Em um futuro onde as pessoas param de envelhecer aos 25 anos e precisam trabalhar para ganhar mais tempo de vida, Will Salas é acusado de assassinato e fugir com uma refém - conexão que se t... Ler tudoEm um futuro onde as pessoas param de envelhecer aos 25 anos e precisam trabalhar para ganhar mais tempo de vida, Will Salas é acusado de assassinato e fugir com uma refém - conexão que se torna parte importante na luta contra o sistema.Em um futuro onde as pessoas param de envelhecer aos 25 anos e precisam trabalhar para ganhar mais tempo de vida, Will Salas é acusado de assassinato e fugir com uma refém - conexão que se torna parte importante na luta contra o sistema.
- Prêmios
- 2 indicações no total
Avaliações em destaque
Will Salas (played by Justin Timberlake) is a 28-year-old factory worker whose one year clock started and aging stopped, like everyone else in the film, when he turned 25. He and his 50 year-old mother Rachel (played by Olivia Wilde) live in the ghettos of Dayton hoping to earn and save enough to at least see the next day. All while wages in the ghetto are constantly going down and the cost of living is constantly going up. Then, while out drinking with his friend Borel (played by Johnny Galecki), he learns of a man with more than a century left on his clock who has unadvisedly advertised his good fortune while in the same bar as Will and Borel. A local time-thief enters the picture and, rather than retreat like his friend did and advised him to do, Will comes to the aid of the fortunate stranger. While saving his life was all for naught, the stranger gives Will all the time left on his clock before allowing the time on his own clock to run out while he's sitting on a bridge overlooking a dry river basin.
"Time is money" was a phrase first coined by Benjamin Franklin. While the idea of reversing that concept to "money is time" is interesting, I don't believe the cast was up to the challenge of exploring it. Whatever success Justin Timberlake might've had in supporting roles, he doesn't have what it takes to be the leading man. Amanda Seyfried, whose role has her playing off Timberlake for a lot of the film, is another professional whose appeal tends to overshadow her abilities for some reason. Perhaps an independent production could provide actors with genuine talent, who are young enough to look the part, but this is closer some sort of CW melodrama.
In my opinion, In Time was an original well written and well acted and truly thought provoking production and I loved it. The fact that it subtly questioned our morality and made us question real world issues such as poverty and political stance was just one of the things that made me love this movie.
To the people who dislike the feature and to those negative reviews which I have read I have a few responses. Firstly, I saw a point about not enough back story into the body clock. The first thought that struck me was really? The movie is not centred around the body clock, and furthermore throughout the film we are told of its uses and get to a fairly good understanding to how it works. Do you not agree that any more back story would waste time and most likely just bore the typical viewer? Finally to those who disliked the acting and script I strongly disagree. I though both Justin and Amanda played there parts very well and there chemistry was as good as any action film I have scene.
I would highly recommend this film to anyone, and suggest if you haven't already seen it you should definitely make some time if you think you will enjoy this movie.
The story is simple. Time is the commodity in the future. But the best part is how the filmmaker show the audience how to use this commodity in normal everyday life. How much time you pay for certain things, where to get extra time, etc. Simply brilliant.
I never cared too much about Timberlake before, but his performance in Social Network caught my attention, and In Time further proves that he can act. The pace can be quite a drag here and there, but its full of suspense all the way, many chase scenes and all.
For those of you who are tired of prequels, sequels, three-quels, superheros, robots, aliens, etc, give In Time a shot, its definitely worth your time. The most original movie this year. 109 minutes is a commodity well-spent.
I actually like the premise, which has the potential for lots and lots of suspense; it's like having a ticking bomb strapped to your wrist. What could go wrong, right? Well, the answer is most things. IN TIME is an insipid, soulless Hollywood blockbuster, happy to copy the look and style of recent films like JUMPER without ever bringing anything new to the table. Kiwi director Andrew Niccol once made the excellent GATTACA so it comes as a surprise he made a film so unoriginal and uninteresting.
One of the worst things about this film lies in the central casting of Justin Timberlake as the hero. He's wooden, never less than wooden, and merely cast due to his popularity with audiences. I hated his protagonist throughout, so that made the film as a whole hard to sit through. Amanda Seyfried is better, and Cillian Murphy is always a pleasure to watch on screen, but when you have such a vacuum of acting talent in the central role then your film's going to be flawed. It doesn't help that the family-friendly rating means that there's nothing contentious or powerful here, or that for a film with a chase-focused storyline there aren't really any good action or suspense scenes to enjoy.
On the plus side is Justin Timberlake coming back and showing that his misstep in Bad Teacher (2011) was just one of those embarrassing Hollywood screw ups. Timberlake has real drama and acting talent and is definitely here for the long haul. (Too bad Elvis was never given such chances.) Timberlake gave us a glimpse of his depth last year in The Social Newtwork (2010) , but his talents were not fully developed for Friends with Benefits (2011).
The script starts with the eerie, sobering reminder, and all too familiar words, "We don't have time...we don't have time..." Think if today you had to buy everything with time, instead of bank credit or cash. Coffee costs four minutes. A bus ride costs an hour. A car costs two years. People can give or take time from each other. Just don't run out of time or you will die on the spot. If this were real, would you treasure and spend time more wisely? The real interesting question may be that time really is the currency we live by now, we just fail to see it that way. The simple fact is that you can earn countless piles of cash and gold in this world, but you really cannot buy time. Despite the wealthy in today's world sometimes being able to cheat a few years with better health care, we all are going to die in the same average years.
While the script is the superficial tale of Will Salas (Timberlake) and his Mom (Wilde) trying to pass time in a futuristic world, the messages of the film go far deeper. It is really a tale of class warfare. People who have time, like the mega "eonaire" Phillipe Weis (Katheiser) and his rich daughter Sylvia (Seyfried) and those who constantly struggle to keep time (or run out of it) like the Salas family. Will gets the chance to move up into a better time zone thanks to a man who has just decided that after a hundred years or so, he prefers to "time out." He leaves Will the prophetic warning "Don't waste my time." How Will chooses to spend his time, for himself or for the benefit of all, is now the story.
I really did not mind that the future depicted in this film was not futuristic looking and all the cars were vintage 1970's models with updated lighting and electric sounding motors. It saved a huge budget rather than try to make the world look like it probably will in 2013 or so. And I think the point was that the future is really now.
As an entertaining film, my 7.5 rating is spot on. As a thought provoking experience, I might have given it a 10.0. After seeing this film, you should go out and visit with friends. Your own clock is ticking down. Are you really using it wisely? Unlike the time down clock on the arm of the people in this film, you never know when your time is about up.
This film...it's worth your time.
Você sabia?
- CuriosidadesDirector trademark: Using vintage automobiles in a futuristic setting.
- Erros de gravaçãoWhen congratulating his mother with her 50th birthday Will says: "25 for the 25th time". However 25 for the 25th time would be her 49th birthday. On her 50th birthday she turns 25 for the 26th time.
- Citações
Henry Hamilton: How old are you? In real time?
Will Salas: 28.
Henry Hamilton: I'm 105.
Will Salas: Good for you. You won't see 106, you have too many more nights like tonight.
Henry Hamilton: You are right. But the day comes when you've had enough. Your mind can be spent, even if your body's not. We want to die. We need to.
Will Salas: That's your problem? You've been alive too long? You ever known anyone who's died?
Henry Hamilton: For a few to be immortal, many must die.
Will Salas: What the hell is that supposed to mean?
Henry Hamilton: You really don't know, do you? Everyone can't live forever. Where would we put them? Why do you think there are time zones? Why do you think taxes and prices go up the same day in the ghetto? The cost of living keeps rising to make sure people keep dying. How else could there be men with a million years while most live day to day? But the truth is... there's more than enough. No one has to die before their time. If you had as much time as I have on that clock, what would you do with it?
Will Salas: I'd stop watching it. I can tell you one thing. If I had all that time, I sure as hell wouldn't waste it.
- Cenas durante ou pós-créditosIn the start and end credits, some letters such as O and I, begin as numbers which count down to 0 or 1.
- ConexõesFeatured in In Time: The Minutes (2005)
- Trilhas sonorasMi Swing es Tropical (Zeb's Reggae Remix)
Written by Nickodemus (as Nicolas DeSimone), Hector Alomar and William Holland
Performed by Nickodemus and Quantic featuring Hector "Tempo Alomar"
Courtesy of Wonderwheel Records
By arrangement with Visions from the Roof
Principais escolhas
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- El precio del mañana
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 40.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 37.520.095
- Fim de semana de estreia nos EUA e Canadá
- US$ 12.050.368
- 30 de out. de 2011
- Faturamento bruto mundial
- US$ 173.930.596
- Tempo de duração1 hora 49 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1