Leonor Will Never Die

This is a gutsy film. It oozes an enigma I wish to see more in the local scene. I haven't felt this way since watching Dwein Baltazar's Gusto Kita With All My Hypothalamus.

It revisits a beloved era of PH action movies, its templates carefully recreated throughout. The one-liners, FPJ punch, the iconic 4x3, the warehouse endings, but even in its thoughtful tribute, Leonor Will Never Die veers away from one clear distinction in its inspiration; it is cleverly unpredictable. In a way, it sheds light on the path Philippine cinema has been headed; it is films like this that inspire future artists to dig deep and look outward.

Structured like a dream's dream. It is fluid, strong on one end, then breaks like water in some parts. My only gripe is that it has more potential; there is a classic craft in it somewhere that I wish the filmmakers explored-a hint of logistic limitations, perhaps, or time constraints. But anyway, you could sense that it was done as best as it could, like a dreamer's passion project.

Right, well needless to say that I hadn't heard about this 2022 Filipino movie titled "Leonor Will Never Die" from writer and director Martika Ramirez Escobar prior to actually sitting down to watch it.

But I will say that the synopsis for the movie definitely sounded interesting enough. And since it was a movie that I hadn't already seen, of course I opted to give the movie a fair chance.

The narrative in "Leonor Will Never Die" was just beyond my liking. The storyline proved a bit too strange and far out there for my taste and preference. And while I managed to sit through all 104 minutes that the movie ran for, then I was only mildly entertained. It is a storyline that definitely blurs the lines between reality and fiction.

What made the movie bearable to watch was the acting performances. There were some genuinely good performances from the cast. And it was a cast that I wasn't at all familiar with.

"Leonor Will Never Die" is somewhat of a niche movie, no doubt about it. I didn't overly enjoy it, but I am sure that there is an audience out there for a movie such as this.

My rating of "Leonor Will Never Die" lands on a four out of ten stars.

I feel like this will draw a lot of comparisons to Everything Everywhere All At Once due to some of the similar "meta" themes, but I liked this more. It's a hard line to walk balancing both comedy and drama in a film without giving the audience whiplash, this movie simply handled it better.

Kudos to the director for achieving the authentic feel of a schlocky B-Movie from the 80's, it's something a lot of people try and fail to do. For half the movie I was convinced they just took some unknown film and edited around it.

It was a fun movie, a touching movie, and it left me with a smile on my face.

I am still feeling stoked after watching it. What a ride that was!! Damn!! The film brought me into different emotions and then smash it when i got a hold of it. Very Kaufmann and Beckett feels. It is like Chekovian experience as well. Great performances from Sheila Francisco as Leonor and Bong Cabrera as her son Rudie. Watch out for this gem of a film from the Philippines. Now, i need to see those 80's action movies from the Philippines. Any links?

"Leonor" (Sheila Francisco) is a legendary Filipino writer and film maker who is now rather obliviously living on the breadline. Faced with disconnection from the electricity supply, her son "Rudy" (Bong Cabrera) is at his wit's end. When the lights do go out, she decides that maybe she can resurrect one of her old scripts and enter it into a competition that could solve all their problems. Snag - well her neighbours are having a row about what to watch on television and their solution is to throw it out of the window - and onto her inspecting head! Hospital obviously beckons and the doctor advises "Rudy" that she is in a coma from which she may (or may not) emerge. The rest of this quickly paced comedy drama merges her comatose dream sequences in which she is trying to re-write her Guy Ritchie style action drama, with the real life predicament faced by her worried son. What transpires through the flashbacks is that there was another son - the beloved "Ronwaldo" (Anthony Falcon) and we gradually discover just what happened to him - which goes some way to explain the role he is now given as the ninja-esque heart-throb character in her new movie involving just about every small-time local crook in the book. The story doesn't hang around and requires a degree of concentration to follow just what's going on. As her dreams are set in the world of movie making, we frequently stop, restart, rewind, jump ship, change plots - and that's quirkily engaging for a while, too. Some of the combat scenes are reminiscent of a 1970s Bruce Lee film which I think is deliberate and quite effective in an entertainingly "thwack" and "pow" sort of fashion. Sadly, though, the very nature of it's spoof style exposes it to the flaws of the genre upon which it is based and after about half an hour I was just a bit bored with it all. The story is solid, but the execution relies on some pretty third rate acting - especially from her hero (Rocky Salumbides) and his constantly in need of rescue "Isabella" (Rea Molina) and though occasionally quite witty, the dialogue is also a bit pedestrian too. I am glad I saw this at the cinema - had I started on television I suspect I would have given up. It's an interesting watch, but not a memorable one.