Com o coração partido e à deriva, o imigrante brasileiro Lourenço procura um propósito na meca queer de Provincetown, onde inicia um romance inesperado com Maurice.Com o coração partido e à deriva, o imigrante brasileiro Lourenço procura um propósito na meca queer de Provincetown, onde inicia um romance inesperado com Maurice.Com o coração partido e à deriva, o imigrante brasileiro Lourenço procura um propósito na meca queer de Provincetown, onde inicia um romance inesperado com Maurice.
- Prêmios
- 4 vitórias e 10 indicações no total
Andre Gadbois
- Hot Friend
- (as André Gadbois)
Avaliações em destaque
One could drown in the sea of available titles to watch in the current cinema, yet Marco Calvani's 'High Tide', the story of a heartbroken Brazilian emigre in Provincetown on an expiring tourist visa so distinguishes itself from the other grains of sand on the beach as to reach terra firma. Beautifully shot and subtly acted, this film feels more like the work of a mature director, not a freshman debut. Provincetown, in its cedar-shingled and pea-gravelled splendor deserves a supporting actor credit for shedding her silvery New England light on the mortal proceedings. Bill Irwin and Marisa Tomei lead the pitch perfect cast, while the center of gravity, Marco Pigossi (Lourenco) so honestly inhabits his character as to make the film his documentary. James Bland's Maurice as the too-good-to-be-real love interest provides the plot propellant, but his meltdown for being mistaken as a total top just didn't ring so true. Bland's film presence is anything but, and his character more than redeems his missteps by the time all is said and done. Indulge this reviewer noting Maurice is from my hometown of Richmond. All understood, all forgiven.
'High Tide' is emotionally rewarding in its own right, but takes on additional gravity in the context of our immigration system and the new administration's plans to sink it. High tide indeed.
'High Tide' is emotionally rewarding in its own right, but takes on additional gravity in the context of our immigration system and the new administration's plans to sink it. High tide indeed.
I saw this at the IFC Center during its opening week in NYC, and I was charmed by it. The intercut scenes did a great job of establishing the setting, and the relationships between the characters were nicely layered. The sex scenes were artfully done and evocative. The story of a Brazilian immigrant in P-town is not high drama, but it is human, and on that level, it did a great job of throwing the spotlight on gay culture and the theme of wanting to escape one's life, through dancing, swimming, drugs, or relief work in Angola. The casting was interesting, the performances very realistic, the cinematography beautiful, and the montages worked well. My husband missed much of the show because he lost his ticket and had to get up to use the bathroom, and he felt the plot was predictable. I however could not have predicted what happened at the end, I don't think he could have either.
This movie is so well done not only for the story line that most foreigners can relate, the gay life's nuances, but also for the photography and scenes cuts.
What seamed to be an ordinary story, was transformed to be a moving sequence of events and little details of life that made it all combined a gorgeous film to watch.
From romance, to drama, to fun, to suspense, the mix of emotions was so captivating to watch and lovely to learn more about the story.
I could not recommend it enough. Me and my friends left the theater crying and wanting for the second one. I hope there is a continuation of the story.
What seamed to be an ordinary story, was transformed to be a moving sequence of events and little details of life that made it all combined a gorgeous film to watch.
From romance, to drama, to fun, to suspense, the mix of emotions was so captivating to watch and lovely to learn more about the story.
I could not recommend it enough. Me and my friends left the theater crying and wanting for the second one. I hope there is a continuation of the story.
Heartbreakingly beautiful haunting and realistic depiction of love, loss, rock bottom, desperation, resilience and resurrection
I was so afraid it was going to be a flashy camp boy meets boy blah blah blah
It was the most realistic (and self identifying relatable) of all the phases one can go through in a breakup... and fear of "where am I...what am I know?"
the brilliant and poignant moments hit me hard; harder and more beautifully than expected
Marco (subtle and yet intense), James Bland (vulnerable and self aware) Marisa Tomei (just...!!!) and Bill Irwin (melancholy and sincere) were outstanding. Director Marco let his stars shine and develop and demonstrate REAL human emotion... wisdom... and a common thread of melancholy-tinged hope
He brought out so much from all allowing them disappear into characters. I simply fell in love with, rooted for, cried with, identified with... and wanted them to simply find fulfillment (and forgiveness).
I've not been so immediately moved from frame 1 nor felt each and EVERY actor's emotions in such a long long time
It gave me hope.
I was so afraid it was going to be a flashy camp boy meets boy blah blah blah
It was the most realistic (and self identifying relatable) of all the phases one can go through in a breakup... and fear of "where am I...what am I know?"
the brilliant and poignant moments hit me hard; harder and more beautifully than expected
Marco (subtle and yet intense), James Bland (vulnerable and self aware) Marisa Tomei (just...!!!) and Bill Irwin (melancholy and sincere) were outstanding. Director Marco let his stars shine and develop and demonstrate REAL human emotion... wisdom... and a common thread of melancholy-tinged hope
He brought out so much from all allowing them disappear into characters. I simply fell in love with, rooted for, cried with, identified with... and wanted them to simply find fulfillment (and forgiveness).
I've not been so immediately moved from frame 1 nor felt each and EVERY actor's emotions in such a long long time
It gave me hope.
Marco Calvani captures the beauty and pain of a contemporary gay man ( Marco Pigossi) in Provincetown who is at a crossroads in his life. Excellent performances and never heavy handed, High Tide sensitively navigates the main character's journey and takes the audience along for the ride as it unfolds. Wonderful cast all around and great supporting performances from Marisa Tomei and Bill Irwin. The film has such a lush look about it as Ptown is clearly another character here. We get a sense that down this garden path is just one story of so many in this fascinating mysterious coastal town at the end of the world. Inspired and truthful, I thoroughly enjoyed being taken on this ride and very much look forward to where Calvani will go from here.
Don't want to add too many spoilers but it rings true to me- a man from another country who wants to be free to live his life truthfully and find love after a painful break up. But he's bound by family ties and tradition and struggling to fully come out to those he loves back home. Expectation, disappointment and regret. The shame of not being free to be totally open even in our time is fascinating. As much as society has changed - the pain and difficulties of coming out fully to one's self and one's family is still present. I appreciate seeing this captured so effectively as I often have this argument in life when people talk about how being gay isn't an issue anymore and that it's accepted everywhere.
As someone who had their own difficulties coming out years ago, and also as an actor who has played parts of men struggling with sexuality and identity it really resonated with me so I wanted to write a review here.
I hope the film gets the attention it deserves. I'm sure it will have a nice life on demand. Kudos to the filmmakers and casting and the work of Marco Pigossi who navigates the central role with such love and compassion and sensitivity. He and the director have created something really special in his performances.
Don't want to add too many spoilers but it rings true to me- a man from another country who wants to be free to live his life truthfully and find love after a painful break up. But he's bound by family ties and tradition and struggling to fully come out to those he loves back home. Expectation, disappointment and regret. The shame of not being free to be totally open even in our time is fascinating. As much as society has changed - the pain and difficulties of coming out fully to one's self and one's family is still present. I appreciate seeing this captured so effectively as I often have this argument in life when people talk about how being gay isn't an issue anymore and that it's accepted everywhere.
As someone who had their own difficulties coming out years ago, and also as an actor who has played parts of men struggling with sexuality and identity it really resonated with me so I wanted to write a review here.
I hope the film gets the attention it deserves. I'm sure it will have a nice life on demand. Kudos to the filmmakers and casting and the work of Marco Pigossi who navigates the central role with such love and compassion and sensitivity. He and the director have created something really special in his performances.
Você sabia?
- CuriosidadesThe film was originally titled "Best Place in the World", then it was changed to "APART", and finally to "Best Place". It eventually settled on the title "High Tide".
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Detalhes
- Tempo de duração1 hora 41 minutos
- Cor
- Proporção
- 1.85 : 1
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