Yeh Saali Zindagi

Superb movie, far better the SRK's love Fictions, having no base and all non realistic, irrelevant Bakwas. its adult movie but lot to learn from it. Actual words used which we hear in normal life, with Irfan khan at his best. Sudhir Mishra's Yeh Saali Zindagi initially made waves for its cast, then its slightly derogative title and lastly its 22 kisses. As the director fought tooth and nail for each of the above issues, he eventually managed to wriggle of them. Chitrangda Singh looks and plays the part exceedingly well. On screen she brings life to her role with her fiery attitude and feisty persona. Now only if the industry would utilize her more! Arunodhay Singh displays immense talent and shows much promise. The rest of the cast provides great support too.

When I watch gangster capers like Yeh Saali Zindagi, I am never quite sure how to go about reviewing the movie without giving away the essence of it. Because none of these movies have much of a story in the traditional sense. But they make up for the lack of a depth with their movie-making style – and packing the script with quirky characters Which Yeh Saali Zindagi has by bucketloads. Beginning with Irrfan Khan, a crooked account par excellence who helps arms dealers, politicians and other unsavoury characters stash away their moolah. He might be exceedingly clever in the ways of the world, but the wiles of women are completely beyond him, as he discovers, hanging from his 30th floor balcony in the opening scene of the movie. Holding the end of the rope is his boss, Saurabh Shukla – who doesn't think much of the womankind and their wily ways – and nor does he care about his promises to his employees.

The opening scene of the movie might be a bit of a shock to some – given the coarse and vulgar language in it. Sudhir Misra's writing and editing is crisp – so you have to follow the movie carefully to understand the twists and turns of the script. Those squeamish about vulgar Hindi words are better off not watching the movie – and those with weak Hindi should probably brush up their abuses. Because the dialogues in Yeh Saali Zindagi are really profane – and all the fun is lost if you don't understand the dirty jokes – of which there are plenty The humour is irreverent (and of course very rustic). Death and violence are casually treated, and the background narration by Irrfan adds dry deadpan humour to the proceedings. There are mandatory backstories for most characters – and jumps between them quite abrupt – hence requires full concentration.

Essentially there are two stories running in parallel in the movie – Irrfan & Chitrangada's love track and Arunoday & Aditi Rao's marriage track. Irrfan and Chitrangada need no introduction. Arunoday is ex-Cabinet minister Arjun Singh's grandson while Aditi Rao is the bua from Delhi 6. Both of them are quite the revelation – Arunoday showcasing his good physique and acting and Aditi Rao coming across as quite smouldering despite her cute Nauheed-Cyrusi-looks. In fact there is a constant sexual tension between her and Arunoday, resulting in about a dozen slaps and two dozen liplocks in the movie But Chitrangada Singh takes all the male attention as the sultry and smoking-hot singer Priti. She forms the linchpin of the movie – not very different from her debut movie Hazaaron Khwaishein Aisi – where two men are vying for her charms. The difference is that Yeh Saali Zindagi has a busload of other weirdos – gangster brothers Bade & Chhote, corrupt cop Satbeer and the motley group of henchmen.

This is not Sudhir Misra's most serious movie by a mile – but the director seems to be having fun here. There script is manic, punctuated by languid frames of Chitrangada - yet there is an air of nonchalance through out the movie which stands it in good stead over other movies of its genre. In comparison, Kaminey feels almost formulaic. And because of its exaggerated eccentricity, this movie will not appeal to everyone. But if you keep up with it, Yeh Saali Zindagi will reward you will a tumultuous thrilling ride packed with a lot of fun.

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This is the new epoch of cinema and we want something invigorating. YEH SAALI ZINDAG is an illustration of modern society and has each elements of a cult film.

Sudhir Mishra is one of the finest directors, making effort to augment the magnitude of films. It is an exemplary movie with great performance and script. This is a genre of "stylish" film-making and dark humor, this has both in abundance. This is almost as stylish as it gets: fascinating visuals, odd camera angles and various tricks, sound effects, etc. Most of the characters in this bizarre crime film have colorful nicknames and profoundly profane.

There are very few movies made where the director obviously did not let one FRAME onto the screen without a reason, and YEH SAALI ZINDAGI is one of them. Nothing happens on screen without it having an effect on the plot.

I think Guy Ritchie's "Lock Stock and Two smoking barrels", "Snatch" & "Rock N Rolla" are the foundation of YEH SAALI ZINDAGI.

Irfan is simply outstanding – an actor of very high capability. Arunoday shows potential of a good actor; Chritrangda is ravishingly beautiful and delivers a good performance. Shushat Singh, Saurabh Shukla, Yashpal Sharma, Prashant Narayan and Vipin Sharma are delight to watch. Aditi Rao Hydari is beautiful and talented.

It is visually stunning, editing is brisk and music is fantastic.

This is a laugh out loud ride with a lot of expletives, so watch out who you are accompanying.

Well my best movie of the season so far. There was no hype surrounding the movie and i went with a neutral mind. It definitely made me laugh.

There's something about Irfan Khan. Sometimes i find him one dimensional but no one could have carried this movie but him. His portrayal of a hopeless lover with undying devotion would tickle you. His devotion and unconditional love inspite of knowing the girl is not interested but using him would make you adore him.

The story is tight and there is not a dull moment. All the hoopla may seem meaningless at times but will keep you glued. I watched it on theater and came out happy.

Since '1:40 Ki Last Local' (the last black comedy from Hindi cinema that made me laugh out loud numerous times), I haven't seen anything as funny, creative, clever and wicked of the same genre in Hindi films until 'Yeh Saali Zindagi' came along. The title itself is hilarious and so is the movie. It's a fresh and a very much needed change from the silly better-forgotten so-called comedies that Bollywood has overloaded the audience with.

'Yeh Saali Zindagi' is a thrill to watch. It works very well on multiple levels, mainly as a modern film noire with a doze of dark humour. I found the style of narration mixed with the slick editing to be quite innovative. The use of voiceovers, flashbacks and fantasy sequences is cleverly done. The writing is terrific and it produces some memorably hilarious dialogues.

Sudhir Mishra grabs the viewer's attention from the very beginning with an opening sequence where we see a bleeding and disoriented and delirious Irfan Khan being comforted by the ravishingly hot Chitrangda Singh.

The execution is first rate. It's very well-paced. The songs and background score contribute well to the mood and atmosphere and adds to the flow. The cinematography and light effects are super.

Irfan Khan delivers one of his funniest performances. It's great to see him back in a clever comedy after a long time and he does it very naturally. Superhot Chitrangda Singh is equally outstanding as the sexy, slightly naive, independent singer who always falls for the wrong guy. Arunoday Singh, Sushant Singh, Yashpal Sharma, Aditi Rao Hydari, Saurabh Shukla and especially Prashant Narayanan provide excellent support.

The only little flaw are the kiss/love scenes of Kuldeep and Shanti. They do look more passionate than the usual love scenes in Bollywood films but they lacked spontaneity and felt choreographed.

Ticklish and wickedly energetic, 'Yeh Saali Zindagi' is refreshing entertainment. I wish more directors will make such films. Hats off to Mishra, his cast and crew for two hours of non-stop fun.