A psicóloga Margaret Matheson e seu assistente estudam a atividade paranormal, o que os leva a investigar um psíquico de renome mundial que ressurgiu anos após seu mais duro crítico ter morr... Ler tudoA psicóloga Margaret Matheson e seu assistente estudam a atividade paranormal, o que os leva a investigar um psíquico de renome mundial que ressurgiu anos após seu mais duro crítico ter morrido misteriosamente.A psicóloga Margaret Matheson e seu assistente estudam a atividade paranormal, o que os leva a investigar um psíquico de renome mundial que ressurgiu anos após seu mais duro crítico ter morrido misteriosamente.
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- 2 indicações no total
Avaliações em destaque
Psychologist Margaret Matheson (Sigourney Weaver) and her assistant (Cillian Murphy) study paranormal activity, which leads them to investigate a world-renowned psychic (Robert DeNiro) who has resurfaced years after his toughest critic mysteriously passed away.
I really enjoyed the first half of this film, with the crew debunking psychics and trying to find their methods. Weaver is not my favorite actress, but she does a fine job being the cynic. Cillian Murphy is excellent as always, his eyes sparkling, and I wonder if he has finally broken through to the top of the pile (I feel like he should have done so a decade ago, but I suspect the average person has never heard of him).
The second half is less than spectacular, as we focus on DeNiro's so-called powers. Things blowing up, a man flying... it just seems to get too supernatural, and I do not care for it. The film makes attempts to redeem itself, but I feel like it should have just stayed on the path it set out for itself in the first half...
I really enjoyed the first half of this film, with the crew debunking psychics and trying to find their methods. Weaver is not my favorite actress, but she does a fine job being the cynic. Cillian Murphy is excellent as always, his eyes sparkling, and I wonder if he has finally broken through to the top of the pile (I feel like he should have done so a decade ago, but I suspect the average person has never heard of him).
The second half is less than spectacular, as we focus on DeNiro's so-called powers. Things blowing up, a man flying... it just seems to get too supernatural, and I do not care for it. The film makes attempts to redeem itself, but I feel like it should have just stayed on the path it set out for itself in the first half...
Firstly, apologies for the review title. I've seen too many tabloid headlines.
Red Lights was reasonably original, well-written and well-acted. Any movie that can tick these three boxes is worth a look. Although the build up to the introduction of De Niro's character (Simon Silver) represented a slightly excessive portion of the movie it was, nevertheless, interesting. I gather the ending has divided opinion quite a lot, and I admit that it could have been done much better. I've said before when reviewing movies that it's never a good sign when you have to have a character explicitly explain just what has happened in the film. It might have been a better idea to leave it without the explanation and let the audience decide. That might have stoked up debate in a good way and generated some more interest in the film.
Acting-wise i'm sorry to say i'm always skeptical when Robert De Niro appears in a movie nowadays. The man was a terrific actor in his day, but he's been in a lot of recent turkeys. He doesn't have a lot of screen-time here but his performance was fine. If he keeps choosing credible films like this one his reputation will start to repair itself. Sigourney Weaver performs with credit as usual and I always rate Cillian Murphy highly.
Definitely worth going to see this. It's above average, if only slightly.
Red Lights was reasonably original, well-written and well-acted. Any movie that can tick these three boxes is worth a look. Although the build up to the introduction of De Niro's character (Simon Silver) represented a slightly excessive portion of the movie it was, nevertheless, interesting. I gather the ending has divided opinion quite a lot, and I admit that it could have been done much better. I've said before when reviewing movies that it's never a good sign when you have to have a character explicitly explain just what has happened in the film. It might have been a better idea to leave it without the explanation and let the audience decide. That might have stoked up debate in a good way and generated some more interest in the film.
Acting-wise i'm sorry to say i'm always skeptical when Robert De Niro appears in a movie nowadays. The man was a terrific actor in his day, but he's been in a lot of recent turkeys. He doesn't have a lot of screen-time here but his performance was fine. If he keeps choosing credible films like this one his reputation will start to repair itself. Sigourney Weaver performs with credit as usual and I always rate Cillian Murphy highly.
Definitely worth going to see this. It's above average, if only slightly.
The skeptical psychologist Dr. Margaret Matheson (Sigourney Weaver) and her assistant, the physician Tom Buckley (Cillian Murphy), are specialists in disclosing fraudulent paranormal phenomena. When the famous psychic Simon Silver (Robert De Niro) reappears to his public after many years of absence, Tom becomes obsessed to investigate whether Silver is a fraud or not.
"Red Lights" could have been a good movie with an intriguing premise. Unfortunately the plot is destroyed by the awful rushed conclusion, leaving many open questions behind. My vote is six.
Title (Brazil): "Poder Paranormal" ("Paranormal Power")
"Red Lights" could have been a good movie with an intriguing premise. Unfortunately the plot is destroyed by the awful rushed conclusion, leaving many open questions behind. My vote is six.
Title (Brazil): "Poder Paranormal" ("Paranormal Power")
Sometimes Questions are answered without the viewer knowing it and others raised without the viewer noticing. This movie is one of those instances that will have you guessing from start to finish. With some nice twists along the way, everything is set up along the way, so if you really think about it, there is no real cheat in it (no pun intended).
The director keeps it close and walks a fine line, with a really great cast to support the theme and the story. You might not be pleased by how this movie resolves the issue at hand, but can't deny that the story has quite a lot of appeal. I did like the movie, even though I can see why some people were not that invested in it. The beginning is really great (especially if you haven't read anything about the story).
The director keeps it close and walks a fine line, with a really great cast to support the theme and the story. You might not be pleased by how this movie resolves the issue at hand, but can't deny that the story has quite a lot of appeal. I did like the movie, even though I can see why some people were not that invested in it. The beginning is really great (especially if you haven't read anything about the story).
Psychologist and paranormal investigator Dr. Margaret Matheson (Sigourney Weaver) and her assistant Dr. Tom Buckley (Cillian Murphy) a physicist travel around debunking supposed paranormal activity from bumps in the night to stage psychics. Dr. Buckley wants to investigate their most challenging person to date, Simon Silver (Robert De Niro), a redound psychic who is making a comeback after a thirty year absence from the stage. Dr. Matheson warns Buckley against this though after having come up against him in the 1970s and failing to prove him a fraud. With the help of student Sally Owen (Elisabeth Olsen) Buckley defies Matheson and begins investigating the illusive Silver.
As a radical atheist and sceptic the film's ideas appealed to me. I was delighted to watch the scientists make fun of and debunk people who claim to see ghosts and be able to read minds. The script treats these people with distain and isn't afraid to mention how these people can be responsible for giving stupid people false hope and can even cost lives. The cast is also amongst the best of any film this year. With actors such as Signourney Weaver, Cillian Murphy, Toby Jones, Joely Richardson, the delightful Elizabeth Olsen and my all time favourite actor Robert De Niro, anything less than a great film would be a disappointment. Well, this isn't a great film but it isn't terrible either.
The cast are all great. It's nice to see Sigourney Weaver in a more substantial role for a change and not just popping up at the end of a sci-fi film. She is believable as a psychologist and it's fun to see her spa with Toby Jones. Her character also has just the tiniest bit of doubt which makes her fallible and this is conveyed well by the actress. Cillian Murphy is also excellent as the physicist but is a bit more mysterious than Weaver. He gets better as his character develops as the film progresses. Elisabeth Olsen gives another good performance but after her break out roles in Mary, Martha and Safe House takes a bit of a back seat here. De Niro, who as I said is my all time favourite actor doesn't embarrass himself for once and while we don't get De Niro of the 70s or 80s he's on good form here. The supporting cast of Submarine's Craig Roberts, Joley Richardson, Toby Jones and English language newcomer Leonardo Sbaraglia help to round out a great cast with good performances.
The plot develops at a good pace and it gets darker and scarier as it goes on. I wasn't able to get the main twist which was a satisfying if ever so slightly confusing one but De Niro's twists were ridiculously obvious and pointed to far too much. Anyone can see what is going on, you just have to watch. The camera work is far too busy for my liking. One scene featuring Murphy and Olsen having a conversation in a café used about seven different camera angles and it became a little distracting. After filming Ryan Reynolds in a box for his last feature Buried, director Rodrigo Cortes could have done with making his latest film a bit more confined.
The first hour is definitely better than the second and there was an echo of "oh, well then" as the lights went up in the cinema. The film loses its way slightly in the second half and the somewhat pedestrian script comes to the forefront. While the actors do a good job and while there is plenty to like the ending isn't brilliant and doesn't do the opening justice. Even so, it's nice to watch some great actors delivering good performances and the twists should keep most people guessing.
www.attheback.blogspot.com
As a radical atheist and sceptic the film's ideas appealed to me. I was delighted to watch the scientists make fun of and debunk people who claim to see ghosts and be able to read minds. The script treats these people with distain and isn't afraid to mention how these people can be responsible for giving stupid people false hope and can even cost lives. The cast is also amongst the best of any film this year. With actors such as Signourney Weaver, Cillian Murphy, Toby Jones, Joely Richardson, the delightful Elizabeth Olsen and my all time favourite actor Robert De Niro, anything less than a great film would be a disappointment. Well, this isn't a great film but it isn't terrible either.
The cast are all great. It's nice to see Sigourney Weaver in a more substantial role for a change and not just popping up at the end of a sci-fi film. She is believable as a psychologist and it's fun to see her spa with Toby Jones. Her character also has just the tiniest bit of doubt which makes her fallible and this is conveyed well by the actress. Cillian Murphy is also excellent as the physicist but is a bit more mysterious than Weaver. He gets better as his character develops as the film progresses. Elisabeth Olsen gives another good performance but after her break out roles in Mary, Martha and Safe House takes a bit of a back seat here. De Niro, who as I said is my all time favourite actor doesn't embarrass himself for once and while we don't get De Niro of the 70s or 80s he's on good form here. The supporting cast of Submarine's Craig Roberts, Joley Richardson, Toby Jones and English language newcomer Leonardo Sbaraglia help to round out a great cast with good performances.
The plot develops at a good pace and it gets darker and scarier as it goes on. I wasn't able to get the main twist which was a satisfying if ever so slightly confusing one but De Niro's twists were ridiculously obvious and pointed to far too much. Anyone can see what is going on, you just have to watch. The camera work is far too busy for my liking. One scene featuring Murphy and Olsen having a conversation in a café used about seven different camera angles and it became a little distracting. After filming Ryan Reynolds in a box for his last feature Buried, director Rodrigo Cortes could have done with making his latest film a bit more confined.
The first hour is definitely better than the second and there was an echo of "oh, well then" as the lights went up in the cinema. The film loses its way slightly in the second half and the somewhat pedestrian script comes to the forefront. While the actors do a good job and while there is plenty to like the ending isn't brilliant and doesn't do the opening justice. Even so, it's nice to watch some great actors delivering good performances and the twists should keep most people guessing.
www.attheback.blogspot.com
Você sabia?
- CuriosidadesThe videos of the parapsychological experiments done with Silver at the university mimic those done in real life with Uri Geller at the Stanford Research Institute in the 1970s. These experiments are discussed at length and clips of the actual video are shown in the James Randi documentary, An Honest Liar (2014).
- Erros de gravaçãoTwo times in the movie a traditional camera that uses film is referred to as "analogical." Although analogical is a word, it's not correct in this usage. The word that should have been used is "analog" (or alternate spelling, "analogue")
- Citações
[last lines]
Tom Buckley: You can't deny yourself forever.
- Cenas durante ou pós-créditosAt the end of the ending credits, the film's title flickers in a similar manner to the way light bulbs behave in the presence of psychic activity throughout the film.
- ConexõesFeatured in CineMaverick TV: Episode #1.2 (2012)
- Trilhas sonorasIf Not for You
Written by Bob Dylan (Big Sky Music)
Performed by Olivia Newton-John
Courtesy of Sony/ATV Music Publishing Spain LLC and ONJ Productions, Inc.
By arrangement with PEN Music Group, Inc.
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- How long is Red Lights?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Poderes Ocultos
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- € 14.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 52.624
- Fim de semana de estreia nos EUA e Canadá
- US$ 10.340
- 15 de jul. de 2012
- Faturamento bruto mundial
- US$ 14.107.313
- Tempo de duração1 hora 54 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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