AVALIAÇÃO DA IMDb
4,3/10
1,5 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA troubled man runs away to Mexico and is recruited to join a paramilitary group of teens fighting the drug cartels. He proves himself to the group, but questions their motive.A troubled man runs away to Mexico and is recruited to join a paramilitary group of teens fighting the drug cartels. He proves himself to the group, but questions their motive.A troubled man runs away to Mexico and is recruited to join a paramilitary group of teens fighting the drug cartels. He proves himself to the group, but questions their motive.
Jonathan Tabler
- Officer Warren
- (as John Tabler)
Avaliações em destaque
As a fan of his father's, it is refreshing to see another Eastwood in an action western role. Young Mr. Eastwood played a very good believable role. The acting was excellent. The plot was original. The directing was excellent. I look forward to seeing more movies of this type from these people. The movie could have been a little longer. No regrets. I give it A's for effort, originality and really just a great movie in this genre. This is a man's movie... not a critic's movie. Respect earned.
"Mercury Plains" is one of those films that in order to succeed just needed fifteen rewrites of the script, at least, to become something truly good or more than just watchable. But nope. This is just like the junk food industry: fast, simple, cheap, somewhat digestible, never healthy or sustainable but it works to some, though the real thing never convinces.
With a more experienced writer this is the kind of plot that could work easily but here someone is making us force to use our suspension of disbelief to the max, and that's just wrong. Scott Eastwood plays a troubled guy with no prospects in life who runs away to Mexico along with a friend to get some cheap fun and thrills. Somehow, he gets recruited by a man called "The Captain" (played by Nick Chinlund, quite okay) who runs a paramilitary group who fights drug cartels. The group is formed by teens, kids and weird types who barely know to use a gun, but they're the ones taking over the place of the real cops and making things right. And as usual things go south, things are not what they appear and Scott is gonna be the real hero of the situation.
Effortless in action, mildly interesting scenes (the final conflict was good but the result from it was a real mess. Epic plot hole). If the idea of the movie is to serve as a pamphlet to paramilitary groups to deal with the drug problem in Mexico, then we're in big trouble, boy. Just goes to show that amateurish folks acting as if being real law enforcements, fighting against real dangers, cannot succeed in any way (unless those groups opposing their own governments in Latin American nations during many military coups between the 1960's and the 1980's. They had some powerful effects against organized movements).
A passable movie due to Chinlund's usual and nice effort as a villain; and Eastwood providing a suitable heroic look even though he's taking too much out of his daddy (silence and expression) and not doing anything creative. There's still time for him to become a real good actor. Except for the fore-mentioned reasons, some scenes here and there, "Mercury Plains" is just for desperate curious minds but you can go without it. 5/10
With a more experienced writer this is the kind of plot that could work easily but here someone is making us force to use our suspension of disbelief to the max, and that's just wrong. Scott Eastwood plays a troubled guy with no prospects in life who runs away to Mexico along with a friend to get some cheap fun and thrills. Somehow, he gets recruited by a man called "The Captain" (played by Nick Chinlund, quite okay) who runs a paramilitary group who fights drug cartels. The group is formed by teens, kids and weird types who barely know to use a gun, but they're the ones taking over the place of the real cops and making things right. And as usual things go south, things are not what they appear and Scott is gonna be the real hero of the situation.
Effortless in action, mildly interesting scenes (the final conflict was good but the result from it was a real mess. Epic plot hole). If the idea of the movie is to serve as a pamphlet to paramilitary groups to deal with the drug problem in Mexico, then we're in big trouble, boy. Just goes to show that amateurish folks acting as if being real law enforcements, fighting against real dangers, cannot succeed in any way (unless those groups opposing their own governments in Latin American nations during many military coups between the 1960's and the 1980's. They had some powerful effects against organized movements).
A passable movie due to Chinlund's usual and nice effort as a villain; and Eastwood providing a suitable heroic look even though he's taking too much out of his daddy (silence and expression) and not doing anything creative. There's still time for him to become a real good actor. Except for the fore-mentioned reasons, some scenes here and there, "Mercury Plains" is just for desperate curious minds but you can go without it. 5/10
Those looking for an action-packed, shoot-'em-up thriller might be disappointed, but that doesn't mean there aren't some worthy ideas and narrative threads at work here. This is a slowly paced film, at times almost meditative, but one that rewards a patient viewer. Don't watch it for shootouts and chase scenes, but rather for a thoughtful treatise on men and boys, fathers and sons, the razor thin line between love and war, and the hollow attraction of lawlessness and moral anarchy -- all shot gorgeously in the dreamlike expanses of the Mexican desert.
The plot is fairly bare bones: a young 20something down on his luck, Mitch (Scott Eastwood), crosses the border from Texas to Mexico out of nothing more than boredom, and winds up getting entangled in a group of lost boys who've been taken in by a Fagin-esque leader, "The Captain," a middle-aged vet who uses his ragtag band to carry out vigilante hits on various drug runners and cartel branches. At first, Mitch is enticed by The Captain's promise of money and claim that something special lies inside of Mitch -- something no one else can see. To the completely lost man-child without a father figure, this serves as motivation to keep Mitch serving as The Captain's "top soldier," even as the group quickly devolves into pure criminal violence and bloody greed. By the end, Mitch is forced to find his own ethical code, something to dictate his sense of self-preservation vs. self-worth.
There is a lot at play here, talk of soldiers and kings and the ownership of territory, that all resonate deeply within our current climate of urban gang warfare and political fear-mongering and appetite for vigilante justice. Eastwood doesn't yet have the gruff gravitas and charisma of his famous father, but he shoulders the movie well, displaying a screen presence that belies his inexperience. The original score is haunting and beautiful, and the cinematography captures desolate landscapes and car chases with equal elegance. If you give yourself time to breathe with this film and meander along at its contemplative tempo, I think you'll appreciate its aim to be something more than just another shoot-out in the desert.
The plot is fairly bare bones: a young 20something down on his luck, Mitch (Scott Eastwood), crosses the border from Texas to Mexico out of nothing more than boredom, and winds up getting entangled in a group of lost boys who've been taken in by a Fagin-esque leader, "The Captain," a middle-aged vet who uses his ragtag band to carry out vigilante hits on various drug runners and cartel branches. At first, Mitch is enticed by The Captain's promise of money and claim that something special lies inside of Mitch -- something no one else can see. To the completely lost man-child without a father figure, this serves as motivation to keep Mitch serving as The Captain's "top soldier," even as the group quickly devolves into pure criminal violence and bloody greed. By the end, Mitch is forced to find his own ethical code, something to dictate his sense of self-preservation vs. self-worth.
There is a lot at play here, talk of soldiers and kings and the ownership of territory, that all resonate deeply within our current climate of urban gang warfare and political fear-mongering and appetite for vigilante justice. Eastwood doesn't yet have the gruff gravitas and charisma of his famous father, but he shoulders the movie well, displaying a screen presence that belies his inexperience. The original score is haunting and beautiful, and the cinematography captures desolate landscapes and car chases with equal elegance. If you give yourself time to breathe with this film and meander along at its contemplative tempo, I think you'll appreciate its aim to be something more than just another shoot-out in the desert.
This film tells the story of a young man who has little future in his home town in the United States. He goes to Mexico with a friend for a bit of fun, but ends up being recruited to join a gang that targets drug dealers for their money.
"Mercury Plains" isn't a bad film. It is just that Scott Eastwood is too handsome and clean shaven to be believable in his role. In addition, when the gang is solely made up of teenage boys, one would really doubt the authenticity of the operation. The fact that he doubts his boss isn't immediately obvious either, because he is an introverted character. Overall, there are some good moments in the film, such as the abduction scene.
"Mercury Plains" isn't a bad film. It is just that Scott Eastwood is too handsome and clean shaven to be believable in his role. In addition, when the gang is solely made up of teenage boys, one would really doubt the authenticity of the operation. The fact that he doubts his boss isn't immediately obvious either, because he is an introverted character. Overall, there are some good moments in the film, such as the abduction scene.
I thought this could be an interesting enjoyable exciting movie. But it was a disappointment. Especially the end of the film was unnecessary protracted. You have to watch so much minutes without action.
I had a notion that the action parts of the movie were very dilettante. A group of children without any plan and skills did some dangerous things. Normally they would have no chance against anybody with this kind of behavior.
The guy Mitch had often such a meaningless facial expression. I don't know what I should feel about this sparing of words guy.
All in all it was a boring movie without good action parts and I think the story could be told in much less time. The story could be told in circa 70 minutes.
I had a notion that the action parts of the movie were very dilettante. A group of children without any plan and skills did some dangerous things. Normally they would have no chance against anybody with this kind of behavior.
The guy Mitch had often such a meaningless facial expression. I don't know what I should feel about this sparing of words guy.
All in all it was a boring movie without good action parts and I think the story could be told in much less time. The story could be told in circa 70 minutes.
Você sabia?
- CuriosidadesThe so called Captain mentioned section 434.868c granted by the U.S Senate, but nothing like that actually exists and therefore as a PMC he has no right to any diplomatic and could be deemed "persona non grata" by its host nation.
- Erros de gravação(0:51:35) They have the cop light bar reversed. Red light goes over driver's side.
- Trilhas sonorasChaparrita Enlutadita
traditional
performed by Jueces del Norte
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- How long is Mercury Plains?Fornecido pela Alexa
Detalhes
- Tempo de duração
- 1 h 42 min(102 min)
- Cor
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