Marcas do Passado

A Spanish-Canadian-French drama; A story about a documentary filmmaker accompanying a falconer who is travelling across a frozen landscape to find his mother, a faith healer whom he hasn't seen for many years. This moody, sombre, slow-paced film has a theme about the world lacking humanity. However, it is long-winded, barely inaccessible, recklessly imposing symbols and metaphors in its style. It lacks impetus because of its ethereal meditation and ponderous tone, which come at the expense of character development. It is difficult for the viewer to make an emotional connection with any of the characters when the important parts of their motives only hatch at the end of the film.

I caught this movie halfway through. I was taken in and very intrigued but missing a lot, obviously. So I rewatched from the beginning and so glad I did. Some things might have been more confusing but I had seen further down so now I was understanding. It's definitely not a film for everyone. And I'm additionally annoyed that the US version is cut. However, all in all, I really did enjoy this film. I loved the actors and I thought they played their parts well. It does leave a lot open ended or up to interpretation and that can be frustrating. But I just can't stop thinking about it. I love those films that just stay with you and make you want to continue u deters ding and wrapping your mind around it.

An hour and a half into the movie and I am still not entirely sure what is happening. Seriously what the heck am I watching? Terrible movie. Jumps back and forth between the past and future at unrelated points in the story. Dialog is boring. Hard to follow what is going on. Character development is non-existent. The mother discovers she is a mystic healer. The son keeps and trains and keeps predator birds (falcons specifically). The execution of the premise is even more weird and poorly executed than it sounds. This is a really poorly developed story that never should have been made into a movie. Through its entirety the viewer is subjected to bad writing (no range in vocabulary) with a plot that never really happens. The attempt is to masquerade as some deep art piece. It fails. Film was just a crap indie film or a B-Role movie intended to go straight to RedBox. And even it that low bar to shoot for, if the directors hadn't scored Jennifer Connelly in the lead role it wouldn't have even attracted viewership in that subprime outlet. This movie totally relies on viewer recognizing the star on the DVD cover to entice giving the movie a chance. Its not worth the buck you feed into a Redbox machine to rent it. AVOID and spend the hour and a half of your like doing something more worthwhile like try watching paint dry.

The acting is fine, Jennifer Connelly is always good as is Cillian Murphy and the kid-actors were fine as well.

Visually it's also a nice looking movie, with limited colours that creates and cold and melancholic feeling which suits the movie just fine, because it is rather melancholic.

The movie though is just good enough not to be bad, but far from great.

Needless to say Jennifer Connelly's character is very spiritual and believes in healing, I believe her character is supposed to be Native American although I am not quite sure about this but a lot of her spiritual beliefs stem from them if nothing else.

So it helps if you have some sort of interest in that or at least an open mind because it's not always very up front and direct in it's approach to tell the story with plenty of metaphors and subtlety more so than direct big orchestrated dramatic scenes.

The blu-ray version (at least the one I watched could possibly differ in some countries) is 97 minutes, and not 112 minutes like it says on IMDb.

From what I've heard the version shown on festivals was indeed 112 minutes but it wasn't received that well so they cut it down to 97 minutes for the blu-ray/DVD market.

And although that caught me off guard initially, I'm not quite sure if it would be able to sustain my interest for 112 minutes so this could be one of those times where the cut down version is actually better, although I of course can't be sure about this.

I am a serious and intelligent movie watcher of more than 55 years. I look for movies that attempt to say something when selecting an indie. After watching any movie, if it stays on my mind for days or weeks, I count it as a worthwhile film to have watched. Aloft has been on mind for weeks since viewing it.

I suspect that those of us with moderately wretched lives due to personal and family tragedy are prone to be more affected by the effort. You know, those of us who still do not have all of the answers to life even after 60+ years on this rock and years of formal philosophical and literary education.

I recommend that if anything in the trailer, reviews or other sources about the movie appeals to you at all, you should watch the movie with an open mind and make your own decision about its "worth".

Connolly and Laurent (sp?) were compelling.