Tiros, Garotas e Trapaças

I was wondering why Gary Oldman would appear in this film, which was one of the reasons i picked it up.

Christian Slater's stardom has long since faded, Dane Cook has yet to be funny in a movie and who's ever heard of Michael Winnick.

A 3.5 on IMDb also didn't bode well. But it was also not really a accurate representation of the quality of this movie. Don't get me wrong, this is still a B-flick in every way, but i've seen far worse. I found it to be mildly entertaining.

The movie doesn't take itself very seriously, acting's OK, a couple of jokes here and there.

If you have nothing to watch, you can rent this movie. Just don't pay/expect too much.

Wrote a review on another site, More in reply to this supposed professional critic/reviewer that completely panned the movie. He claimed the comedy was too predictable, why would Gary Oldman do the movie--I think he would've done it for what I think is his best line--watch it and don't miss it--since telling Clarence "Must not be white-boy day" in True Romance. The comedy was predictable on purpose and by design, I believe. Nothing deep,but funny and quite tongue in cheek.Helena Mattson,s character is worth the price of admission!Christian slater is doing an Elvis impersonation again a la 3000 Miles from Graceland. and is working with Oldman again and The big red Caddy convertible is back as the classiest Elvis impersonator get-away car ever. And after True Romance came to mind, I do believe it just might be that same classy Caddy that Bama & Clarence and all that Mafia coke, head west in to seek their fame and fortune. I love when they kinda tie movies in like that!!I watched GGG three times the 1st setting. don't miss it.

I think this movie is being unfairly judged by some of the previous reviewers. Yes, as previously stated, it does has Tarantino and Rodrigues overtones but I think that was the idea. Winnick was undoubtedly using the formulas that made both of those Directors/Writers/Actors famous.

Unlike some other reviewers, I liked the movie. The Blonde was right in line with someone that Tarantino would have crafted to include the over the top duel automatics protruding from the hips above her rear. I don't know how she managed to slink around in broad daylight with such devices in plain sight but hey, this is a movie, right? Who can resist watching a flick with Gary Oldman? If you've ever seen The Professional or The Fifth Element, as well as other great performances, Oldman is a classic actor of the highest calibre. Bizarre, yes but still classic.

Powers Booth has had varying success during his career and his appearance in this piece was similar to that in Extreme Prejudice. There is little doubt of his ability if you've ever seen The Jim Jones story about the Jonestown mass suicide in Guyana. As usual he presented a magnetic being that you love to hate.

I think if the movie had the name Tarantino or Rodrigues affixed to it, you would see higher ratings but alas, it may take this director time to reach the pinnacle of success claimed by Quinten and Robert.

I kinda knew what to expect before I hit play. Straight to video. Christian Slater. A title like "Guns, Girls, and Gambling". But, I like Slater, and I also like girls and gambling, so I thought, what the hay.

G3 is, well, Tarantino-light. All the style and fun storytelling, all the fun characters, only the script is pretty bad. The story is fine, but the lines are borderline terrible.

Now, G3 doesn't take itself seriously, which does lighten the mood just enough to get through it. Slater is as good as he can be, and the cast is chock-full of surprising cameo's. This Winnick guy must know a lot of people in Hollywood, but unfortunately, none of them are writers.

The twists in the storyline are nice, and it was nice to see Slater dawn the Elvis sunglasses again. The film does have some comedic moments, and the second-half of the feature is better than the first.

The films' chronological time-jumping is it's best asset. In that way, the film is actually put together quite well, and works, but the writing completely undermines the entire effort.

Falls in the bottom half of the last 100 films that I've viewed, but I didn't feel like I completely wasted my $1.31 at the redbox. I'll be sure to get it back today though.

You MIGHT like this if you liked:Smokin Aces(better), The Big Lebowski(much better), Hit and Run(better), Jonah Hex(slightly better), Operation Endgame(worse), Bunraku(worse).

While there is a pervasive sense of fun with tongue firmly in cheek, this movie is ultimately too derivative to be that memorable. Most of all, it's just lazy. Most of the characters, if you can really call them that, don't even have names. The writer(s) also must have thought they were being really clever by having movie clichés and racial stereotypes blatantly pointed out, yet they use them like they were going out of style (see what I did there...). The bare thread of a plot is about a bunch of people who are after a priceless Apache/Hopi warrior mask that was stolen from an Indian/Native American casino. Some of those colorful caricatures include four different Elvis impersonators, a rancher, a cowboy, a college student, two sheriffs a lesbian prostitute and a blonde assassin who wears black and has a penchant for quoting Edgar Allan Poe. And that, my friends, is as far as the character development goes. What's worse is that the movie is clearly trying to ape Tarantino and Rodriguez, but it does it really badly. Still there are a few moments you'll laugh at, and the movie is mercifully short. It also has a pretty good soundtrack. Overall, if you're looking for some time to kill it's not too bad. Just don't go in expecting a good movie.