AVALIAÇÃO DA IMDb
5,5/10
7,5 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaAn agoraphobic father teams up with a renegade priest to save his daughter from the clutches of a gang of twisted feral children who committed an act of violence against his family years ear... Ler tudoAn agoraphobic father teams up with a renegade priest to save his daughter from the clutches of a gang of twisted feral children who committed an act of violence against his family years earlier.An agoraphobic father teams up with a renegade priest to save his daughter from the clutches of a gang of twisted feral children who committed an act of violence against his family years earlier.
- Direção
- Roteirista
- Artistas
- Prêmios
- 11 vitórias e 7 indicações no total
Avaliações em destaque
This movie obviously did not have the budget of the fancy multi-billion Hollywood production. Thus, in order to capture us, it focuses on one thing that Hollywood can not put a price on. Talent and acting. Aneurin Barnard is an excellent choice as the lead actor, and gives a wonderful and solid performance. He obviously is a very talented actor, and I am convinced that we will be seeing a lot more of him in the future. Hopefully not in crappy Hollywood high-budget flicks, but in films that focus on performance and talent. The entire cast was quite good in general, and combined with the direction, they created a "wonderful" claustrophobic atmosphere, that was exactly what this story needed. This movie will not impress due to its originality (as it is not very original really), but it is good due to the work put in it by talented individuals, and it is definitely worth seeing.
Honestly, I love the whole concept and the story. The thing I found so difficult to watch was the main character, Tommy Cowley. Granted he's agoraphobic, but I'm a bit irritated with such weak characters, especially when they're men. So you'd better have a lot of patience for Tommy's constant cringing if you want to finish the film.
In a nutshell, I thought the decisions the main character made were all short of idiotic, but then again, maybe it's attributed to his "condition". It didn't hamper the fact that the cinematography was quite good, the atmosphere--excellent, and the acting convincing. The spin of the story was also very interesting and I liked that they added an element of supernatural in it.
The pace of the movie is a bit slow, but I thought that worked quite well for the film. There's not much action involved, but I thought the ending was quite good. I still don't regret watching the film and would recommend it.
In a nutshell, I thought the decisions the main character made were all short of idiotic, but then again, maybe it's attributed to his "condition". It didn't hamper the fact that the cinematography was quite good, the atmosphere--excellent, and the acting convincing. The spin of the story was also very interesting and I liked that they added an element of supernatural in it.
The pace of the movie is a bit slow, but I thought that worked quite well for the film. There's not much action involved, but I thought the ending was quite good. I still don't regret watching the film and would recommend it.
I was teetering between 6 and 7 here, and settled on the latter because this IS a genuinely scary and disturbing film. We've definitely had a shortage of that lately in this genre - so it was nice to have some moments where, even at 39 years-old, I felt a little uneasy.
"Citadel" has many strengths and a few weaknesses. I'll touch on a bit of each while trying not to give too much away from what is a basic storyline. Now, it didn't have to be basic.
I think where the film misses is diving a bit further into the villains of this frightening tale. The back-story there is a bit vague to say the least, and the rest of the story doesn't do much to clear it up.
I'm sure that the budget constraints limited the production in certain ways, BUT I think all involved deserve more kudo's than criticism. After all, the intent with these types of films is to scare, and this is as "uncomfortable" as I've been watching a film in quite some time.
Think of a darker, scarier spin on Harry Brown. "Citadel" actually borrows quite a bit from "Harry Brown".
The film is extremely brooding - never really stepping into the light for more than a few seconds. I think it's definitely a strength. The film does have it's own sense of Style.
You have the feeling during this film that you are completely alone. There is no help coming, and you'll have to fend for yourself.
The film is without question under-rated at present on IMDb. I pulled up the rating on my phone after renting it from the redbox, and due to time, I nearly put-off watching it altogether. Glad I fit it in. I've seen 62 films from 2012 so far, and this is definitely in the top 20 for now. It's one of the better entries into the horror genre over the last few years, and could have been incredible if they would have just finished the film.
The ending needed a bit more carnage and revenge to put this over-the-top into the "true-gem-of-a-sleeper" category. They were so close... literally a few heads being axed-off and an explosion away from sheer low-budget glory, and a 9 ranking. Why do I get the feeling we'll see an American version of this that spends 10 times the money but has no sense of style or scare value?
The acting is way above average for this type of thing, and it's that acting and the mood that keeps it afloat. The lead and the priest are great. There are only 4 speaking roles in the whole film! 4! Rather than nit-pick the plot and the ending(which are easy targets) - let's step back and enjoy some of the strong characteristics of this film.
You might like this if you liked:Candyman(better), Winter's Bone(better),The Road(about even or ever-so-slightly better), Eden Lake(about even or ever-so slightly better), The People Under The Stairs(even), and The Brood(even).
If you want a sleeper horror film to rent - it's usually a dangerous proposition. That's one of the many reasons why I can recommend this one. Far from perfect, but boy this little low-budget Irish entry packs quite an uneasy punch.
67/100
"Citadel" has many strengths and a few weaknesses. I'll touch on a bit of each while trying not to give too much away from what is a basic storyline. Now, it didn't have to be basic.
I think where the film misses is diving a bit further into the villains of this frightening tale. The back-story there is a bit vague to say the least, and the rest of the story doesn't do much to clear it up.
I'm sure that the budget constraints limited the production in certain ways, BUT I think all involved deserve more kudo's than criticism. After all, the intent with these types of films is to scare, and this is as "uncomfortable" as I've been watching a film in quite some time.
Think of a darker, scarier spin on Harry Brown. "Citadel" actually borrows quite a bit from "Harry Brown".
The film is extremely brooding - never really stepping into the light for more than a few seconds. I think it's definitely a strength. The film does have it's own sense of Style.
You have the feeling during this film that you are completely alone. There is no help coming, and you'll have to fend for yourself.
The film is without question under-rated at present on IMDb. I pulled up the rating on my phone after renting it from the redbox, and due to time, I nearly put-off watching it altogether. Glad I fit it in. I've seen 62 films from 2012 so far, and this is definitely in the top 20 for now. It's one of the better entries into the horror genre over the last few years, and could have been incredible if they would have just finished the film.
The ending needed a bit more carnage and revenge to put this over-the-top into the "true-gem-of-a-sleeper" category. They were so close... literally a few heads being axed-off and an explosion away from sheer low-budget glory, and a 9 ranking. Why do I get the feeling we'll see an American version of this that spends 10 times the money but has no sense of style or scare value?
The acting is way above average for this type of thing, and it's that acting and the mood that keeps it afloat. The lead and the priest are great. There are only 4 speaking roles in the whole film! 4! Rather than nit-pick the plot and the ending(which are easy targets) - let's step back and enjoy some of the strong characteristics of this film.
You might like this if you liked:Candyman(better), Winter's Bone(better),The Road(about even or ever-so-slightly better), Eden Lake(about even or ever-so slightly better), The People Under The Stairs(even), and The Brood(even).
If you want a sleeper horror film to rent - it's usually a dangerous proposition. That's one of the many reasons why I can recommend this one. Far from perfect, but boy this little low-budget Irish entry packs quite an uneasy punch.
67/100
Great acting by a guy that convinces u that hes going through some real stuff.
First of all, the plot of the movie was very interesting and kinda innovative (I think so)... The storyline was well-written, it was simple and kinda easy to understand. The characters were very interesting, well-developed and really likeable. The filming location of the movie was just an abandoned creepy neighborhood. I have to admit, it was an unexpectedly scary movie and there were many jumpscares. The children's appearance was super creepy and kinda terrifying. The opening scene of the movie was definitely unexpected and it was kinda sad. The ending scene was kinda expected and it was super intense. Overall, it was just a nice psychological thriller movie that I would probably recommend it to my friends.
Você sabia?
- CuriosidadesCiarán Foy got the idea for the story from an incident where he was attacked by a gang of kids at age eighteen.
- Erros de gravaçãoWhen Tommy leaves his home near the start of the film to take the baby to the centre, by his front door there is a phone base with no phone, when he returns later there is a phone in the cradle.
- ConexõesFeatured in The Ryan Hollinger Show: EDEN LAKE: Britain's Cruelest Horror Film (2025)
- Trilhas sonorasAfter the Ball
Written by Charles Harris (as Charles K. Harris)
Performed by Richard McCullough
Arrangement and recording by Matthew Nolan and Cameron Doyle
Courtesy of SPR Sound
Principais escolhas
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- How long is Citadel?Fornecido pela Alexa
Detalhes
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 13.377
- Fim de semana de estreia nos EUA e Canadá
- US$ 5.715
- 11 de nov. de 2012
- Faturamento bruto mundial
- US$ 141.886
- Tempo de duração1 hora 24 minutos
- Cor
- Mixagem de som
- Proporção
- 1.78 : 1
- 1.85 : 1
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