Quando o rei Uther morre, os pretendentes dividem-se numa Bretanha fragmentada, à mercê das invasões bárbaras dos Anglos e Saxões. De um lado, a pérfida princesa Morgana. Do outro lado, o jo... Ler tudoQuando o rei Uther morre, os pretendentes dividem-se numa Bretanha fragmentada, à mercê das invasões bárbaras dos Anglos e Saxões. De um lado, a pérfida princesa Morgana. Do outro lado, o jovem e idealista Artur.Quando o rei Uther morre, os pretendentes dividem-se numa Bretanha fragmentada, à mercê das invasões bárbaras dos Anglos e Saxões. De um lado, a pérfida princesa Morgana. Do outro lado, o jovem e idealista Artur.
- Indicado para 1 Primetime Emmy
- 13 indicações no total
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This gets 4 stars simply because there are a number of notable cameo performances from a variety of top draw actors as well as charismatic performances from Joseph Fiennes and Eva Green. As for the rest of the cast one can only describe many performances as wooden as the forests in which Britons of the Dark Ages inhabited. Most obvious miscast character is that of Arthur, who not only doesn't look the part but acts as unkingly as is humanly possible, which to be fair is more a consequence of the lamentable screenplays as it is a measure of his inability to pull off a convincing performance.
And this brings me to the script. God forbid the producers of this execrable pile of horse droppings might have deigned it worthwhile to peruse the various medieval writings, or even contemporary re-workings, of the Arthurian Legend for suitable source material but how on earth could they imagine that seemingly making it up as they go along would in any way convince the viewers that the tale is in anyway believable or inspiring.
I have read a few excellent contemporary novels set in the Dark Ages, the best of which is most definitely Bernard Cornwell's Warlord Chronicles series, so it isn't true that there is nothing new to say about Arthur et al. It is a continual disappointment that there are still producers out there who think throwing in a few breasts and pretty faces is all it needs to make a winning production. It does not. We know it so why don't the producers? It takes the sort of source material that is winning fans of Game of Thrones, which though not without it's flaws has a great story, great scripts and great believable performances.
Sadly another missed opportunity.
And this brings me to the script. God forbid the producers of this execrable pile of horse droppings might have deigned it worthwhile to peruse the various medieval writings, or even contemporary re-workings, of the Arthurian Legend for suitable source material but how on earth could they imagine that seemingly making it up as they go along would in any way convince the viewers that the tale is in anyway believable or inspiring.
I have read a few excellent contemporary novels set in the Dark Ages, the best of which is most definitely Bernard Cornwell's Warlord Chronicles series, so it isn't true that there is nothing new to say about Arthur et al. It is a continual disappointment that there are still producers out there who think throwing in a few breasts and pretty faces is all it needs to make a winning production. It does not. We know it so why don't the producers? It takes the sort of source material that is winning fans of Game of Thrones, which though not without it's flaws has a great story, great scripts and great believable performances.
Sadly another missed opportunity.
I am so surprised at the amount of negative reviews on this show, and frankly that is what compelled me to write this review. I love this show as a fan of historical dramas be it Rome, Spartacus, this is truly another to add the greats. The storyline so far has been exciting, the acting engaging, the set and scenery and costume, mesmerising and brilliant, I think James Purefroy was especially brilliant in episode 2, watch it and you will see what I mean, but he's not the only one Eva Green and Joseph Fiennes are also excellent throughout, so I implore you fellow viewers out there to give this great show a chance and be witness to one of my favourite TV shows.
The biggest problem Camelot has is the lead Actor Jamie Bower, he looks like a feminine underwear model, he has no muscle tone at all and looks like a complete wimp. The only reason I can see casting him is to attract girls who are 14-17 (due to his roles in Potter and Twilight), the problem is, this is not a show for that age group.
Jame Bower brings no charisma or charm to the character Arthur, I find myself rooting for Morgana then I do Arthur. Mr. Bower has such a feminine look to him you can't even tell him apart from Guenevere when they do there sex scene.
He was a major miscast for the role. If the producers wanted to show Arthur as a spoiled self-centered 16 year old then they should of gotten an appropriate actor. The script for Arthur is definitely written for a 16 year old so I'm not sure why they would get someone who doesn't even look the right age, so basically you have someone who looks like there in there 20's but acts like someone who is 16. It all comes off as very annoying.
Other issues the show has is sloppy writing, they don't setup a foundation for the new lore and there scripts are kind of all over the place story wise, they leave a lot of plot holes that never get explained and it seems there trying to cram to much into each episode.
The show would probably be a hit on the CW Network for a much younger audience (remove the nudity), but with Spartacus and Game of Thrones setting the bar very high for premium cable shows, Camelot falls short.
Jame Bower brings no charisma or charm to the character Arthur, I find myself rooting for Morgana then I do Arthur. Mr. Bower has such a feminine look to him you can't even tell him apart from Guenevere when they do there sex scene.
He was a major miscast for the role. If the producers wanted to show Arthur as a spoiled self-centered 16 year old then they should of gotten an appropriate actor. The script for Arthur is definitely written for a 16 year old so I'm not sure why they would get someone who doesn't even look the right age, so basically you have someone who looks like there in there 20's but acts like someone who is 16. It all comes off as very annoying.
Other issues the show has is sloppy writing, they don't setup a foundation for the new lore and there scripts are kind of all over the place story wise, they leave a lot of plot holes that never get explained and it seems there trying to cram to much into each episode.
The show would probably be a hit on the CW Network for a much younger audience (remove the nudity), but with Spartacus and Game of Thrones setting the bar very high for premium cable shows, Camelot falls short.
The Arthurian legend has been remade time and time again. While this version bears a little more resemblance than BBC's Merlin series, it's not by much. I enjoyed the changes though and found them refreshing, keeps you wondering what they might change or how a well-known character will fit into their story. It can feel a little low budget at times and some scenes do feel pointless or drawn out which can make for slow episodes where not much happens Also, many feel the actor who plays Arthur was poorly cast; however, he is supposed to be 16 in this show so that helps you get over the fact he is unimposing and the writers make him a bit whiny. That said, the acting by Morgan is superb, Merlin will leave you wondering with those faces-that such a brilliant gift can cause so much angst-, the costumes are great, and the scenery is nice. The plot is, finally, beginning to thicken in an unexpected way too. So if you like this time period, with a little fantasy, and a big twist on the tale of King Arthur then give it a try, it's entertaining.
This series was amazing...except for Arthur. It was so enjoyable because it was so true to Sir Thomas Mallory's work while still retaining its own interpretation. I actually appreciated some of the changes to the story they made because it helped to drive the characters more. Eva Green's Morgen was stunning and powerful; she was possibly the best and truest Morgen ever portrayed on the screen. The character was so well rounded and had so much depth left out of previous Morgens. She wasn't just a villain; all of her actions had an understandable justification and the watch can really feel sorry for her (especially when her brother was portrayed as such a irritating jerk). Joseph Fiennes' Merlin was equally as stunning and interesting, bring a delightful, more youthful yet old-aged soul interpretation to a well known character.
But the casting directors did a horrendous job of casting Arthur. I understand they were attempting to make a point that Arthur did not start out as the great king he became known as, but they failed to recognize that despite his initial youth Arthur still had something about him that made people follow him. This Arthur is simply whiny, childish, and truly disappointing. Had a stronger Arthur been cast, I think this show would have enjoyed at least a second season.
Despite the weakness in Arthur though, I really loved this series. It did have some wrinkles that needed to be worked out but I feel that it had a lot of potential and a lot of great storytelling.
But the casting directors did a horrendous job of casting Arthur. I understand they were attempting to make a point that Arthur did not start out as the great king he became known as, but they failed to recognize that despite his initial youth Arthur still had something about him that made people follow him. This Arthur is simply whiny, childish, and truly disappointing. Had a stronger Arthur been cast, I think this show would have enjoyed at least a second season.
Despite the weakness in Arthur though, I really loved this series. It did have some wrinkles that needed to be worked out but I feel that it had a lot of potential and a lot of great storytelling.
Você sabia?
- CuriosidadesEva Green's first appearance in a television series.
- ConexõesFeatured in The Wright Stuff: Episode #15.115 (2011)
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Detalhes
- Tempo de duração45 minutos
- Cor
- Mixagem de som
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- 16:9 HD
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