Meus 533 Filhos

A really good central performance by the lead actor. The story itself, well it does contain a lot of clichés and stuff you'll be expecting when watching a movie like this. Plot holes can be found as easy as holes in swiss cheese. But maybe we started off the wrong foot here. Be aware, that the only really "adult" scene (if you want to call it that), is right at the beginning. Let's call that scene, the "shot that made everything happen" (it's more than one shot of course).

There was actually a man in the news last year, who did father quite a lot of children. This news came out in America in 2012 and was received like a big shock. Of course the man who did donate his sperm, is not entirely to blame here. Pretty sure he needed the money, and if he could get it, by doing nothing that he wouldn't do anyways ...

So here we have a case of a comedy, that has a lot of heart (and meat, but not story wise), but lacks a bit on the big drama. And some other minor failings. Overall a more than decent effort, that probably will be remade in America sometime soon

In this feel-good movie the viewer is transported to the world of David Wozniak, a French-speaking Polish-Canadian who lives in Montreal, where he works in a family business as a meat deliveryman. He's an average Joe without much ambition or money. He is amiable and has a good heart, but his girlfriend Valérie is ready to dump him because of his aimlessness.

It turns out that he has a secret. Because of a screw-up at a fertility clinic, he is actually the biological father of hundreds of children. There are so many of them they have organised to find out the identity of "Starbuck", their common father. This diverse, interesting group of young people have formed a rather large club that socialises together. After all, they have the same father.

The plot of the movie has two threads based on David's attempts to cope with this situation: David getting caught up (secretly) in the world of these children; but at the same time David trying to hide his identity from them, Valérie and the world. I was drawn into this scenario and was curious to see where it would go.

The movie had a lot of fast dialogue in French, but it was easy to follow because of the English subtitles. The film is filled with gentle humour. The interesting world of the Wozniak family was portrayed realistically. Montreal life is the quiet backdrop to this movie. However, you have to wonder where the snow was!

One thing that wasn't really explained was how these sperm-donor children all found each other. Clearly there was a massive problem with the clinic, but this aspect is not dwelt on in the film.

Final word: a good movie.

David Wozniack has quite the problem. As a man who doesn't have many responsibilities aside from driving his dad's delivery truck for the butcher shop, he's the father of 533 children. He's got commitment issues with his girlfriend, and gets ragged on for not being dependable enough. So how did this happen?

All the children were conceived thanks to his donations to the fertility clinic, registered under 'Starbuck' - and it's twenty years later - 142 of the kids want to know his identity. Class action lawsuit time!

I heard about this premise from a friend, and it sounded absolutely hilarious. What would anyone even do in this situation? It's absurd! I went in, expecting plenty of laughs, but walked out with a genuine love for this film. It's a wonderful surprise. What could have been a mere gimmick for comedy turned out to be a starting point for something much more. When we first see David, he isn't doing well. Nothing is expected of him, he seems to be a disappointment with everyone he knows, except for his best friend, and the news of this children can only be a headache. However, he decides to take a more active approach and gets to know his children, as scary as the idea seems. One step at a time, one child at a time. The result is an effective mix of silly and sweet, some great lines, and genuine emotion.

I don't think this film will get a wide a distribution as it deserves, which is a real shame. I suspect the fact that it being in French will deter some audience members from the film. Personally, I saw it with subs and it wasn't hard to follow. It's well worth the effort to do a bit of reading. Starbuck has piqued my interest to see more Canadian films in hopes of more gems like this one. All I can do is spread the word, and hopefully the word of mouth will help it along. This film is a crowd-pleaser and I was caught between laughing and crying during some parts, I can't praise it enough. Give it a chance if it happens to be playing your local theatre - it might just blow you away!

A very refreshing film. I honestly wouldn't mind seeing it again in theatres.

I liked "Starbuck" very much. My main advice would be to watch it before the American version is out. It's not that I don't believe in Hollywood, but I don't. This movie is heartwarming, the characters are lovable and the story is fairly original. It has moments which will make you laugh, but its true strength is in those moments which will make you smile. The acting is good, the music is very suitable and the director has managed to produce a sotry which dodges clichés. "Starbuck"is a movie which would make you feel better if you are in a bad mood, and even if you are feeling good it would elevate your spirit even more. It is not a movie to change your view on life or something, but you'll have a real fun watching it and that's what going to the movies is all about.

The feel-good movie is somewhat of an enigma when it comes to the end result. Collectively, so many share the same exact elements: ample schmaltz, the odd contrivance and an ending born straight out of a Disney cartoon. Yet while some work remarkably well, others simply come off as manipulative, pandering tripe. Thankfully in the case of Starbuck, its earnest nature, winning performances and wry humour assemble in a hugely palatable way, which helps it to become one of the more charming films I've seen in recent memory.

The title Starbuck comes from a pseudonym used by 40-something slacker David Wozniak (Patrick Huard). However, it just so happens that this particular alias was constructed for purposes of the professional self- pleasuring variety. That is to say it's the name he put down on the paperwork at the sperm donor clinic. Years after his sordid activities, broke and expecting a child, he learns that he may in fact already have some offspring. In fact, he may have 533 spawn, 142 of whom have just filed a class action lawsuit against him to find their father's true identity. Though he sprints to his friend and lawyer Avocat (Antoine Bertrand) in an attempt to quash the suit, he foolishly peaks inside the folder containing the identity of his children and a redemptive journey begins.

Starbuck successfully encompasses a number of tropes found in films of this nature, though thanks to its unique (if silly) premise, it makes them feel new again. For instance, the "guardian angel" device where a recently deceased character rights wrongs from beyond the grave becomes David stealthily interacting with a number of his kids when they need a helping hand. Likewise, the film as a whole could be considered a romantic comedy with the brood replacing the male or female love interest that is commonly found. However, the kinks that are ultimately thrown between David revealing himself to his extended family are both more potentially life-altering and grounded in some semblance of reality.

Much of Starbuck's success can be attributed to the lead performance from Huard who strikes the perfect balance between good-natured loser, sarcastic rouge and eventually a troubled man trying to do the right thing. His delivery and mannerisms fit the somewhat sardonic material immensely well and simply put he's just damn charming. Even more cynical and ironic is the Avocat character who is the film's purest form of comic relief (not that it really needed it). Every scene with him and David works wonderfully and a final climactic scene which finds him in a moment of (short lived) triumph will have you in stitches.

Unfortunately as is the case with most schmaltzy material, Starbuck indulges in clichés, occasional bloat and contrivance. A subplot involving David owing $80,000 to some unscrupulous folks is utterly unnecessary and is resolved with very little bearing on the overarching story. The film also hammers home our protagonist's slacker status a tad too heavily early on and it's thanks mainly to Huard's talents that we believe his ultimate transformation.

Then there are his children who are comparative (and thinly written) angels when put up against their father and even those who fall into bad habits are set on the right path by their guardian by the next scene. Or perhaps I'm mistaken and a heroin addiction actually can be kicked overnight.

It's the earnest nature and winning humour that ultimately make Starbuck work though, as even when it descends into sentimentality the film keeps its wits and maintains its credibility. Take for instance a late scene where David's many offshoots show up for the birth of his baby – that is to say their sister – and indulge in a group hug. Cheesy to the hilt, yes, but writer-director Ken Scott has the good sense to toss in the line "that was weird" immediately following.

Those generally uninterested in a subtitled, French Canadian lark won't have long to wait as an American remake called Delivery Man has already been completed with Vince Vaughan taking on the David role and Chris Pratt that of Avocat. I actually cringe at the thought of this venture. Starbuck itself walked a thin line between charm and mauldlinism and with the removal of Huard and the French style of humour I can't see it being duplicated with much success. The only ray of hope is that Scott will return as scribe and director so perhaps he sees the potential. But I digress, and will simply say check out this original before the remake lands.

All of the sincerity on display in this comedy is certainly infectious and while not groundbreaking by any means, it's constructed with enough of an identity to stand apart. With appealing leads and some scenes that will tug at the heartstrings and poke at the tear ducts (often in a surprisingly non-manipulative manner) it's hard to imagine most audiences leaving Starbuck without a grin.