O Império

Its really bad, I dont how they were casted, but the only 2 to deliver lines convincingly were the 2 young girls, who also were in other good movies (monte cristo, novembre...) the rest was insanely bad... the script is just as bad, with minutes wasted on takes that drags the movie on making it boring and a pain to watch. I usually dont waste my time on this type of crap, it was one actress that caught my attention, also its a french movie so I make an extra bit effort to watch it even if it is not rated too high. But this is bad... bad enough to make me write a review 😂 I will also review a movie if it is really good, at the extremes.

And no pun intended either - but on a serious note: this should be watched with an open mind - and with the knowledge of ... nothing! As in not questioning things that happen here. There are not many things that make sense here. Yes it is good vs. Evil - but shortcuts could have been made. Both sides are ... lacking certain qualities ... things are too on the nose (binary system with 0 and 1 that is being used) ... others are way too ... let's say it is not political correct.

Why Aliens would use buildings and furniture is beside me ... but back to my point of not trying to think anything ... it is tough as you can see. But why use entertainment in a form that is quite ... let's say discriminatory ... and I am being nice in calling it that. If you see how the evil "lord" amuses himself ... what or rather who is being summoned ... I would not blame you if you have issues with that.

But comedy is supposed to be mean ... has to have an edge ... these may be arguments you have ... fair enough! I am not telling you how to feel about things depicted here ... just trying to prepare you. Now bow down and accept this as your true Emperor ... I am just kidding ... or am I? Well don't trust the police to be of any help ...

I was worried I wouldn't enjoy L'Empire - I had tried to avoid trailers and reviews, but finally gave in a read one which said at one screening many people had left halfway through the film. The images looked grotesque, but I still wanted to give it a go as I really admire Dumont's film l'Humanité and find his mix of professional and non-professional actors sensitive and clever, never humiliating. The film kept me entertained throughout. Dumont's touching look at small french coastal towns stem from his personal experience and history, which makes it all the more authentic. One could say the film is a pastiche of various sci-fi blockbusters (although I must say its way more like Star Wars than Dune) but in truth it felt like it must have been inspired by childhood games in a mostly poor and neglected area of rural northern France that features the entire village as enthusiastic players. On top of that great graphics and effects, and hilarious UFOs made for an amusing, unusual and ulitamtely moving film. I'm pleased I got a chance to see it at the Berlinale - and in my opinion it's a well-deserving winner of a silver bear!

Its good or its bad. Its meandering or its fun. Mostly i watched this for the cinematography and the weirdness. It did not disappoint. Although the story is somewhat lacking, its kind of there if you give it enough chances.

Is this movie for everyone? No. But if you're a fan of weird french scifi like kamikaze 1986, la jetee, city of lost children, delicatessen etc... well this kind of fits right in there.

Good vs evil. Aliens vs more aliens. At 2 hours it is a bit too stretched out. Feeling a bit tired and bored by the end. And then the ending, woo. Well. Subvert your expectations because , subversion!

I thought the film had some good ideas. But fell flat on others. You probably wont like it.

When a film seeks to tackle such distinctive comedic forms as parody, satire or slapstick, the creators first need to make sure that what they're hatching truly works. But, in the case of this latest offering from storied auteur Bruno Dumont, the mark is missed by a wide margin. This alleged take-off on classic space operas like the original "Star Wars" trilogy or "Spaceballs" (1987) simply doesn't cut it, primarily because it just isn't funny. Perhaps that's due to the fact that the filmmaker doesn't seem to be clear on the direction he wants the story to take or the tone with which it's presented. In a nutshell, two alien species - the Ones (champions of good) and Zeroes (disciples of evil) - have been exiled to Earth (why and by whom is never made clear), where they're battling one another to win over the control of humanity through their ground zero strongholds in a small French coastal fishing village. But, in telling this tale, Dumont's paper-thin narrative meanders aimlessly, blending a bland mixture of lame humor (most of which falls positively flat), bombastic but innately shallow soliloquies on the nature of good and evil, unexplained Monty Python-esque absurdist imagery, and gratuitous sexual encounters that appear to be thrown in for little more than titillating filler. To its credit, the picture effectively employs some truly impressive special effects, an eclectic background score based largely on reworked neo-classical arrangements of the compositions of J. S. Bach and Henry Purcell, and a production design that incorporates set designs drawn from Gothic and Renaissance European architecture. It also features a wealth of stunningly gorgeous cinematography, although a number of overlong shots (particularly many inexplicably filmed from too great a distance) could benefit from judicious pruning. So what exactly is the director going for here? Damned if I know. If it's satire, its symbology is seriously undercooked. If it's a campy romp, it's too understated. If it's screwball comedy, the pacing is too sluggish. And if it's insightful social commentary, it's too superficial and doesn't take itself seriously enough. In essence, "The Empire" may offer some segments that are nice to look at, but that's about all, considering that the bulk of this release, in the end, really has nothing interesting, meaningful or piquant to say.