Os produtores de maconha Ben e Chon enfrentam o cartel de drogas mexicano que sequestrou a namorada em comum.Os produtores de maconha Ben e Chon enfrentam o cartel de drogas mexicano que sequestrou a namorada em comum.Os produtores de maconha Ben e Chon enfrentam o cartel de drogas mexicano que sequestrou a namorada em comum.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 7 indicações no total
Aaron Taylor-Johnson
- Ben
- (as Aaron Johnson)
Nana Ghana
- Bicycle Delivery Girl
- (as Nana Agyapong)
Avaliações em destaque
If I was asked for one word to sum up this film it would be - Naïve.
Every character in this movie is clueless as to how the rest of the world operates and seems to live in their own eternal bliss of their microcosmic world. This in itself made the film very hard to relate to.
I have been an Oliver Stone fan for years, holding out hope that Natural Born Killers will someday be recognized for the art it is, however, this film was his "popcorn flick," and left me sorely disappointed. Acting was sub-par (even del Toro seemed to phone in some scenes and I have the utmost respect for his ability), the direction was sporadic and jumped from bubblegum to blitzkrieg in a matter of frames.
Save your precious two hours and watch Sicario or Traffik or The Adventures of My Little Pony in Juarez.
Every character in this movie is clueless as to how the rest of the world operates and seems to live in their own eternal bliss of their microcosmic world. This in itself made the film very hard to relate to.
I have been an Oliver Stone fan for years, holding out hope that Natural Born Killers will someday be recognized for the art it is, however, this film was his "popcorn flick," and left me sorely disappointed. Acting was sub-par (even del Toro seemed to phone in some scenes and I have the utmost respect for his ability), the direction was sporadic and jumped from bubblegum to blitzkrieg in a matter of frames.
Save your precious two hours and watch Sicario or Traffik or The Adventures of My Little Pony in Juarez.
Entrepreneurs Ben (Aaron Taylor , though Leonardo DiCaprio, Tom Hardy, Garrett Hedlund and James Franco were considered to play him) , a peaceful and charitable marijuana producer, and friend Chon (Taylor Kitsch received training from real Navy SEALs as a part of his preparation and he performed his own stunts) , a former Navy SEAL, run a lucrative, homegrown industry - raising some of the best weed ever developed. They also share a one-of-a-kind love with Ophelia (Jennifer Lawrence was originally cast as O but she pulled out ,Blake Lively was subsequently selected , Director Stone instructed her to take firearm training for her role ; despite not being experienced at the gun range, she hit center mass in her first three shots) . Life is idyllic in their Southern California town... until the Mexican Baja Cartel decides to move in and demands that the trio partners with them. When the merciless head of the BC, Elena (Michelle Rodriguez and Zoë Saldaña were considered for the role as Elena, but Salma Hayek got the role instead) and her enforcer, Lado (Benicio Del Toro) , underestimate the unbreakable bond of the three friends, Ben and Chon - with the reluctant assistance of a dirty DEA agent - wage a seemingly unwinnable war against the cartel. And so begins a series of increasingly vicious ploys and maneuvers in a high stakes, savage battle of wills.
This thrilling film contains noisy action , lots of violence , sexual scenes , plot twists and unpleasant characters . Acceptable protagonist trio , Taylor Kitsch as Chon , a violent and tough ex-Navy SEAl , a gorgeous Blake Lively and the best acting is given by Aaron Taylor-Johnson as a sensitive young who turns into violent one to save his girl . Good support cast plenty of nasty , ominous villains well played by Mexican actors such as Demian Bichir , Benicio Del Toro , Antonio Jaramillo , Joaquin Cosio , though bear offensive racial stereotypes . Special mention to Salma Hayek , whose character of Elena is loosely based on Mireya Moreno Carreon who's known to be the first Mexican female boss cartel . Colorful cinematography by Daniel Mindel , this is Oliver Stone's first film in nearly 17 years to be photographed with Panavision anamorphic lenses . Adequate and lively musical score by Adam Peters .
The motion picture was well directed by Oliver Stone , though includes excessive violence , sexual scenes and unpleasant issues . Stone appears in a cameo as a dancer on the France cardboard skit . Oliver Stone began working on the screenplay adaptation before the book was published . So confidant he was of this story that he himself contributed to investing in the project . ¨Savages¨ is realized in frenetic style and fast-pace , similarly other Stone hits such as ¨Natural born killers¨ or ¨U turn¨ . Oliver Stone is a good professional , though usually panned by mostly critics , nowadays is best considered . Stone returning from the Vietnam war did his first film , it was a student film entitled Last Year in Viet Nam (1971), followed by the gritty horror film Seizure (1974) for which he also wrote the screenplay . The next seven years saw him direct two films: Mad Man of Martinique (1979) and this The Hand (1981) . He also wrote many screenplays for films such as Midnight express (1978), Conan (1982), and Scarface (1983). Stone won his first Oscar for Midnight express (1978), but his fame was just beginning to show .
This thrilling film contains noisy action , lots of violence , sexual scenes , plot twists and unpleasant characters . Acceptable protagonist trio , Taylor Kitsch as Chon , a violent and tough ex-Navy SEAl , a gorgeous Blake Lively and the best acting is given by Aaron Taylor-Johnson as a sensitive young who turns into violent one to save his girl . Good support cast plenty of nasty , ominous villains well played by Mexican actors such as Demian Bichir , Benicio Del Toro , Antonio Jaramillo , Joaquin Cosio , though bear offensive racial stereotypes . Special mention to Salma Hayek , whose character of Elena is loosely based on Mireya Moreno Carreon who's known to be the first Mexican female boss cartel . Colorful cinematography by Daniel Mindel , this is Oliver Stone's first film in nearly 17 years to be photographed with Panavision anamorphic lenses . Adequate and lively musical score by Adam Peters .
The motion picture was well directed by Oliver Stone , though includes excessive violence , sexual scenes and unpleasant issues . Stone appears in a cameo as a dancer on the France cardboard skit . Oliver Stone began working on the screenplay adaptation before the book was published . So confidant he was of this story that he himself contributed to investing in the project . ¨Savages¨ is realized in frenetic style and fast-pace , similarly other Stone hits such as ¨Natural born killers¨ or ¨U turn¨ . Oliver Stone is a good professional , though usually panned by mostly critics , nowadays is best considered . Stone returning from the Vietnam war did his first film , it was a student film entitled Last Year in Viet Nam (1971), followed by the gritty horror film Seizure (1974) for which he also wrote the screenplay . The next seven years saw him direct two films: Mad Man of Martinique (1979) and this The Hand (1981) . He also wrote many screenplays for films such as Midnight express (1978), Conan (1982), and Scarface (1983). Stone won his first Oscar for Midnight express (1978), but his fame was just beginning to show .
Best friends Chon (Kitsch) and Ben (Johnson) are genius pot dealers in Laguna. One of them is more of a "save the universe" type guy and holds a degree in Business and Botany. Yes, pot heads in High Schools everywhere just rejoiced "It's a real thing!" and the other one, suffering from anger issues stemming from tours in Iraq takes care of the "beating the crap out of people when necessary" aspect. Oh yeah, they also share a girlfriend. (Awkward right?), her name is O (Lively). No really it is I swear. Anyways, moving on because we have to, these two guys have made some of the best pot known to man and have made millions from it. (Still can't find their own girlfriend though, just saying). Everything is going great as they take turns with their shared girlfriend (still weird) in their huge beach house when the Mexican drug cartel decides they want to be partners. This actually stands for "We own you now and you know you like it." Ben and Chon don't really feel like being De-decapitated so they decide to make a go of living in a jungle somewhere until Elena (Hayeck) the ruthless lady leader of the cartel has O kidnapped.
So are you over the fact that our two heroes share a girl yet? OK good, because I'm not either. This is one of those films that can only be enjoyed if you can let go of a few things. The whole film is narrated by O in her stoned and lazy version of her "OMG you guys I am so high right now" voice. She is a lot like her role in The Town only without the Boston accent. She is really annoying as a character and it's kind of hard to feel bad for her much less root for her. This is one of the things you have to let go of to enjoy the film. Ben and Chon worked well because they are the exact opposite to one another yet somehow have the respect for each-other to get along despite their constant different point of views. Kill everybody or run away. Ben was almost as annoying as O because he was always whining and psycho-analyzing everything. I found Chon to be my favorite of the three because he seemed to be the only one who just wanted to actually get things done and blow up some stuff while everyone else talked and talked some more.
Villains make films though and despite the awkwardness and UN-likability of some of the lead roles the bad guys were sinister, relentless and kind of funny at times. One interaction between Elena's ruthless right hand man Lado (Del Toro) and out for himself FBI agent Dennis (Travolta) in particular was tense and humorous at the same time. Travolta was surprisingly great in this film as he looked like his old self and I was pleased to see he had a larger part in the film than anticipated. Elena had a well written back story as well as the bad guys, while certainly crude enough to hate were interesting enough to steal the flick.
Savages UN-intentionally gives us no-one to root for and may even get on your nerves for a moment or two with its anything goes mentality. There is no doubt however, that it has some great action sequences, well written dialog (minus a few horrendous lines by O's character), strong acting by a strong cast and is an all-around well-made film all the way up until it's absolutely dreadful crash and burn of an ending. I won't give anything away here but let's just say this ending is a problem. It felt as though the Director had a decent ending for a good film but wanted some attention so badly that he was willing to ruin his own movie to do so. You don't always have to be edgy and cute. Sometimes playing things straight up is what's best.
So are you over the fact that our two heroes share a girl yet? OK good, because I'm not either. This is one of those films that can only be enjoyed if you can let go of a few things. The whole film is narrated by O in her stoned and lazy version of her "OMG you guys I am so high right now" voice. She is a lot like her role in The Town only without the Boston accent. She is really annoying as a character and it's kind of hard to feel bad for her much less root for her. This is one of the things you have to let go of to enjoy the film. Ben and Chon worked well because they are the exact opposite to one another yet somehow have the respect for each-other to get along despite their constant different point of views. Kill everybody or run away. Ben was almost as annoying as O because he was always whining and psycho-analyzing everything. I found Chon to be my favorite of the three because he seemed to be the only one who just wanted to actually get things done and blow up some stuff while everyone else talked and talked some more.
Villains make films though and despite the awkwardness and UN-likability of some of the lead roles the bad guys were sinister, relentless and kind of funny at times. One interaction between Elena's ruthless right hand man Lado (Del Toro) and out for himself FBI agent Dennis (Travolta) in particular was tense and humorous at the same time. Travolta was surprisingly great in this film as he looked like his old self and I was pleased to see he had a larger part in the film than anticipated. Elena had a well written back story as well as the bad guys, while certainly crude enough to hate were interesting enough to steal the flick.
Savages UN-intentionally gives us no-one to root for and may even get on your nerves for a moment or two with its anything goes mentality. There is no doubt however, that it has some great action sequences, well written dialog (minus a few horrendous lines by O's character), strong acting by a strong cast and is an all-around well-made film all the way up until it's absolutely dreadful crash and burn of an ending. I won't give anything away here but let's just say this ending is a problem. It felt as though the Director had a decent ending for a good film but wanted some attention so badly that he was willing to ruin his own movie to do so. You don't always have to be edgy and cute. Sometimes playing things straight up is what's best.
This was not a great movie. It could have been a great movie, but it was let down in two major ways.
First off, two of the three lead characters are awful. Blake Lively makes for good eye candy, but she just isn't a good actress. She's not bad in smaller supporting roles (like her part in The Town), but she simply cannot carry a lead. Unfortunately the entire film basically revolves around her (and she narrates), so her shortcomings are brought front and center. Every time her voice-over came on, I cringed. It really was not a good choice.
Taylor Kitsch is no better. Again... good eye candy, poor acting. Very poor acting. He just has no soul, and brings absolutely nothing to his character whatsoever. He should be in a brainless Fast & Furious movie playing opposite Vin Diesel, not an Oliver Stone drama.
The second major failure of this film is even more serious, and that is the story structure. We are never really given the opportunity to understand why the three lead characters (Chon, Ben and Ophelia) have such strong feelings for each other. We're told that they do, but never given any real reason to believe it. This is extremely important, because literally the entire premise of the film hangs on their relationship. If you're going to build a dramatic story around an unorthodox three- way relationship, you had better explain in more than one quick scene exactly how this relationship happened, otherwise the audience won't know why they should care about the characters. Especially when the actors portraying these characters aren't very good to begin with.
I know that I kept asking myself why these two guys share a girl, how they have absolutely zero jealousy, why they never once thought of double-crossing each other, and why either of them care so deeply for her -- to the point of being willing to risk their lives and commit horrible atrocities to save her. Where did all this love and loyalty come from? It was never adequately explained, and the entire movie suffers tremendously for it.
On a slightly more positive note, the veteran actors did a fine job. Benicio Del Toro was wonderful as a psychotic cartel underboss, John Travolta chewed the scenery to bits, and Salma Hayek was entirely believable in her role as well. Unfortunately, their competence only served to underscore the incompetence of the younger leads. It's telling that the best scene in the entire film was between Del Toro and Travolta, with none of the three lead actors anywhere to be found, and hinted at the promise this movie squandered.
A lot of reviews took issue with the violence portrayed in the film, but I didn't have a problem with that. You really can't make a movie about Mexican drug cartels without violence, so I didn't feel it was gratuitous. Unfortunately, however, it also didn't make the movie any more believable from a plot perspective.
Overall, I just don't think this was a very good film. I don't think that Stone felt entirely comfortable with what he was doing here, trying at times to be Tarantino but failing miserably. And likewise, I think that if this film had been in the hands of Tarantino or Robert Rodriguez, it likely would have come out much better, perhaps even great.
First off, two of the three lead characters are awful. Blake Lively makes for good eye candy, but she just isn't a good actress. She's not bad in smaller supporting roles (like her part in The Town), but she simply cannot carry a lead. Unfortunately the entire film basically revolves around her (and she narrates), so her shortcomings are brought front and center. Every time her voice-over came on, I cringed. It really was not a good choice.
Taylor Kitsch is no better. Again... good eye candy, poor acting. Very poor acting. He just has no soul, and brings absolutely nothing to his character whatsoever. He should be in a brainless Fast & Furious movie playing opposite Vin Diesel, not an Oliver Stone drama.
The second major failure of this film is even more serious, and that is the story structure. We are never really given the opportunity to understand why the three lead characters (Chon, Ben and Ophelia) have such strong feelings for each other. We're told that they do, but never given any real reason to believe it. This is extremely important, because literally the entire premise of the film hangs on their relationship. If you're going to build a dramatic story around an unorthodox three- way relationship, you had better explain in more than one quick scene exactly how this relationship happened, otherwise the audience won't know why they should care about the characters. Especially when the actors portraying these characters aren't very good to begin with.
I know that I kept asking myself why these two guys share a girl, how they have absolutely zero jealousy, why they never once thought of double-crossing each other, and why either of them care so deeply for her -- to the point of being willing to risk their lives and commit horrible atrocities to save her. Where did all this love and loyalty come from? It was never adequately explained, and the entire movie suffers tremendously for it.
On a slightly more positive note, the veteran actors did a fine job. Benicio Del Toro was wonderful as a psychotic cartel underboss, John Travolta chewed the scenery to bits, and Salma Hayek was entirely believable in her role as well. Unfortunately, their competence only served to underscore the incompetence of the younger leads. It's telling that the best scene in the entire film was between Del Toro and Travolta, with none of the three lead actors anywhere to be found, and hinted at the promise this movie squandered.
A lot of reviews took issue with the violence portrayed in the film, but I didn't have a problem with that. You really can't make a movie about Mexican drug cartels without violence, so I didn't feel it was gratuitous. Unfortunately, however, it also didn't make the movie any more believable from a plot perspective.
Overall, I just don't think this was a very good film. I don't think that Stone felt entirely comfortable with what he was doing here, trying at times to be Tarantino but failing miserably. And likewise, I think that if this film had been in the hands of Tarantino or Robert Rodriguez, it likely would have come out much better, perhaps even great.
I got a kick out of reading the popular Hated It reviews about Savages. It's all very funny. It's the same with some other films that Oliver Stone made in recent years. But is Savages really that bad? In my opinion it's not that bad. It's a fine film actually. But its flaws can be irritating. When I began watching the film I wondered if I turned on a dirty movie. But no. That was just Chon (Taylor Kitsch) and Ophelia (Blake Lively) having their special time. Maybe it's not that special because later Ophelia has the same time with Ben (Aaron Taylor-Johnson). I hope Stone included these scenes just to show that these three are very close. Fine. A little later though viewers are treated to what passes as a commercial promoting the use of marijuana. Fine. The three lead actors show little range throughout the film. But I didn't think that this was a problem because it keeps the film entertaining instead of too dramatic. It's entertaining but it's not easy to watch sometimes. It's a simplified, glossy, watered-down and often violent representation of the War on Drugs and Mexican drug dealing. The Mexican Drug War is still ongoing and several dozen thousand people have been killed because of it. For anyone who doesn't know I'll mention that the war is just a result of America's economic policies. So-called free trade drove millions of Mexicans out of work and into poverty and crime. On the other side of the world, in Afghanistan, the Americans and the British have deliberately increased opium production for export to neighboring countries, especially to Russia. Genocide as a result of drug use and drug trafficking is an old British trick that goes back centuries. It's an interesting topic but I don't pay much attention to it. Savages is kind of a peek inside, though it doesn't get into the seriousness of the issue. Even if Kitsch, Johnson, and Lively aren't sympathetic leads the film still has memorable performances from Salma Hayek, Benicio del Toro and John Travolta. The screenplay by Shane Salerno, Don Winslow and Stone can be considered a cheat. It doesn't just raise a question mark at the very beginning of the film, which I didn't like. It also tarnishes the ending. I would have just preferred the upbeat version without the downbeat version. But, like I mentioned, it's an entertaining film that does have something to say. Its running time is a little over two hours, however the time goes by fast. For me Savages turned out to be an engaging film. Dan Mindel's appealing cinematography is a benefit too. I didn't think that I'd like it when I saw the trailer, but it's a well-directed crime thriller. I recommend it.
Você sabia?
- CuriosidadesChon cutting a guard's artery with a knife while asking for the time was one of the tactics told to Taylor Kitsch by his real life SEAL technical advisor.
- Erros de gravaçãoAfter Chon stabs Dennis' hand, the scar appliance on Chon's right neck has torn away from his skin.
- Versões alternativasThe Region 1 and Region A Blu-ray have a extended edition of the film.
- ConexõesFeatured in The Tonight Show with Jay Leno: Episode #20.161 (2012)
- Trilhas sonorasGo Hawaii
Written by Erik Paul Kowalski/Casino Versus Japan
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Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- Savages
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 45.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 47.382.068
- Fim de semana de estreia nos EUA e Canadá
- US$ 16.016.910
- 8 de jul. de 2012
- Faturamento bruto mundial
- US$ 82.966.152
- Tempo de duração2 horas 11 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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