Infância Clandestina

Clandestine Childhood is a coming of age story with a difference. As the title suggests, it is growing up under secrecy. The film is set in 70's Argentina where the military junta rules the country and opposition groups are clandestinely active. We follow a 12 year old son of one of these revolutionary couples who is growing up under a cloud of secrecy to protect the identity of his parents. The boy is a normal child who wants to invite his friends home, have a girlfriend and all that but can not do so due to the risk of exposing his parents who are wanted by the military dictatorship.

The politics and the history, though ever present, are kept firmly in the background and the film focuses on the boy's story. The fact that the film is based partly on the director's own childhood, and specially knowing (as he told the audience after a screening) that his mother was one of the "disappeared" during that era, makes the film very poignant. An added bonus is the great music in the film.

Infancia Clandestina is a very touching movie.

This review is written by an Argentinian so I felt it as a very interesting film in terms of script and acting, but more interesting as a historical testimony of our "dark ages" in terms of dictatorship and guerrilla. It would be fair to write the review in Spanish in order to put my feelings properly, but IMDb is mostly an English language site so I want to give other people from foreign countries my point of view with the little English I speak.

From my perspective, the movie is accurately told in terms of storyline. I would recommend it as a documentary, because Benjamín Avila relived his own experience on this movie, and because most of the facts really happened (with the names changed and that sort of thing).

The fact that underlines the tragic story of Juan/Ernesto, is that he is, as a child, forced to live in a world of fear, constantly missing what we think a normal childhood should be. His parents are loving ones but put him in abnormal situations in terms of caring for their livings and raise their children in those violent conditions. In fact, the story of the 70's here was that fearful and violent. You are obliged to take a part in the story. That's what the film left me. It's a thought- provoking one. And asks a lot of questions more than it tells answers.

Ernesto Alterio (very good in his role) as Tío Beto is the bond of Juan/Ernesto to a happy childhood; but even with knowing how his life could end from one moment to another, tried to remind Juan/Ernesto and the rest of the family, those little moments of humanity that could have been forgotten in the middle of tragedy. There is plenty of humanity, but that feeling is volatile and more close to self-indulgence than true happiness, knowing the curse of events.

On the other hand, the guiding line of Juan/Ernesto's family is that he 'd become one of their "soldiers" when he'd grown up. Rootless, full of hate for losing one by one his loved ones, Juan/Ernesto becomes an adult from one day to another.

But this review is not complete if I don't give you a personal opinion of the whole situation.

Ideologies, partidisms, dogma, they all conceived death as a part of them. During the movie I often compared the situation with Islamic children (or whoever is forced to live in war since a child). They are children, and they are manipulated taking part on massacres, kidnaps, war and dismemberance of their families. They are brutally witnessing the grown-ups stupidity, the absurd sacrifice. Yes, it was absurd then and it's absurd now. And that's the thing with the title of this review. Even a kid could realize the barbarism, the destruction of life that is presented in the movie. Unfortunately there is little room for choice.

I'm not in position to judge the events since I was born after the dictatorship. I'm a son of democracy (whatever that means) and those stories are told to me, but fortunately I didn't have to live those tragic times. But I feel sorry for those kids who had a sad childhood and couldn't choose for a better life. And I blame the dictatorship as well as the contraire ideologies that put them in those awful and despicable situations.

Coming back to the movie, it's a must. Even if you're not Argentinian. It's beautiful and a bit surrealistic. And it makes you think that some things can never be repeated for our children's sake.

Greetings from Argentina!

The movie is an emotional journey that takes its spectators to Argentina's military dictatorship of 1970's. Juan is a boy who struggles with his double identity he obtained for security purposes, as his parents are involved in combat against the regime. Ávila's script collaboration with Müller brings an amazing story that balances between fear of being discovered by military and love in the family, and consequently love of Juan and his classmate María.

Altogether with the script, the movie has absolutely engaging music, art direction and cinematography. Ávila's way of filming brings attention to every single detail and delivers unified piece of cinematographic art.

Actor Teo Gutiérrez Moreno is absolutely superb in his performance of the young boy and his life's struggle. Actress Natalia Oreiro delivers thrilling performance of revolutionary fighter and proves that she can portray a character that is as gentle as a mother to her son, as well as someone determined to fight the military regime. Moreover, actor Ernesto Alterio brings moments of humor into the story as his well-written character of uncle Beto.

The story is based on true events and the love the director dedicated to this movie can be felt in every single second. This outstanding movie will touch not only those familiar with Argentine regime of 70's, yet it will find its way to hearts of many cinema lovers too.

I stumbled across this during quarantine and I'm really glad I did. It was not what I expected, but often times thats a good thing and this film was no exception. If you can get by the political aspects of the film, something I try to do, and just watch it for the story and archs of the characters, it is quite powerful. If you choose to research the political aspects of the film, I encourage you to do so. I'm not going to single out any performances as they were good-not great- however they were more than enough to fuel this magnificent script. I'll mark the production value with the same mark as the cast, but again, more than enough there to carry you on this journey. You will cry, you will cheer, the absence of either would make me question your humanity. Give it a go!

A film on Argentine military dictatorship and dirty war of fascists against Montonero guerrilla is always welcome, as it is a quite important even in the history of Latin America and in the dire days of reactionary oppession against democracy and human rights. Making a film on a military dictatorship focusing the life of a child is also a script decision that often works very well, as I may mention Brazilian "O ano em que meus pais saíram de férias" ("The Year My Parents Went on Vacation"), Argentine "Kamchatka", and Nicaraguan "Princesas rojas" ("Red Princesses"). This Argentine film is not bad and it is visually appealing: cinematography, art direction, the usage of drawn animation... However (and unfortunately), it is too tepid, excessively long and sluggish, and lacks a tighter script. Spectator never gets involved, the movie simply does not make specttor feels or velieves in what is portrayed on the screen.