Oscar Diggs, ou Oz, o mágico de um circo, descobre por acaso uma terra mágica que tem o seu nome e as irmãs bruxas Theodora e Evanora, que lhe oferecem o trono se ele derrotar a irmã má dela... Ler tudoOscar Diggs, ou Oz, o mágico de um circo, descobre por acaso uma terra mágica que tem o seu nome e as irmãs bruxas Theodora e Evanora, que lhe oferecem o trono se ele derrotar a irmã má delas, a bruxa Glinda.Oscar Diggs, ou Oz, o mágico de um circo, descobre por acaso uma terra mágica que tem o seu nome e as irmãs bruxas Theodora e Evanora, que lhe oferecem o trono se ele derrotar a irmã má delas, a bruxa Glinda.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 6 vitórias e 31 indicações no total
Abigail Spencer
- May
- (as Abigail Leigh Spencer)
Avaliações em destaque
if You didn't Know that this Movie was Directed by Sam Raimi, You wouldn't Know that it was Directed by Sam Raimi. All of the Style is in the CGI. It has a Certain Eye Candy Appeal that also Lacks Warmth, Depth, and Anything Resembling a Soul.
But here it is. A Mega-Million Dollar Spewing of the Plasticized, Industrial Art that has become the Standard for This Type of Thing. The Other Worldliness of the Superhero and other Fantasies. It can Work Very Well in Limited Quantities but when that's All there is, that's All there is.
James Franco is a Movie Star (and some may question why) and Not an Actor, so He can by No Stretch of the Imagination Pull off the Charm Needed for the Wizard. He Grins and Smirks and All the Women On Screen, and in the Audience, are Supposed to be Charmed Out of Their Pants. Right.
The Prequel has its Moments of Appeal, but Hardly Awe Inspiring. The Witches are Interchangeable Bores. The Flying Monkey is OK and the China Doll is the Most Memorable. There are a lot of Explosions and Fireballs to Pump the Sub-Woofers and Danny Elfman's Recognizable Style is Noticeable from the First Few Notes (did someone say repetition).
Overall, the Movie can be Recommended in a Gaudy kind of Display with Enough Color to Capture the Eye, but the Movie is Not that Captivating. It is such a Mediocre Movie that Slightly Betrays the Source Material and is Another Expensive Extravaganza that is by Most Accounts Disappointing and Adequate at Best. That's not much for Disney and the Pile of Gold it put out for this Thing.
But here it is. A Mega-Million Dollar Spewing of the Plasticized, Industrial Art that has become the Standard for This Type of Thing. The Other Worldliness of the Superhero and other Fantasies. It can Work Very Well in Limited Quantities but when that's All there is, that's All there is.
James Franco is a Movie Star (and some may question why) and Not an Actor, so He can by No Stretch of the Imagination Pull off the Charm Needed for the Wizard. He Grins and Smirks and All the Women On Screen, and in the Audience, are Supposed to be Charmed Out of Their Pants. Right.
The Prequel has its Moments of Appeal, but Hardly Awe Inspiring. The Witches are Interchangeable Bores. The Flying Monkey is OK and the China Doll is the Most Memorable. There are a lot of Explosions and Fireballs to Pump the Sub-Woofers and Danny Elfman's Recognizable Style is Noticeable from the First Few Notes (did someone say repetition).
Overall, the Movie can be Recommended in a Gaudy kind of Display with Enough Color to Capture the Eye, but the Movie is Not that Captivating. It is such a Mediocre Movie that Slightly Betrays the Source Material and is Another Expensive Extravaganza that is by Most Accounts Disappointing and Adequate at Best. That's not much for Disney and the Pile of Gold it put out for this Thing.
Sometimes you hear about how bad a movie is, how the critics hated it, how it failed at the box office, etc. etc. etc. And then you find it in the bargain bin and you decide to see how bad it really is. This was the case with a number of movies (like COWBOYS V ALIENS and that one about the civil war guy sent to Mars) and in some cases (like the two mentioned) they turn out not as bad as people make out. This is the same as OZ THE GREAT AND THE POWERFUL. I watched it with my daughter and we both thoroughly enjoyed it. There was just enough humour, action and a little bit of scary o keep you entertained for the however long it took to watch it. It just goes to prove that you never judge a whatever by its thingy. Now the reverse can also be true (as in the case of AVATAR) as a movie everyone loved can be a piece of crap. So if you are wondering what you are in for if you decide to watch it, I think you are in for a good action adventure. It is not THE WIZARD OF OZ but rather a cross between THE HOBBIT and a Jim Carey movie
..errr
..I think. There are a few scary bits but nothing that would frighten kid over 8. So overall not as bad as it was made out to be and, yep, I would be up for a sequel.
A magician finds himself transported to the magical land of Oz, where witches, flying monkeys and yellow brick roads exist. He is mistaken for the saviour of Oz and must decide whether or not to stay and be king, or leave and find his way home.
I love Sam Raimi, the man and his invented work with a camera are what made me want to get into filmmaking in the first place. So to see him handling big projects like this (and Spiderman) was a joy for me to see. Oz the Great & Powerful is a CGI heavy film that demands a creative eye behind the lens. After his work on big budget films like Spiderman, it seemed like an easy choice for Raimi to be the one behind Oz and for the most part, it works. The films shortcomings keep it from being really magical and memorable, like the original from 39, but Oz has enough whimsy to keep the kids entertained and the adults smiling.
The land of Oz is indeed magical, with vibrant colours around every corner, memorable spots like the poppy fields and the dark forest for us older viewers, but even in saying all that I can't help but feel how fake it all is. This film suffers from the same troubles that plagued Burton's Alice in Wonderland, the visuals, although great for the story, add no sense of realism to the image. I hate overly used CGI in films to the point of noticing the awkward placement of actors in front of the green screen. The first major offender of this is Star Wars: Attack of the Clones, none of the actors made me believe they were in the settings they were. Both Wonderland and Oz have this same feeling.
While I'm getting the negatives out of the way, I must say that what everyone is saying about Mila Kunis is true, she was miscast in this role. I think she was chosen more for her beauty and star power than her acting abilities, which is sad cause it looks like she really is trying here. The story for her character here is a sad one and the second half I think suffers a bit because the threat from her is not really present. I don't really know why I'm tip-toeing around the issue because those who know The Wizard of Oz, know that Dorothy kills one witch with her house and the other with water, leaving Glinda the good witch in a bubble as the saviour. Seeing the Kunis character go in the direction she does didn't really effect me as much as I wanted it to. Consider that the failure of the script more so than the actors. Not enough time is really given to her for her transformation to affect the viewer.
The film opens in black & white and and the transformation to colour had a smile on my face. Despite the "fakeness" of some of the scenes (not all) Raimi does a decent job of not letting the effects overpower the film. Raimi steers the film in the right direction, but it is James Franco's shoulders it has to rest on. He is the type of actor that comes off as not really caring. It works in some films like Pineapple Express and he does manage to turn in some great performances, look at 127 days or Freaks & Geeks for that. Unfortunately I don't know if he has enough charisma and power to command a film like this. At times it looked like he was in the role, other times it felt like he couldn't care. Maybe it's his acting style, I can't really put my finger on it, but clearly Raimi sees something in him because he has worked with him previously on the Spiderman films.
Where the acting does work, marvellously and in every scene is Rachel Weisz and Michelle Williams. Two polar opposites that look like they actually enjoy the characters and the movie they are in. They elevate the material a bit to make the drama more tangible. Whereas without them I think the film would have fallen more flat. The drama and character choices didn't really bring me into the story. The film didn't feel like it took chances, or tried to have complex situations for the characters. It had mapped out beats, hit them and marched on.
It was nice seeing some nice Raimi touches in the final product. More than 25 years later and I still smile when I see Bruce Campbell getting hit in the face, knowing full well that it is Sam Raimi on the other end of the camera hitting him. Surprisingly, moments did indeed feel Evil Deadish to me, with the flying witches holding out their hands in a deadite possession form. But I digress. Oz is a good film, with weaknesses that bring it down. Raimi and two witches try their best to elevate some bland material and in the end we are left with a film that is neither great, nor memorable....just satisfactory enough.
I love Sam Raimi, the man and his invented work with a camera are what made me want to get into filmmaking in the first place. So to see him handling big projects like this (and Spiderman) was a joy for me to see. Oz the Great & Powerful is a CGI heavy film that demands a creative eye behind the lens. After his work on big budget films like Spiderman, it seemed like an easy choice for Raimi to be the one behind Oz and for the most part, it works. The films shortcomings keep it from being really magical and memorable, like the original from 39, but Oz has enough whimsy to keep the kids entertained and the adults smiling.
The land of Oz is indeed magical, with vibrant colours around every corner, memorable spots like the poppy fields and the dark forest for us older viewers, but even in saying all that I can't help but feel how fake it all is. This film suffers from the same troubles that plagued Burton's Alice in Wonderland, the visuals, although great for the story, add no sense of realism to the image. I hate overly used CGI in films to the point of noticing the awkward placement of actors in front of the green screen. The first major offender of this is Star Wars: Attack of the Clones, none of the actors made me believe they were in the settings they were. Both Wonderland and Oz have this same feeling.
While I'm getting the negatives out of the way, I must say that what everyone is saying about Mila Kunis is true, she was miscast in this role. I think she was chosen more for her beauty and star power than her acting abilities, which is sad cause it looks like she really is trying here. The story for her character here is a sad one and the second half I think suffers a bit because the threat from her is not really present. I don't really know why I'm tip-toeing around the issue because those who know The Wizard of Oz, know that Dorothy kills one witch with her house and the other with water, leaving Glinda the good witch in a bubble as the saviour. Seeing the Kunis character go in the direction she does didn't really effect me as much as I wanted it to. Consider that the failure of the script more so than the actors. Not enough time is really given to her for her transformation to affect the viewer.
The film opens in black & white and and the transformation to colour had a smile on my face. Despite the "fakeness" of some of the scenes (not all) Raimi does a decent job of not letting the effects overpower the film. Raimi steers the film in the right direction, but it is James Franco's shoulders it has to rest on. He is the type of actor that comes off as not really caring. It works in some films like Pineapple Express and he does manage to turn in some great performances, look at 127 days or Freaks & Geeks for that. Unfortunately I don't know if he has enough charisma and power to command a film like this. At times it looked like he was in the role, other times it felt like he couldn't care. Maybe it's his acting style, I can't really put my finger on it, but clearly Raimi sees something in him because he has worked with him previously on the Spiderman films.
Where the acting does work, marvellously and in every scene is Rachel Weisz and Michelle Williams. Two polar opposites that look like they actually enjoy the characters and the movie they are in. They elevate the material a bit to make the drama more tangible. Whereas without them I think the film would have fallen more flat. The drama and character choices didn't really bring me into the story. The film didn't feel like it took chances, or tried to have complex situations for the characters. It had mapped out beats, hit them and marched on.
It was nice seeing some nice Raimi touches in the final product. More than 25 years later and I still smile when I see Bruce Campbell getting hit in the face, knowing full well that it is Sam Raimi on the other end of the camera hitting him. Surprisingly, moments did indeed feel Evil Deadish to me, with the flying witches holding out their hands in a deadite possession form. But I digress. Oz is a good film, with weaknesses that bring it down. Raimi and two witches try their best to elevate some bland material and in the end we are left with a film that is neither great, nor memorable....just satisfactory enough.
Oz the Great and Powerful is, although admittedly very imperfect, a grand, colourful and often immersive adventure.
As usual, Sam Raimi's energy shines in the action and horror, with the Dutch tilts and sudden zoom ins bringing a sense of camp and unease into the tension. The flying monkeys brought back the trauma from the original in such an overkill fashion where their terror is mostly concealed and portrayed in silhouette until around the halfway mark. James Franco as Oz was a surprisingly good fit, with him able to pull off portraying a sympathetic con-man. Although portrayed mostly through CGI, the land of Oz looks dazzling most of the time, and then there are a few times where it looks distractingly too glamorous and over-polished. Make-up and costumes are mostly on point, harkening back to the aesthetic of the original with more modern capabilities, although the same could be said with a lot of other aspects of the film.
Although the CGI is used to great effect in many ways throughout the movie, it eventually ends up feeling a bit overused, especially in the final battle between two of the witches. The story revolving around how certain characters from the original film behaved before the events of that film ranged from feeling plausible to almost downright silly. Oz as the con-man was a good connection to the deceptive yet humble wizard in the original, yet the portrayal of the wicked Witch of the West as a heartbroken, temper-tamtrum-a-minute villain with an obsessive relationship to the wizard just doesn't feel like it matches up with the purely maniacal and unhinged character from the original. Each of the romantic aspects of the movie come off as weird fan-fiction where I feel like it just doesn't work. Sometimes a few of the actors looked like their heart wasn't really in it either.
Overall, though not particularly an amazing prequel, it's a technically impressive one with a good cast, decent story and great direction.
As usual, Sam Raimi's energy shines in the action and horror, with the Dutch tilts and sudden zoom ins bringing a sense of camp and unease into the tension. The flying monkeys brought back the trauma from the original in such an overkill fashion where their terror is mostly concealed and portrayed in silhouette until around the halfway mark. James Franco as Oz was a surprisingly good fit, with him able to pull off portraying a sympathetic con-man. Although portrayed mostly through CGI, the land of Oz looks dazzling most of the time, and then there are a few times where it looks distractingly too glamorous and over-polished. Make-up and costumes are mostly on point, harkening back to the aesthetic of the original with more modern capabilities, although the same could be said with a lot of other aspects of the film.
Although the CGI is used to great effect in many ways throughout the movie, it eventually ends up feeling a bit overused, especially in the final battle between two of the witches. The story revolving around how certain characters from the original film behaved before the events of that film ranged from feeling plausible to almost downright silly. Oz as the con-man was a good connection to the deceptive yet humble wizard in the original, yet the portrayal of the wicked Witch of the West as a heartbroken, temper-tamtrum-a-minute villain with an obsessive relationship to the wizard just doesn't feel like it matches up with the purely maniacal and unhinged character from the original. Each of the romantic aspects of the movie come off as weird fan-fiction where I feel like it just doesn't work. Sometimes a few of the actors looked like their heart wasn't really in it either.
Overall, though not particularly an amazing prequel, it's a technically impressive one with a good cast, decent story and great direction.
In 1905, in Kansas, the small-time circus magician Oscar "Oz" Diggs (James Franco) is a weak, greedy, selfish and womanizer conman without character. He gives music box to the women that he seduces, and when a strong artist finds that his wife has a box in her belongings, he chases Oz through the circus. Oz flees in a balloon, but a tornado strikes his balloon and he lands on the Land of Oz.
Oscar meets the gorgeous Theodora (Mila Kunis) and she believes that he is the powerful magician from an ancient prophecy that will release her land from the Wicked Witch. Theodora tells that her sister and she are good witches, but the Wicked Witch had killed the king. Now the people are waiting for the magician to be their new king after defeating the witch. Theodora is seduced by Oz and brings him to the City of Emerald. When he sees the king's treasure, he decides to seek out the Wicked Witch and destroy her magic wand to get rid off her and become the king. Oz meets Glinda (Michelle Williams), who is supposed to be the Wicked witch, and soon he learns that Theodora's sister Evanora (Rachel Weisz) is the evil one indeed.
Meanwhile Evanora lures he sister that is jealous and uses a spell to turn her into a wicked witch. Oscar learns that he is the only hope for the inhabitants of Oz that believe that he is a powerful magician and his only chance to defeat Evanora and Theodora is using illusion since he has no magic power.
"Oz the Great and Powerful" is an entertaining fantasy movie, with beautiful special effects and great cast. The beginning in black and white turns to bright colors when Oz reaches the magic kingdom and the images are wonderful. It takes too long for the unethical lead character to redeem and become a good man. For viewers that enjoy fantasy movies, "Oz the Great and Powerful" is a highly recommended movie. My vote is seven.
Title (Brazil): "Oz: Mágico e Poderoso" ("Oz: Magic and Powerful")
Oscar meets the gorgeous Theodora (Mila Kunis) and she believes that he is the powerful magician from an ancient prophecy that will release her land from the Wicked Witch. Theodora tells that her sister and she are good witches, but the Wicked Witch had killed the king. Now the people are waiting for the magician to be their new king after defeating the witch. Theodora is seduced by Oz and brings him to the City of Emerald. When he sees the king's treasure, he decides to seek out the Wicked Witch and destroy her magic wand to get rid off her and become the king. Oz meets Glinda (Michelle Williams), who is supposed to be the Wicked witch, and soon he learns that Theodora's sister Evanora (Rachel Weisz) is the evil one indeed.
Meanwhile Evanora lures he sister that is jealous and uses a spell to turn her into a wicked witch. Oscar learns that he is the only hope for the inhabitants of Oz that believe that he is a powerful magician and his only chance to defeat Evanora and Theodora is using illusion since he has no magic power.
"Oz the Great and Powerful" is an entertaining fantasy movie, with beautiful special effects and great cast. The beginning in black and white turns to bright colors when Oz reaches the magic kingdom and the images are wonderful. It takes too long for the unethical lead character to redeem and become a good man. For viewers that enjoy fantasy movies, "Oz the Great and Powerful" is a highly recommended movie. My vote is seven.
Title (Brazil): "Oz: Mágico e Poderoso" ("Oz: Magic and Powerful")
Você sabia?
- CuriosidadesThe Tin Man is the only one of Dorothy's three companions in O Mágico de Oz (1939) not to be directly referenced in this film. The Tinkers are a loose reference to the Tin Man, written in for this adaptation. A Quadling also says that he can work with iron.
- Erros de gravaçãoWhen Oz and Theodora flee from the crash site, Theodora's boots are flat; moments later, when he boosts her into the cave, the boots have high heels.
- Cenas durante ou pós-créditosThe opening credits are seen in a 1930s nickelodeon, with certain credits having their own qualities:
- James Franco's credit appears in a puff of smoke
- Mila Kunis' credit appears alongside a couple dancing (whose shadow turns into that of the Wicked Witch)
- Rachel Weisz's credit is held by monkeys
- Michelle Williams' credit is contained within a bubble
- Zach Braff's credit appears with a puppet of Finley
- the make-up credits Greg Nicotero and Howard Bergman are seen with an eye mask
- VFX supervisor Scott Stokdyk's credit is seen within an optical illusion
- composer Danny Elfman's credit is seen with a trumpet
- the costume designers' credits are seen fitting clothes on an elephant
- production designer Robert Stromberg's credit is seen in China Town
- cinematographer Peter Deming's credit is seen with the projector
- the screenwriters' credit is seen within a tornado
- and director Sam Raimi's credit is seen within a crystal ball.
- Versões alternativasThe film was also shown in 3D. Some shots displaying 3D effects are exclusive to the 3D version, being altered or removed in the 2D cut.
- ConexõesFeatured in Fantástico: Episode dated 17 February 2013 (2013)
- Trilhas sonorasAlmost Home
Performed by Mariah Carey
Written by Simone Porter, Justin Gray, Lindsey Ray, Tor Erik Hermansen (as Tor Erik Hermansen), Mikkel Storleer Eriksen (as Mikkel Eriksen), and Mariah Carey
Produced by Mariah Carey and Stargate for 45th & 3rd Music LLC
Courtesy of Island Records
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Detalhes
Bilheteria
- Orçamento
- US$ 215.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 234.911.825
- Fim de semana de estreia nos EUA e Canadá
- US$ 79.110.453
- 10 de mar. de 2013
- Faturamento bruto mundial
- US$ 493.311.825
- Tempo de duração2 horas 10 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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