Attenberg

According to one of the main characters, Greece is a country which has moved from keeping sheep to IT, without passing industrialism. And this is not the Greece you see in postcards. It's post modernism in an ugly shape, the remains of an overrated 20th century.

One of the girls here is 23 years old and has always rejected both sex and love. Her female friend is on the other hand very experienced. Their relationship is somewhat cold, although finds expression in their dancing together in a yard.

A father and architect dies, not any longer believing in his 1900s. The 23-year-old girl almost talks a relation with a man into pieces. This is a form experiment, but it's not that successful. But it very much rejects that old bad century.

Wihtout much info regarding the writer/director or a film presentation it's hard to solve the puzzle of what I've just watched (I have Chevalier in my watchlist: good reason to watch it sooner than later).

While I'm not sure if Attenberg is about human ethology, about a father-daughter bond, about Greece, industrial districts, young women, modern relationships or modern relationships of Greek young women in industrial districts...

OR simply autobiographical...

While I'm not sure of any of these, I can say that Attenberg is a pleasing and powerful watch.

This movie, despite seeming like a mess, makes a lot of sense to me.

Human existence is defined by essential contrasts. The sexual and the unsexual reflect the conflict between instinct and choice; death and life, the transience that gives meaning to the present.

Human existence is marked by contrasts that define and challenge us. Between the sexual and the unsexual lies the dilemma of creation and restraint, of desire and renunciation. What is instinctive clashes with what is chosen, revealing the boundaries and freedoms of our being.

Wisdom is the discernment that illuminates ignorance, while knowledge and the unknown coexist, reminding us of our limits. Finally, the rational and the animal find balance, uniting reason and instinct, showing that to be human is to embrace these dualities.

Very, very good!

I recently saw this at the 2012 Palm Springs International Film Festival. Marina (Ariane Labed) is a sexually inexperienced 23 year old who lives with her dying architect father Spyros (Vangelis Mourilas) in a Greek mining town. She shares her existence with her best and only friend Bella (Evangelina Randou) and for some unexplained reason they enjoy holding arms and doing silly walks together. Bella also brushes Marina up on the art of kissing. Bella works in a diner while Marina also has a job but we never really learn what she does. Marina's father is dying and she takes him to and from doctors appointments and the clinic and they eventually live together in a motel room close to the hospital. Marina and her father like to watch David Attenbourough nature documentaries where she and her father mimic the animals featured in them. She mispronounces Attenbourough's name as Attenberg, thus the name of the film. Marina finds a boyfriend in an engineer (Giorgios Lanthimos whom she does not want to share with Bella. Athima Rachel Tsangari directs this original story written by her. Not much of a story here. Not much of a film here either. Good soundtrack to this film with music by Suicide, François Hardy, Daniel Johnston, J.J. Johnson's Beboppers and Marilena Orfanu. Lanthimos who plays Marina's boyfriend is best know as the director of the critically acclaimed film Dogtooth. Attenberg is Greece's official submission for consideration as Best Foreign Language Film to this years Academy Awards. Surely there were better films to come out of Greece so why they chose this one perplexes me. I would give this a 5.0 out of 10.

Athina Rachel Tsangari's "Attenberg" doesn't present the most positive image of Greece. The focus is a pair of friends in a mining town. The main girl is watching her father die, and her only real pleasure is watching David Attenborough's wildlife documentaries, in addition to the sex education given to her by her friend.

The movie itself was pretty slow and seemed to have little other purpose except to show these girls in a grim existence. But at the same time it gives one a sense of life in the Hellenic Republic. Once the land that gave the world philosophy, it's now the Third World of Europe. The historic sites are surrounded by crumbling sidewalks and people missing teeth. It's no accident that Greece has been probably the single country most affected by Europe's economic mess. As the main girl's father puts it: "We went from sheep to bulldozers."

Anyway, it's not any kind of great movie, but it does give one an idea of the status quo in Greece.