AVALIAÇÃO DA IMDb
5,4/10
2,6 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA reclusive and butterfly-obsessed elderly lady suffering from bipolar disorder develops a disturbing relationship with a mysterious but seemingly innocent youngster.A reclusive and butterfly-obsessed elderly lady suffering from bipolar disorder develops a disturbing relationship with a mysterious but seemingly innocent youngster.A reclusive and butterfly-obsessed elderly lady suffering from bipolar disorder develops a disturbing relationship with a mysterious but seemingly innocent youngster.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 3 vitórias e 1 indicação no total
Elea Oberon
- Monika
- (as Emma Bering)
Avaliações em destaque
Butterflies are so delicate, yet so strong to endure their long migrations around the world. In the Butterfly Room, the story hinges on Ann (Barbara Steele) who is a strong, elegant, reclusive and centers her life around her butterfly collection. She captures and mounts them in her "butterfly room". During her days, she has flashbacks to her daughter and all the while she befriends a little girl to fill her empty nest syndrome. The Butterfly Room is a spooky tale where all is not what it seems. This psychological thriller keeps you glued to a shifting dynamics of this gentile collector. It is sure to make you think twice the next time you see a flawless butterfly.
As soon as it got listed in the official program of the 30th annual Belgian Festival of Fantastic Films, I've been eagerly anticipating to see "The Butterfly Room". For obvious reasons, I presume, namely the return of horror diva Barbara Steele – the legendary beautiful and hypnotizing lead actress of such Gothic horror milestones as "Black Sunday", "The Pit and the Pendulum" and "Castle of Blood". The casting of Steele is the undeniable highlight, of course, but writer/director Jonathan Zarantonello's whole incentive of making a thriller solely revolving on female protagonists is enormously respectable and, in fact, quite innovative as the horror genre still somewhat remains a masculine world where women are often degraded to inferior roles. Apart from Barbara Steele, Zarantonello managed to gather the dignified horror ladies Erica Leerhsen ("The Texas Chainsaw Massacre"), Camille Keaton ("I Spit on your Grave"), Adrienne King ("Friday the 13th), PJ Soles ("Halloween") and Heather Langenkamp ("Nightmare on Elm Street"). To defend the honor of the male sex, there's also Ray Wise ("Twin Peaks"). I easily daresay this is the most remarkable and jaw-dropping ensemble horror cast since many years!
The plot itself also contains great thriller potential and a worthy amount of isolated moments of greatness, but sadly I have to admit that the wholesome is too often tedious and never appears to find a stable pacing. Steele is splendid as the aging but nevertheless still very stylish and fashionable Ann, a lonely woman who reverts to her hobby of collecting butterflies and exhibiting them in a sober room where only she's allowed to enter. Ann is always eager to babysit her neighbor's young daughter and she also takes obsessive custody of a girl she met at the shopping mall, because her motherly instincts remain unanswered. But Ann's caring personality also has a grim dark side that gradually comes to the surface. "The Butterfly Room" is 100% American produced, but the atmosphere feels totally European, more particularly reminiscent of those typically lurid Italian gialli and psychedelic dramas. The roots of director Zarantonello and the decades of Barbara Steele's horror experience are clearly detectable. Despite the brooding atmosphere throughout, the vast majority of the film is regrettably tame, but luckily this gets compensated with a neatly unsettling and grisly denouement. Beautiful imagery and tasteful photography complete this worthwhile effort that particularly comes recommended to admirers of strong feminine horror ladies and nostalgia.
The plot itself also contains great thriller potential and a worthy amount of isolated moments of greatness, but sadly I have to admit that the wholesome is too often tedious and never appears to find a stable pacing. Steele is splendid as the aging but nevertheless still very stylish and fashionable Ann, a lonely woman who reverts to her hobby of collecting butterflies and exhibiting them in a sober room where only she's allowed to enter. Ann is always eager to babysit her neighbor's young daughter and she also takes obsessive custody of a girl she met at the shopping mall, because her motherly instincts remain unanswered. But Ann's caring personality also has a grim dark side that gradually comes to the surface. "The Butterfly Room" is 100% American produced, but the atmosphere feels totally European, more particularly reminiscent of those typically lurid Italian gialli and psychedelic dramas. The roots of director Zarantonello and the decades of Barbara Steele's horror experience are clearly detectable. Despite the brooding atmosphere throughout, the vast majority of the film is regrettably tame, but luckily this gets compensated with a neatly unsettling and grisly denouement. Beautiful imagery and tasteful photography complete this worthwhile effort that particularly comes recommended to admirers of strong feminine horror ladies and nostalgia.
A strange lady keeps butterflies mounted in a special room. She has an unhealthy interest in the children around her and is a Karen to the nth degree. She manages to get her hands on the little girls, except one little girl seems to have her hands on the butterfly lady. This is an ok story in an ok movie.
The Butterfly Room: Ann, a nasty anti-social who has an obsession with pinning butterflies decides to move on to larger prey. A line of dark humour runs through the film leavening the worse moments as she sprays people with acid and kicks ladders from under them. But there are still quite a few disturbing scenes and this is not a film for the squeamish. Various people who cross her come to a gruesome end. Confusing at times as there are flashbacks within flashbacks but the disjointed timeline adds to the tension. Barbara Steele is great as the irritable Ann with Julia Putnam as Alice a grifter schoolgirl. A couple of interesting plot twists will make you reconsider parts of the jumbled narrative. Directed and Co-Written by Jonathan Zarantonello, based on Zarantonello's short filml Alice dalle 4 alle 5 (Alice from 4 to 5). 7/10.
Showing again on Friday 8th April at 10.50 PM on the Horror Channel.
Showing again on Friday 8th April at 10.50 PM on the Horror Channel.
"The Butterfly Room" is a curiosity for the extraordinary casting it features of actresses from famous horror movies. There's Heather Langenkamp, from "Nightmare of Elm St", Adrienne King from "Friday the 13th", P.J. Soles from "Halloween", Camille Keaton from "I Spit on Your Grave". But of course, the real star of the show is Barbara Steele, who is famous for her roles in gothic horror films such as Mario Bava's "Black Sunday".
Other than that, it doesn't have much going for it. The story is undercut by liberal flashbacks that don't really add a whole lot, and a plot that is pretty badly told besides.
I kept watching basically for Steele's performance. Here, in her mid-seventies, she is still a magnetic performer.
Other than that, it doesn't have much going for it. The story is undercut by liberal flashbacks that don't really add a whole lot, and a plot that is pretty badly told besides.
I kept watching basically for Steele's performance. Here, in her mid-seventies, she is still a magnetic performer.
Você sabia?
- CuriosidadesFeatures a bevy of horror film veterans: Barbara Steele (Silent Scream); Ray Wise (Jeepers Creepers II); Erica Leehrsen (Texas Chainsaw Massacre; Wrong Turn 2; Blair Witch 2); Heather Langenkamp (Elm Streets); James Karen (Return of the Living Dead 1 and 2); Adrienne King (Friday The 13th 1 and 2); and PJ Soles (Halloween; Carrie).
- ConexõesReferences O Aprendiz de Feiticeiro (2010)
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- How long is The Butterfly Room?Fornecido pela Alexa
Detalhes
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 1.081
- Fim de semana de estreia nos EUA e Canadá
- US$ 1.081
- 13 de abr. de 2014
- Faturamento bruto mundial
- US$ 1.081
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