain Through the Years
Você sabia?
- CuriosidadesThe movie was originally about the unsuccessful decade-long manhunt for Osama bin Laden. The screenplay was completely re-written after bin Laden was killed.
- Erros de gravaçãoDuring the raid on Osama bin Laden's compound, some neighboring houses are shown with lights going on in different rooms as the neighbors become aware of the activity in the compound. In Mark Owen's book, "No Easy Day" and also in the reports on the raid from the New York Times, all the electricity in the neighborhood had been cut a short time before the start of the raid.
- Citações
Maya: [to Navy SEALs] Quite frankly, I didn't even want to use you guys, with your dip and velcro and all your gear bullshit. I wanted to drop a bomb. But people didn't believe in this lead enough to drop a bomb. So they're using you guys as canaries. And, in theory, if bin Laden isn't there, you can sneak away and no one will be the wiser. But bin Laden is there. And you're going to kill him for me.
- Cenas durante ou pós-créditosThe filmmakers wish to especially acknowledge the sacrifice of those men, women, and families who were most impacted by the events depicted in this film: the victims and the families of the 9/11 attacks; as well as the attacks in the United Kingdom; the Marriott Hotel in Islamabad, Pakistan; in Khobar, Saudi Arabia; and at the Camp Chapman Forward Operating Base in Afghanistan. We also wish to acknowledge and honor the many extraordinary military and intelligence professionals and first responders who have made the ultimate sacrifice.
- ConexõesFeatured in Chelsea Lately: Episode #6.187 (2012)
- Trilhas sonorasPavlov's Dogs
Written by Charles Maggio, Keith Huckins, Andrew Gormley, Nick Forte III and Chris Laucella
Performed by Rorschach
Courtesy of Gern Blandsten Records
Principais escolhas
Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- La noche más oscura
- Locações de filme
- Manimajra Fort, Chandigarh, Punjab, Índia(Abottabad, Pakistan)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 40.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 95.720.716
- Fim de semana de estreia nos EUA e Canadá
- US$ 417.150
- 23 de dez. de 2012
- Faturamento bruto mundial
- US$ 132.820.716
- Tempo de duração2 horas 37 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1