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IMDbPro

Adeus, Minha Rainha

Título original: Les adieux à la reine
  • 2012
  • 14
  • 1 h 40 min
AVALIAÇÃO DA IMDb
6,2/10
9,4 mil
SUA AVALIAÇÃO
Virginie Ledoyen, Diane Kruger, and Léa Seydoux in Adeus, Minha Rainha (2012)
A look at the relationship between Marie Antoinette and one of her readers during the final days of the French Revolution
Reproduzir trailer2:32
1 vídeo
23 fotos
Period DramaDramaHistoryRomance

Um olhar sobre a relação platônica entre Maria Antonieta e uma de suas leitoras durante os primeiros dias da Revolução Francesa.Um olhar sobre a relação platônica entre Maria Antonieta e uma de suas leitoras durante os primeiros dias da Revolução Francesa.Um olhar sobre a relação platônica entre Maria Antonieta e uma de suas leitoras durante os primeiros dias da Revolução Francesa.

  • Direção
    • Benoît Jacquot
  • Roteiristas
    • Benoît Jacquot
    • Gilles Taurand
    • Chantal Thomas
  • Artistas
    • Léa Seydoux
    • Diane Kruger
    • Virginie Ledoyen
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,2/10
    9,4 mil
    SUA AVALIAÇÃO
    • Direção
      • Benoît Jacquot
    • Roteiristas
      • Benoît Jacquot
      • Gilles Taurand
      • Chantal Thomas
    • Artistas
      • Léa Seydoux
      • Diane Kruger
      • Virginie Ledoyen
    • 37Avaliações de usuários
    • 120Avaliações da crítica
    • 67Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 6 vitórias e 12 indicações no total

    Vídeos1

    Theatrical Version
    Trailer 2:32
    Theatrical Version

    Fotos23

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    Elenco principal38

    Editar
    Léa Seydoux
    Léa Seydoux
    • Agathe-Sidonie Laborde
    Diane Kruger
    Diane Kruger
    • Marie Antoinette
    Virginie Ledoyen
    Virginie Ledoyen
    • La duchesse Gabrielle de Polignac
    Noémie Lvovsky
    Noémie Lvovsky
    • Henriette Genest dite Madame Campan
    Xavier Beauvois
    Xavier Beauvois
    • Le roi Louis XVI
    Michel Robin
    Michel Robin
    • Jacob-Nicolas Moreau
    Julie-Marie Parmentier
    Julie-Marie Parmentier
    • La servante Honorine Aubert
    • (as Julie-Marie Parmentier de la Comédie Française)
    Lolita Chammah
    Lolita Chammah
    • La domestique Louison
    Marthe Guérin Caufman
    • La domestique Alice
    • (as Marthe Caufman)
    Vladimir Consigny
    • René dit Paolo
    Dominique Reymond
    Dominique Reymond
    • Madame de Rochereuil
    Anne Benoît
    Anne Benoît
    • Rose Bertin
    Hervé Pierre
    Hervé Pierre
    • L'abbé Hérissé
    • (as Hervé Pierre de La Comédie Française)
    Aladin Reibel
    • L'abbé Cornu de la Balivière
    Jacques Nolot
    Jacques Nolot
    • Monsieur de Jolivet
    Jacques Herlin
    Jacques Herlin
    • Marquis de Vaucouleurs
    Martine Chevallier
    Martine Chevallier
    • Madame de la Tour Du Pin
    Jacques Boudet
    Jacques Boudet
    • Monsieur de la Tour du Pin
    • Direção
      • Benoît Jacquot
    • Roteiristas
      • Benoît Jacquot
      • Gilles Taurand
      • Chantal Thomas
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários37

    6,29.3K
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    Avaliações em destaque

    7SnoopyStyle

    The Last Days of Royalty

    It's July, 1789, and French citizenry is starting to revolt. Queen Marie Antoninette (Diane Kruger) is hold up at Château de Versailles with her court and her book reader (Léa Seydoux). When the news of the storming of the Bastille reaches them, panic sets in and the King's entourage start slipping away.

    It's fascinating to see the various reaction as rumors start to spread. Léa Seydoux is great as the doe-eyed true believer. It is disconcerting to know her true naivety even though she has no idea. It's the source of the tension, but it's also infuriating. Diane Kruger is fine, but I thought that it wasn't quite big enough. However, the climax was just right.
    8Happy_Evil_Dude

    Unconventionally wonderful period film.

    A marvelous film. Very rarely does a film based on fact, especially a story as infamous as this one, succeed at creating such tension despite the fact that everyone knows pretty much what is going on and what will happen (United 93 springs to mind). As it is director Benoît Jacquot and his team have done a incredible job in capturing the confusion, uncertainty and pure dread that those living at Versailles in the final days of the Monarchy must have felt. Seriously, anyone who's ever dismissed period dramas and films based on true stories as "stuffy", slow and boring should give this one a shot. The cast is also exceptionally strong, led by a group of immensely talented female performers. The only downside is really the ending, unfortunately, slightly anticlimactic and a bit of a let down.
    9cultfilmfan

    Farewell, My Queen

    Before going in to see Farewell, My Queen, I really did not know too much about it and now I am glad that I knew little to nothing about the film before I saw it. I knew it was about Marie Antoinette, but that was about it. I haven't seen too many films about Marie Antoinette, other than Sofia Coppola's 2006 film which I liked quite a bit. Both films offer a different look and perspective on her, one of the things I really liked about this film as well. Lea Seydoux does a terrific job playing Sidonie Laborde, who is Marie Antoinette's reader. Seydoux allows her character to have a very curious side to her and at times she is really determined to stand up for what she believes in and can be forceful all at the same time as having an innocence to her as most young women do. It's a great performance and one that I hope leads to a successful career for her. Diane Kruger, who plays Marie Antoinette does a good job as well, but at times I did find her performance a tad melodramatic and so sometimes it felt a bit forced, or over the top. However, both Seydoux and Kruger both do show infatuation and they show it well. I can not go into any more detail than that, or I would ruin the film, but Kruger is especially good at showing Marie Antoinette's more softer and human side. A side that recognizes her fear, her flaws and truths about her own personality. Seydoux's character Sidonie is so loyal to the queen that she almost loves her, but as the film goes on, we are not really sure why. The queen can be very vicious and uncaring to Sidonie, but yet this young woman cares deeply about the queen and what is in the queen's best interest is most important for Sidonie putting the queen's needs even ahead of her own. As, I got thinking about the film, I think this part of it really had an impact on me and touched me and made me think in several ways. Here is a young woman who is more, or less an orphan and goes about her life serving and thinking of ways to keep the queen happy even though she herself lives in squalor and does not have the material wealth, possessions, or honour that the queen has. The queen seems to have everything and yet seems only to think about herself, whereas Sidonie was born with nothing and lives with nothing, but feels in her heart and soul that it is her job to serve the queen and she will do so no matter what, even if there could be consequences to her decisions. My only other complaint about the film was that at times it did feel a bit rushed and maybe moved from one event to another quite quickly, but that did not stop my enjoyment of the film, I think it just asks us as viewers to be a little more patient and do some of the character analysis, or study on our own, or even after the film is over. Even though the film does move by fast we are especially treated to a very good character study of Sidonie, who I think is the most interesting character in the film and probably the one we can relate to and even care about the most. She seems the most human whereas everyone else really does seem to be looking out for themselves and not really caring about what happens to the person next to them. The film does a credible job of showing the majestic costumes and lavish clothes and settings where Marie Antoinette lives, but at the same time it shows the dark and dingy place where Sidonie eats and sleeps and basically calls home. There is an element here showing a class struggle between these two characters and the more you think of it, the more evident it becomes. Farewell, My Queen is a good looking film with a terrific performance by Lea Seydoux, good character study and a film that gives us much to think about and even more to appreciate after the film is over and we have thought it over for awhile. As, I have said before, this is the quality of a great film.
    5crsh1976-1

    Beautiful, but boring

    I love a good costume drama, but anything that includes Marie-Antoinette is apparently bound to be a repetition of the same old clichés over and over.

    We get it, she was completely disconnected from reality, careless and pampered and bored and tended to for every bit a normal human being does itself. Age-old cliché that Marie-Antoinette was nothing more than a self-absorbed bimbo? Check.

    We get it also, the French Revolution was an immense shock to the royalty and aristocracy; not only did they not see it coming, they didn't think it was possible at all to see the end of their reign. Again, the tried-and-true representation of 18th century French aristocrats as clueless morons? Check.

    So, after reinstating the same backdrop again (and again), this version puts forth a bigger focus on rumours of a lesbian love affair the queen was accused of having back then, because that would make the movie so unique.. or not. The story was already a snorefest on paper so let's toss in some sexual material to spice it up in spite of one's better judgement? Check.

    The list goes on.

    The photo direction is beautiful, the costumes and decors are gorgeous, the actors are all excellent, all this movie is missing is an actual story worthy of your attention. A real shame.
    8kpk10

    Life at Versailles

    Farewell My Queen screened recently at the Rendezvous with French Cinema festival in New York. A different take on the oft-told story of Marie Antoinette and the storming of the Bastille, this French film focuses on the difficult behind-the-scenes life at Versailles. An "Upstairs Downstairs" at the grandest palace of all, the protagonist is not the queen but rather her "lectrice" - a lady in waiting whose job is to read books to the bored Marie Antoinette. The film is best at depicting the petty backstabbing, gossiping and ambitions of the hangers-on at court. The crowded and dirty "back stairs" rooms are vividly contrasted to the opulence of the grand state halls. A well acted, nicely paced historical drama.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      In this movie, Diane Kruger speaks French with a German/Austrian accent - which is undoubtedly how the Austrian-born Marie Antoinette would have spoken herself.
    • Erros de gravação
      On several occasions when soldiers are marching through the main and side gates of Versailles, and also when Sidonie goes to Le Petite Trianon for the first time and falls into a puddle, you can clearly see the very 21st century anti-terrorism concrete security barriers and bollards flanking the gates.
    • Citações

      Agathe-Sidonie Laborde: In a way, Your Majesty, you're asking me to go as bait.

      La reine Marie Antoinette: An ugly word for a pretty mouth!

      Agathe-Sidonie Laborde: Words are all I possess. I wield them well.

    • Conexões
      Referenced in Parole de cinéaste: Benoît Jacquot (2017)

    Principais escolhas

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    Perguntas frequentes20

    • How long is Farewell, My Queen?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 14 de junho de 2013 (Brasil)
    • Países de origem
      • França
      • Espanha
    • Centrais de atendimento oficiais
      • Official Facebook (France)
      • Official Facebook (United States)
    • Idiomas
      • Francês
      • Inglês
      • Alemão
      • Italiano
    • Também conhecido como
      • Farewell, My Queen
    • Locações de filme
      • Salon de l'Oeil-de-Boeuf, Château de Versailles, Versailles, Yvelines, França
    • Empresas de produção
      • GMT Productions
      • Les Films du Lendemain
      • Morena Films
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto nos EUA e Canadá
      • US$ 1.597.998
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 72.100
      • 15 de jul. de 2012
    • Faturamento bruto mundial
      • US$ 6.366.835
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 40 minutos
    • Cor
      • Color
    • Mixagem de som
      • Dolby Digital
      • Dolby SR
    • Proporção
      • 2.35 : 1

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