Romeu e Julieta

"For never was a story of more woe Than this of Juliet and her Romeo." Count Paris (Tom Wisdom)

The "woe" in this umpteenth adaptation of Romeo and Juliet over the last 400 years is that the titular lass, as played by Hailee Steinfeld, is weakly acted with immaturity, poor elocution, and disappointing physical presence. Add to that another woe: Douglas Booth's Romeo is prettier than Steinfeld with only slightly better articulation.

So, the outdoor production I saw this summer outflanked director Carlo Carlei's uneven take. However, for sets and cinematography, his production is beautiful, having been lovingly filmed in Verona. The ancient estates are astonishingly effective as horses race past old bricked walls and lovely ladies act beneath frescoes and columns that boast of nobility.

Yet the real reason to see this new production is Paul Giamatti's Friar Laurence, a benign manipulator undone by forces beyond his control. Giamatti's range from sweet confessor and cupid to perplexed operative is masterful. Look for his Oscar nomination for best supporting actor.

Lesley Manville as the Nurse is second only to Giamatti, a loving servant with a twinkle and a deep understanding of the lethal games. In fact, most of the supporting players such as Damian Lewis's Lord Capulet are welcome pros next to the amateurish leads.

The film, while featuring the besieged friar, also does a successful job highlighting the egregiously intense hormonal urges of young men: Tybalt (Ed Westwick) and Mercutio (Christian Cooke) have the feral ferocity of doomed warriors. Even the more placid Count Paris is waiting to let his inner soldier take over in the revenge category.

Writer Julian Fellowes bastardizes some of Shakespeare's glorious dialogue (why would anyone try to improve on the best?) and even adds rogue lines, albeit in the Elizabethan mode, such as "The road to hell is paved with good intentions." Now that is not Shakespeare!

But the basic story is still the essence of intelligent soap opera, and for its endurance, even with weak leads, I am grateful. And that cinematography makes me long to return to fair Verona.

Many films, not all alike in quality, In fair cinema, where we lay our scene, From ancient story to new screen idolatry, Where repetition makes some critics mean.

Shakespeare's tragic young lovers on screen oft before, for each generation and all others, in '36, '68, '96 and more.

This time Hailee Steinfeld plays Juliet, With Douglas Booth, her devoted Romeo, She, an Oscar nominee for the film "True Grit". And for a handsomer man, you'd have far to go.

The cast includes Natasha McElhone, The long-suffering muse on "Californication", And Damian Lewis, who starred on "Homeland", As a Congressman and a threat to our great nation.

Ed Westwick as hotheaded Tybalt is perfectly cast, having played the scheming Chuck on TV's "Gossip Girl". The rest of the actors, from the first to the last, All well-cast in their roles, from countries around the world.

The language they all speak is truly Shakespeare's own, With some speeches omitted or just changed. The words in the script, to Americans not unknown If you miss a few, the acting keeps you engaged.

I'd be remiss in this review if I failed to mention This retelling of the story is not without invention. The settings and scenery, share a common beauty And with innocence and fragility, Juliet's a cutie.

To conclude, I move on to other plays from which I dare to paraphrase. I hope to close this review on a helpful note, And maybe even give you something to quote.

When deciding on a film for popcorn ingestion, To see or not to see, that is the question. You could just choose to get thee to a nunnery, But that wouldn't be nearly as much… funnery.

Okay, I'm out. Let's see YOU find rhymes for question and nunnery. (Not to mention Stellan Skarsgård and Paul Giamatti, who are great as the Prince of Verona and Friar Laurence, respectively.) The earlier versions of this story are mostly very good, each in its own way, and this one definitely holds its own. If you enjoy love stories with drama, see 2013's "Romeo & Juliet". "B+"

If Hailee Steinfeld is in a movie then I will definitely see that movie. The young actress made an impressive debut in True Grit (2010), but then took a 3 year break from acting. In 2013 she had a role in Ender's Game, a science fiction action thriller that's definitely worth seeing. She also had a role in Romeo And Juliet, a straightforward film adaptation of William Shakespeare's romantic tragedy that works thanks to the actors and the screenplay. Julian Fellowes wrote a screenplay that makes the film interesting for a new generation of viewers. Changing some of the play's dialogue may be unacceptable for some people, but what we get here is a manageable story with the poetic dialogue intact. It works well in the film. Carlo Carlei can be praised for his direction because the film doesn't lose pace or interest. Carlei makes the dramatic scenes work, especially at the end when Romeo Montague and Juliet Capulet have to make difficult decisions because of unfortunate circumstances. The cast deliver the dialogue well. Steinfeld was 17 when the film was released, but she projects maturity and makes Juliet a tragic figure. Douglas Booth allegedly beat out 300 other actors for the part of Romeo. He's 4 years older than Steinfeld, and the romance between the two isn't as good as it should be, but they are an appealing young pair. It's Paul Giamatti, playing Friar Laurence, who's most comfortable with the poetic dialogue however. I like that Romeo And Juliet was filmed in Italy, including in Verona, where Shakespeare's tragedy is set. Franco Zeffirelli's terrific 1968 film was a big hit with a similar approach to the material. Carlei's Romeo And Juliet wasn't a repeat of that phenomenon but it's still a solid film that can easily appeal even to teenagers. I recommend it.

I am in two minds about this film: On the one hand I can honestly say that I enjoyed it and that it swept me away in the timeless love story. On the other hand there are several things that really bothered me and that I believe would disqualify it from being classified a "good" film.

Firstly, the bad:

1) The movie doesn't follow Shakespeare's original text. Sure enough, the most famous lines are all there, but the movie frequently deviates from Shakespeare's text. The simplification of some text insults the intelligence of the audience and does seem a little arrogant on the parts of the screenwriters. It also doesn't help that much of the changes has the feel of modern speech being rewritten in an "old-english-sounding" tongue which clearly stands out from the classic words of the bard. Not even the ending escapes some liberal changes. 2)Hailee Steinfeld is really a bad casting decision for Juliet. She is simply so much younger than Romeo that their on-screen chemistry looks a bit creepy. Her portrayal of Juliet lacks depth and she simply does not possess the beauty to be a Juliet - especially if you pair her with Douglas Booth as Romeo. (Another reviewer complained that Romeo is more beautiful than Juliet in this film and I have to agree that this is true)

Now for the good: 1) Bringing fierceness and intense passion to the role, I thought Douglas Booth was a really good Romeo. 2) Paul Giamatti is excellent as Friar Laurence. He brings some comic relief, lightness and heart to the film. 3) The story is fast-paced, passionate and intense. Enough of Shakespeare's most-loved soliloquies and dialogue appear to retain the timeless beauty of his words. The words still bring layer upon layer of meaning to the story and brings so much depth and emotion to the story of the star-crossed lovers that one can't help but wander at just how Shakespeare was able to get so much emotion into so few lines.

I give this film a score of 7 as I quite enjoyed it despite it's flaws. Don't watch this movie if you have to do a school project on Romeo and Juliet, though!

From time to time, a film director decides to adapt Shakespeare's plays. In all fairness, it's great stuff and deserves to be taken to the screen. However, when this happens, the people (particularly those whose mother tongue is English) don't like it and have great difficulty in understanding that, when a book is adapted to cinema, it has to be adapted or adjusted. Its a necessary job, and does not spare any book or author. It can be hard to accept, especially for the purists, who see Shakespeare as a kind of untouchable "sacred cow", but the truth is that cinema can be based on literature but its not literature. I say this because I realized that this film was the target of massive criticism for the way the book was adapted. The writers were so incompetent? They cut something important to the understanding of the story? They have profoundly altered it? No. But they sought to adapt the text a little, for dramatic purposes. The essential was there, untouched, and this does not shock me. This is cinema, not theater, and people have to understand that the public goes to the cinema to see a movie, not a recorded play. Do you want the original text, ipsis litteris? Read the book or go see the play. Cinema is concerned in keeping the story, not the text. Almost all movies are so, this is no different. Now let's talk about the movie.

The movie is interesting, keeps the essence of the original story, but changes the dialogues and interpretation, abandoning the artificial tone of Shakespearean theater and taking a more natural posture. The idea is good, its a breath of fresh air, but I think the posture adopted is too "XX century" and something is missing in the way the characters act that remind us the fifteenth century. One of the most reprehensible things is the amount of kisses and touches. This does not fit the historical period depicted, much more puritanical than ours. The actors did a decent job, engaged and committed to the story itself. Douglas Booth was by far the best Romeo I've seen in the movies, much more credible than Leo was in "Romeo + Juliet". Hailee Steinfeld was not bad either, but her acting has seemed a little forced in some scenes. Everything else is absolutely impeccable: the bright, colorful picture is magnificent, in harmonious combination with the great scenery and locations chosen for filming, and that depict faithfully what have been Verona during this time. The costumes also fit into the historical period and are exquisite. The soundtrack, discrete but present, fulfills her role with great skill.

Far from being a bad movie, this movie will never be understood by the public who are not able to see the difference between literature, theater and cinema. Despite some minor flaws, the film is well done and does not deserve at all, in my opinion, the severe criticism it has received.