Segue Alejandro Montecristo, uma figura enigmática, fundador e CEO de uma nova tecnologia, que explode aos olhos do público e levanta preocupações por causa das origens misteriosas de sua fo... Ler tudoSegue Alejandro Montecristo, uma figura enigmática, fundador e CEO de uma nova tecnologia, que explode aos olhos do público e levanta preocupações por causa das origens misteriosas de sua fortuna.Segue Alejandro Montecristo, uma figura enigmática, fundador e CEO de uma nova tecnologia, que explode aos olhos do público e levanta preocupações por causa das origens misteriosas de sua fortuna.
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Boring, unengaging and predictable.
William Levy is a wanna-be James Bond whose acting skills are nowhere up to par with the actors in those movies. His acting is very dull, robotic and to top it off he has not learned how to properly enunciate after twenty years of career. Just because he appears shirtless any chance he has does not make this series any better. On top of all, Esmeralda Pimentel and William have very little chemistry.
The poor dialogues, bad action scenes and vulgar sex scenes end up making this a series that is just not worth recommending. It underdelivers as a thriller and as an action series. Hard to understand how you can mess up a classic such as The Count of Montecristo, but this "modern" series misshandled the core of the story quite badly and tried to compensate with by using William's body as bait. In conclusion, a flop.
William Levy is a wanna-be James Bond whose acting skills are nowhere up to par with the actors in those movies. His acting is very dull, robotic and to top it off he has not learned how to properly enunciate after twenty years of career. Just because he appears shirtless any chance he has does not make this series any better. On top of all, Esmeralda Pimentel and William have very little chemistry.
The poor dialogues, bad action scenes and vulgar sex scenes end up making this a series that is just not worth recommending. It underdelivers as a thriller and as an action series. Hard to understand how you can mess up a classic such as The Count of Montecristo, but this "modern" series misshandled the core of the story quite badly and tried to compensate with by using William's body as bait. In conclusion, a flop.
The TV show differs from the book, and the movies we saw previously. The new story is more adapted to today's world: oppression, lies, corruption, and revenge. William Levy did an outstanding job playing the character. I loved the ending; it is a great message. We need to let go of the past and move forward no matter what.
As for the people complaining about intimacy scenes for the first time, I see those scenes as part of the story. When he was with Mercedes, I didn't see love; I saw anger, and Levy did that well. The other relationships were part of the vendetta plan. Great Job, Willaim Levy.
As for the people complaining about intimacy scenes for the first time, I see those scenes as part of the story. When he was with Mercedes, I didn't see love; I saw anger, and Levy did that well. The other relationships were part of the vendetta plan. Great Job, Willaim Levy.
The development, and ending, of the entire series is an insult to Alewxandre Dumas' classic.
That adaptation along with the 2002 American version are the two worst adaptations of the book. And the film The Prisoner of Château d'If (1988) by Georgi Yungvald-Khilkevich is the best version.. Viktor Avilov may not be as handsome as Willaim Levy and Jim Caviezel, but The Prisoner of Château d'If's screenplay is far superior to those two adaptations put together.
The screewriters may have tried to transport the story to the present day, but not only did they do that, they completely rewrote the story. No screenwriter is better than Alexandre Dumas.
Perhaps William Levy's fans praised the story of the series because of the author's beauty, but I want to see how they will do to praise this series, which is terrible.
The count of Monte of Monte Cristo would be a mixture of The Odyssey by Homer with Crime and Punishment by Dostoevsky. With the redemption of the protagonist who regrets his revenge and forgives, he has a new beginning with Haydee just as Raskonilkov had with Sonia.
The film the three musketeers by Martin Bourboulon, based on another classic by Alexandre Dumas, no matter how many defects this adaptation has, this version manages to be much better.
That adaptation along with the 2002 American version are the two worst adaptations of the book. And the film The Prisoner of Château d'If (1988) by Georgi Yungvald-Khilkevich is the best version.. Viktor Avilov may not be as handsome as Willaim Levy and Jim Caviezel, but The Prisoner of Château d'If's screenplay is far superior to those two adaptations put together.
The screewriters may have tried to transport the story to the present day, but not only did they do that, they completely rewrote the story. No screenwriter is better than Alexandre Dumas.
Perhaps William Levy's fans praised the story of the series because of the author's beauty, but I want to see how they will do to praise this series, which is terrible.
The count of Monte of Monte Cristo would be a mixture of The Odyssey by Homer with Crime and Punishment by Dostoevsky. With the redemption of the protagonist who regrets his revenge and forgives, he has a new beginning with Haydee just as Raskonilkov had with Sonia.
The film the three musketeers by Martin Bourboulon, based on another classic by Alexandre Dumas, no matter how many defects this adaptation has, this version manages to be much better.
I am a great fan of William Levy not his best day in this series, no empathy, no warmth and definitely not the Montecristo I read about!!! A little too much sex that made absolutely no sense in the story, it definitely wasn't the MONTECRSTO.. William Levy in Cafe de Aroma was the William Levy I like to see, warm,compassionate,loving kind to children and respectful to others. I wish in the future that he would have English subtitles so us US citizens can understand it..The best part of the series was the most beautiful scenes of the different places they were and oceans they were. The author of Montecristo would be saddened.
Just five minutes into the first episode and I was hooked. Sometimes I got a little lost (thankful for the 10-second rewind) but I think that is because I'm not a native Spanish speaker. Sure, there are lots of deviations from Dumas's book, but it doesn't matter--the same can be said of "remakes" of other classics. Performances are top notch; it's good to see Levy delving into roles beyond the telenovela galán, although he has done quality work there as well. Other actors in this production are new to me, but all gave excellent performances and totally convincing. Montecristo is well worth watching!
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