Confissões

A good review doesn't always have to be long, and there are really just a few words needed to describe this movie. Stunningly beautiful cinography, dark, disturbing, and yet Great! That being said, don't dive into this thing if you plan on watching a good fast revenge flick, because this was mentally challenging. You always have to sit analyzing everything that's happening from beginning to end, and there's really not a lot of breakes.

I had read a few of the reviews here before watching this movie, but I had no idea the movie was going to be like it was, watch it to find out, most definitely worth 2~ hours of your life.

This Japanese film is very visual and dramatic. It is deep, arty, over- utilising slow motion, making it unusual but darkly poignant. It looks great, with clever lighting and colouring for effect. The film is too slow paced attempting to add to the emotions, but simply the characters are only surface felt and so much of it is left for the viewer and their perceptions. The complicated plot also gets lost at points so making it all too ambitious and confusing. Genius or trying to hard?

The film is about a teacher, suffering after her daughter has tragically drowned. She is leaving but wants to exact revenge on her class of pupils, as some were involved in her daughters death. There are several flash backs and moments where the lead lady deals with paranoia and dream like sequences. The class also have half of the story, with several pupils losing their control too.

I did enjoy most of the film, although some of it gets lost in subtitled translations, and it has been hailed for its cleverness, but for many its aims will be lost. World Cinema does not appeal to the mass and this arty music video like drama , although excellent in story and theory, leaves much to taste and individual mood. It is rather long, challenging and grim, but it is none the less commendable, individual world cinematography.

Sometimes I feel like I have to watch a lot of Asian thrillers just to find one that really works. For every 50 or so I watch, there will be only one 20th Century Boys or Confessions. The film works on pretty much every level, though it might be a bit hard to follow for some.

The story starts with a pretty simple event. What you're completely unprepared for is that such a simple act will spiral completely out of control into an incredibly twisted series of events. You see...this is one of those movie that will tell (relatively) the same story from different angles and perspectives. That bit may throw some people off, but I promise it all makes sense if you're paying attention. And you should be paying attention, because watching the whole thing unravel is a hell of a lot of fun.

Every movie has at least a couple drawbacks, however minor. One minor thing that kind of irritated me was the frequent use of slow motion shots. I understand using it to emphasize the importance of a shot, but this is just a little out of hand. Also, I wish some of the alternative tellings of events happened more linearly at some points. In some cases results are shown before the audience has a chance to even follow the story line to what leads to said action. But those are both minor nitpicks, really. On the whole, the movie is just plain excellent.

Kokuhaku (or Confessions) is a real winner from Japan. Just like the title, the movie is about the Confessions of a group of people. After each confession, a new detail is added into the story until it became a complete story at the end.

I feel empty. Very disturbing. The movie remains dark and cold from the beginning until the end. A great thing in this movie is that you don't know who you should hate. Yes, it's obvious that they have done something terribly wrong, but after each confession, they suddenly became the victim, and then after the movie finished, you ended up feeling the sympathy for every characters.

The acting in this movie is absolutely fabulous. Just look at those eyes of the students. Cold and heartless. I watched it with my mouth wide open. The plot is perfect. I don't know what to complain. There are even some bloody scenes added to it, which make the movie more interesting.

I love it.

Confessions, directed by one of my favorite Japanese directors, Tetsuya Nakashima, is one of the most disturbing and depressing movies I have watched this year. It is a psychological thriller of a grieving teacher turned cold-blooded avenger with a twisty master plan to pay back the students who were responsible for her daughter's death.

In the story, the major characters make confessions one by one. The more perspectives from which the murder is looked at, the more we know about the characters and their motives, which may remind the audience of A Stranger of Mine. As the story is unfolded, there are several surprising twists. While making confessions and sometimes touching on the subjects they are ashamed of, some characters refuse to accept the truth, tell lies and point the finger of blame at others to salve their conscience.

The director tries to explore the reasons why innocent children become evil teenagers with no conscience. Some seek attention because they are abandoned or physically abused by their parents. Some become vulnerable owing to their overprotective parents. Some feel lonely because they are nerds neglected and bullied by their peers. Some commit suicide or other crimes because they follow suit. Some tragedies are also attributed to the internet which allows people to gossip anonymously, the mass media which places too much emphasis on violence, and the law which exempts teenage murderers from being punished. Thanks to the convincing cast, the characters become lifelike.

The black-grey-and-white setting, which is very different form the flamboyance of Memories of Matsuko, is stifling and depressing. After watching the film, the images of crimson blood, white milk, snow-white sakura, the bleak classroom, the lifeless homes and the dimly lit school hall will linger in one's mind. Apart from these, the gloomy skies in the movie were reminiscent of the ones in Elephant by Gus Van Sant. Despite the ominous dark clouds gathering overheard, every cloud has a silver lining, which symbolizes that the director still believes in the goodness of human nature, despite its dark side. This belief is also reflected in the scene when the female teacher stares at the strawberry given by a kid and another scene in which she says "your new life has begun".

The mesmerizing classical music, spiced with a hypnotizing female voice, not only creates a shocking contrast to the disturbing scenes shot in slow motion, but also adds eeriness to the story. The sound effects are also memorable. When the female teacher puts down the last stroke of the word LIFE on the blackboard, the ear-piercing sound chilled me the bone. When the bubble pops, we feel hopeless.

The film would have been more gripping if the first confession had been shorter and less talky. Besides, the CG images at the end are mediocre. Also, it is a difficult movie for the faint-hearted to sit through.

On the whole, Confessions is a darkly disturbing, visually stunning and thought provoking movie ruthlessly exposing the root of various teenage problems and the dark side of human nature. After watching the movie, I left the cinema with a heavy heart. It conjured up images of several parricides committed by Hong Kong teenagers recently and I pondered on what had happened to our post 90's generation.