AVALIAÇÃO DA IMDb
7,2/10
13 mil
SUA AVALIAÇÃO
Uma jornalista, que é mais uma ativista, junta-se à irmã de uma modelo assassinada, pois se interessa pelo caso e quer trazer justiça a ela.Uma jornalista, que é mais uma ativista, junta-se à irmã de uma modelo assassinada, pois se interessa pelo caso e quer trazer justiça a ela.Uma jornalista, que é mais uma ativista, junta-se à irmã de uma modelo assassinada, pois se interessa pelo caso e quer trazer justiça a ela.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 4 vitórias e 15 indicações no total
Myra Karn
- Jessica Lall
- (as Myra)
Yogendra Tikku
- Sanjit Lall
- (as Yogendra Tiku)
Mohd. Zeeshan Ayyub
- Manish P. Bharadwaj
- (as Mohammed Zeeshan Ayyub)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Raj Kumar Gupta's No One Killed Jessica is based on the true story of the murder of model Jessica Lal. The movie does not work as a docudrama but more as a dramatic thriller which is effectively fictionalised in large portions to tell a story. The story may be based on a real-life event, but it never depends on it. It does not chronicle in any way the entire case with all its real-life elements. The story is real, but many cinematic ingredients are added to make it more alluring. Rarely do pictures of this sort get made in India, sadly, while in foreign countries, this has already become a well-known movie formula. No One Killed Jessica centres around two characters: Sabrina Lal, the quiet sister of the late Jessica, and Meera Gaity, a foul-mouthed hot-blooded journalist. Both women seek justice which does not seem to be coming because the murderer is none other than the son of an influential politician.
It's a funny paradox that many times people use to laugh at the fact that politicians and other powerful figures are presented as corrupt and hypocrites in Indian movies, calling it stereotypical. And here the law is dumber than ever, and the funny thing is that it's actually the truth. A woman was brutally murdered and it takes many years until justice actually prevails. This aspect of the film is very well portrayed, and well, the courtroom scenes are just fascinating. No One Killed Jessica is a fast-paced feature which tries to work more on the emotional level. It does not excruciate the audience by following the never-ending case in minute detail, and perhaps that's where it scores the most. The movie may be a bit unsettling but at the same time it is inspiring to see how a majority of ordinary citizens take the power to their hands by just uniting and fighting against injustice together.
While watching Rani Mukherjee's strong-minded and assertive journalist Meera, her lawyer Saamiya Siddiqui from Veer-Zaara often comes to the mind, although the characters are different. She evidently enjoys playing her part, but at the same time suffers from it. I don't know if she was the prefect choice for it, frankly. Her line delivery is not that of a news presenter, and she is endlessly given an opportunity to curse, swear and insult her colleagues. Now that's not a strong character make, and at times it looks like the otherwise graceful lady is terribly miscast. Having said that and barring the fact that something is missing in this performance, Rani is still pretty good. Some of her fans may be surprised because her role is not that lengthy, and maybe that's why the director tries to make it so bold, but the actress does occasionally manage to rise above these poor attempts by honestly portraying Meera's feisty nature, her tough outside, and her soft inside.
And without the slightest of doubt, it is Vidya Balan who owns the film with her sincere and heartfelt act. Balan looks impossibly authentic in the role and skillfully captures the essence of Sabrina. Although the film does not always portray her character in a positive light, Balan wins it over by creating a simple and understated portrait of anguish, despair and courage. The film's music is so-so, with some songs, like that energetic "Dilli" song, being really fun and enjoyable and others just dragging the narrative to no end. All said and done, No One Killed Jessica is definitely not without its flaws but is still an interesting and entertaining picture. It does not always ring true, and some aspects of it are overdone, the character of Meera being the prime example. The ending in particular turns into an emotional ride which leans more on drama rather than on an actual and deep message, but in the end, it just grows on you and ultimately leaves a mark.
It's a funny paradox that many times people use to laugh at the fact that politicians and other powerful figures are presented as corrupt and hypocrites in Indian movies, calling it stereotypical. And here the law is dumber than ever, and the funny thing is that it's actually the truth. A woman was brutally murdered and it takes many years until justice actually prevails. This aspect of the film is very well portrayed, and well, the courtroom scenes are just fascinating. No One Killed Jessica is a fast-paced feature which tries to work more on the emotional level. It does not excruciate the audience by following the never-ending case in minute detail, and perhaps that's where it scores the most. The movie may be a bit unsettling but at the same time it is inspiring to see how a majority of ordinary citizens take the power to their hands by just uniting and fighting against injustice together.
While watching Rani Mukherjee's strong-minded and assertive journalist Meera, her lawyer Saamiya Siddiqui from Veer-Zaara often comes to the mind, although the characters are different. She evidently enjoys playing her part, but at the same time suffers from it. I don't know if she was the prefect choice for it, frankly. Her line delivery is not that of a news presenter, and she is endlessly given an opportunity to curse, swear and insult her colleagues. Now that's not a strong character make, and at times it looks like the otherwise graceful lady is terribly miscast. Having said that and barring the fact that something is missing in this performance, Rani is still pretty good. Some of her fans may be surprised because her role is not that lengthy, and maybe that's why the director tries to make it so bold, but the actress does occasionally manage to rise above these poor attempts by honestly portraying Meera's feisty nature, her tough outside, and her soft inside.
And without the slightest of doubt, it is Vidya Balan who owns the film with her sincere and heartfelt act. Balan looks impossibly authentic in the role and skillfully captures the essence of Sabrina. Although the film does not always portray her character in a positive light, Balan wins it over by creating a simple and understated portrait of anguish, despair and courage. The film's music is so-so, with some songs, like that energetic "Dilli" song, being really fun and enjoyable and others just dragging the narrative to no end. All said and done, No One Killed Jessica is definitely not without its flaws but is still an interesting and entertaining picture. It does not always ring true, and some aspects of it are overdone, the character of Meera being the prime example. The ending in particular turns into an emotional ride which leans more on drama rather than on an actual and deep message, but in the end, it just grows on you and ultimately leaves a mark.
"No one killed jessica" is an important movie. The storyline is a dramatized version of the Jessica Lal murder case and the events that transpired after that: a girl (Jessica) who was killed in a pub in Delhi, the sub-sequent attempts at the cover-ups and the painstaking efforts undertaken by the victim's family and the news agencies that finally forced the powers that be, to take notice and punish the guilty.
What pulled this movie through is the direction and technique. Specially the first half of the movie was top-notch. The tension in the scenes was right there at the edge. The acting was impeccable.
The second-half saw some dilution from the onset, primarily due to the awful, melodramatic and over-the-top performance by Rani Mukherjee. May what the requirements be, she still acts like a teenager. Maybe someone with better acting caliber like Nanidta Das would have made for a better candidate to play this role. However, I would say that this is as much a fault of the people that wanted the character to be this way, as the actress. Towards the end, however Rajkumar Gupta somewhat managed to get things back on track.
Regarding acting, two people would stick to the mind long after the movie ends .. First is Vidya Balan. She plays Jessica's sister Sabrina with such panache, it would be difficult to imagine others doing that role. The second one is Rajesh Sharma, the police inspector, a very Grey character who plays his part to bring the perpetrators to justice from the background. His acting is very good and one wishes to see such character actors get more screen time in good movies.
The background score and sound track are great, and help to keep the viewers at the edge. The cinematography is good throughout the movie.
The main reason why I gave this movie a 7 out of ten is that I felt that towards the end, the movie ended up as being somewhat another masala Hindi flick.
Overall, I would recommend everyone to see this movie for the subject, the overall techniques employed in telling the story and Vidya Balan. But don't expect to see an Erin Brokovich or an Aamir.
What pulled this movie through is the direction and technique. Specially the first half of the movie was top-notch. The tension in the scenes was right there at the edge. The acting was impeccable.
The second-half saw some dilution from the onset, primarily due to the awful, melodramatic and over-the-top performance by Rani Mukherjee. May what the requirements be, she still acts like a teenager. Maybe someone with better acting caliber like Nanidta Das would have made for a better candidate to play this role. However, I would say that this is as much a fault of the people that wanted the character to be this way, as the actress. Towards the end, however Rajkumar Gupta somewhat managed to get things back on track.
Regarding acting, two people would stick to the mind long after the movie ends .. First is Vidya Balan. She plays Jessica's sister Sabrina with such panache, it would be difficult to imagine others doing that role. The second one is Rajesh Sharma, the police inspector, a very Grey character who plays his part to bring the perpetrators to justice from the background. His acting is very good and one wishes to see such character actors get more screen time in good movies.
The background score and sound track are great, and help to keep the viewers at the edge. The cinematography is good throughout the movie.
The main reason why I gave this movie a 7 out of ten is that I felt that towards the end, the movie ended up as being somewhat another masala Hindi flick.
Overall, I would recommend everyone to see this movie for the subject, the overall techniques employed in telling the story and Vidya Balan. But don't expect to see an Erin Brokovich or an Aamir.
"No One Killed Jessica" is a film based on a famous murder that occurred years ago in Delhi. The character of Meera in the film is a personification of the reporters who went on the warpath when the punk who murdered her was acquitted--even though there was a mountain of evidence against him. How did he get acquitted? In India, there's a long tradition of corruption and folks who are rich and important have been able to literally get away with murder. And, the punk's family is a politician...exactly the sort to remain unpunished. But Meera is determined to make this case huge as is Jessica's sister....to force action and force people to be accountable. The film chronicles the case and is also about the police cover-up and the press insisting that truth prevail.
Non-Indians watching this film might be very surprised by the story and how widespread corruption has been in India. However, as I've seen a couple hundred Indian films, I see that this is actually one of the most common recurring themes in their films--that the police cannot be trusted and the government is run by kleptocrats. So, reporters refusing to let such an injustice get swept under the rugs IS unusual and I can only assume they risked much to expose this conspiracy. I also assume that some pressure must have been exerted on the studio that made this film...yet they made it anyway.
This is a very well made film and I am glad I watched it. I had a couple minor quibbles: the occasional use of the shaky cam as well as some unnecessary musical interludes which are common in Indian films but which didn't really fit the story. But these didn't negatively impact the film and overall it's extremely well made, compelling and worth seeing.
Non-Indians watching this film might be very surprised by the story and how widespread corruption has been in India. However, as I've seen a couple hundred Indian films, I see that this is actually one of the most common recurring themes in their films--that the police cannot be trusted and the government is run by kleptocrats. So, reporters refusing to let such an injustice get swept under the rugs IS unusual and I can only assume they risked much to expose this conspiracy. I also assume that some pressure must have been exerted on the studio that made this film...yet they made it anyway.
This is a very well made film and I am glad I watched it. I had a couple minor quibbles: the occasional use of the shaky cam as well as some unnecessary musical interludes which are common in Indian films but which didn't really fit the story. But these didn't negatively impact the film and overall it's extremely well made, compelling and worth seeing.
It had great potential. It started well, but somewhere in the middle it falls short of delivering the kind of impact that was expected from a film like "No One Killed Jessica". But that in no way takes away the effort that has been put in to make a film like this; something that requires a lot of balls. The screenplay gets a bit overstretched in the second half which becomes the weakest point of the film. Talking of strengths, Vidya Balan steals the show (literally) with a performance that is understated, uninhibited and totally spontaneous. She deserves a standing ovation. Newcomer Myra shows tremendous potential, while Rani as the sour-tongued journalist is delightful but by far not her best. Amit Trivedi's music too is the highlight of the film. Hats off to the entire team for making the movie that deserves to be made, and passing a message that deserves to be passed.
The movie is based on a true story that changed the way journalism and the judicial system were viewed in India. It is about 2 girls who decide to fight against the system which faltered in providing justice, while succeeding in the endeavor also manage to touch the hearts of millions of Indians.
In the movie the director fulfills his promise which was displayed in his earlier movie Aamir, with this brutally honest, yet rivetingly thrilling rendering which makes many points without being preachy or over dramatic.
The movie takes a dig at the aged Indian judicial system and how it is prone to be abused at the hands of the rich. The director looks after and gets right most of the little factual details in the film which is very appreciable and often missing in bollywood.
The movie strengths are that it is so close to the facts of case(visit the wiki page to check out)without sounding like a documentary or going over the top.It has a thriller like pace especially in the second half whereas the 1st half could do with a bit more of editing.
The music is loud but works well to keep the viewers attention when the movie drags a little.But undoubtedly the movie is worth watching for the actors and characters they portray. Catch Rani Mukherjee in perhaps the most daring female character ever written for a heroine in India with her oozing attitude not to mention the flying f words.She has guts to accept that role! Among the side roles only the police inspector's laid back role impresses.But the movie belongs to Vidya Balan who comes back to surprise us over again with a completely deglam, gritty and yet vulnerable role of Sabrina lal.She is amazing.Wish the lead ladies had more screen space together. Kudos to the team for a daring venture avoiding most of the clichés and showing the way forward for Indian movies in 2011.
In the movie the director fulfills his promise which was displayed in his earlier movie Aamir, with this brutally honest, yet rivetingly thrilling rendering which makes many points without being preachy or over dramatic.
The movie takes a dig at the aged Indian judicial system and how it is prone to be abused at the hands of the rich. The director looks after and gets right most of the little factual details in the film which is very appreciable and often missing in bollywood.
The movie strengths are that it is so close to the facts of case(visit the wiki page to check out)without sounding like a documentary or going over the top.It has a thriller like pace especially in the second half whereas the 1st half could do with a bit more of editing.
The music is loud but works well to keep the viewers attention when the movie drags a little.But undoubtedly the movie is worth watching for the actors and characters they portray. Catch Rani Mukherjee in perhaps the most daring female character ever written for a heroine in India with her oozing attitude not to mention the flying f words.She has guts to accept that role! Among the side roles only the police inspector's laid back role impresses.But the movie belongs to Vidya Balan who comes back to surprise us over again with a completely deglam, gritty and yet vulnerable role of Sabrina lal.She is amazing.Wish the lead ladies had more screen space together. Kudos to the team for a daring venture avoiding most of the clichés and showing the way forward for Indian movies in 2011.
Você sabia?
- CuriosidadesAll the characters have fictitious names, except Sabrina Lall and her family.
- Erros de gravaçãoWhile the murder was executed on the night of 29th April 1999, and the two friends of Manu Sharma were arrested on 4 May, in the movie the friends are arrested in Oct. 1969 (the news channel flashes this date) way before the murder took place.
- Versões alternativasThe UK release was cut, the distributor chose to remove multiple uses of strong language in order to obtain a 12A classification. An uncut 15 classification was available.
- ConexõesFeatured in 57th Idea Filmfare Awards (2012)
- Trilhas sonorasAali Re
Written by Amitabh Bhattacharya
Composed by Amit Trivedi
Performed by Aditi Singh Sharma, Anushka Manchanda, Raja Hasan, Sriram Iyer,
Biswajit Chakraborty and Sonu Kakkar
Courtesy of Saregama HMV
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- How long is No One Killed Jessica?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- No One Killed Jessica
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- ₹ 9.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 440.525
- Fim de semana de estreia nos EUA e Canadá
- US$ 227.473
- 9 de jan. de 2011
- Faturamento bruto mundial
- US$ 634.297
- Tempo de duração2 horas 16 minutos
- Cor
- Mixagem de som
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