No futuro, o governo japonês captura uma classe de alunos do nono ano e os força a matarem uns aos outros sob o revolucionário Ato da Batalha Real.No futuro, o governo japonês captura uma classe de alunos do nono ano e os força a matarem uns aos outros sob o revolucionário Ato da Batalha Real.No futuro, o governo japonês captura uma classe de alunos do nono ano e os força a matarem uns aos outros sob o revolucionário Ato da Batalha Real.
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Avaliações em destaque
I've been teaching in a Japanese high school for three years now. Once I saw this movie, I could instantly appreciate its skill and surprising frankness at commenting on some of the sad and strange realities of Japan's modern youth.
Japan is a culture obsessed with youth. Almost everything here is tailored to the under-30 (and much younger, actually) crowd. For example, most westerners watching Japanese TV will be surprised at how childish it seems. The things that seem childish to your average American junior-high student are very appealing for a Japanese high-school student. Girls in their 30s desperately try to be "cute" to attract guys. Adults and children alike read comics by the droves, and sometimes pops up a strange, not-too-well-hidden undercurrent of pedophilia.
This movie takes the heavily cliquish, often childish, and often incomprehensible (to me) social system of young Japanese boys and girls and gives them guns. This is the natural result. Take it from me, the characters and situations are very realistic.
This gets mixed with the growing anxiety among the older generation at the rising rudeness and rebellion of the new generation in a culture that values politeness above all else. From a frustrated and humiliated teacher; to students killing each other over seemingly unimportant squabbles; to the overly-cutesy, peppy training video that perfectly mimics nearly any show on NHK these days -- this film subtly and brilliantly comments on half-a-dozen issues that weigh heavily on the minds of Japanese people today. That's why it was such a big hit in Japan.
Maybe you just have to live here to get it. I give it 5 stars.
Highly disturbing. Rated R-15 (forbidden to under 15), very, very violent, but nonetheless interesting.
Based on how popular and loved this movie is, I was expecting it to be a great adaptation but after watching it, I can't help but feel a bit disappointed with it all. They take the concept, some characters and some major events from the book but there are A LOT of changes and, IMO, most of them didn't do the story any favor. It all feels a bit underdeveloped and the acting wasn't very strong either. There are also several changes in the motivation of some characters and the whole concept of battle royale shifts from an oppressive government to some sort of "adult vs kids" thing which, despite the fact that I'm aware of the problems japan has with the youth, doesen't make a whole lot of sense-
Anyway, not a bad movie. But I'd recommend you read the book which in my opinion is far superior
Battle Royale presents one of the most engrossing and utterly terrifying premises I've ever heard. Take a large class of teenage Japanese students, place them on an island, and force them to kill each other for three straight days until only one student is left standing. Simultaneously, I also realized such a premise would indeed result in an outlandish film that probably couldn't excel as anything other than a relentless thriller or over-the-top satire. Battle Royale aims for both and hits its marks fairly well, for the most part.
To elaborate a bit further on the plot, there are about a total of forty Japanese students on this island. Each has an explosive collar around his or her neck, their incentive to stay in a certain vicinity. They have also been randomly given duffel bags packed with survival items. Some have guns, some have knives, others get binoculars and pot pans, etc. The movie's main focus is on Shuya and Noriko (boy and girl), two close schoolmates who firmly decide not to kill anyone, but must find a way off the island.
The reasons for why the students are forced to participate are a bit murky. Apparently, this is part of a new bill that was passed by the Japanese government, the reasons being the decay of the school systems and the rising juvenile delinquency. The question you have to ask yourself before you watch the film is whether or not you believe circumstances could get so out of hand as to lawfully force teens to kill one another.
Personally, I view it as an over-the-top, but intriguing premise. There are lots of movies that defy "reality," but if the film paints its portrait compellingly, I see no reason why I shouldn't go along for the ride. Primarily, it appears Battle Royale wants to work as a thriller, which it does. The pacing is akin to a roller-coaster, packed with non-stop bursts of bloody violence with well-staged shootouts and fight scenes. While the film's momentum flags here and there, the suspense does build to a crescendo; this is one movie where we truly wonder how it's going to end.
And because it works as a thriller, I give it a moderate recommendation. But it works as little else. Even for this premise, the plot is a bit contrived, with each character having a soap opera-ish background that conveniently lays the groundwork for the violence to reign supreme. Aside from the leads (especially Taro Yamamoto as an older and enigmatic "competitor"), virtually everyone else is a nobody, either clichéd or stereotypical in presentation.
The film's attempts at dark humor are what I found most irksome. As we witness our protagonists struggling for survival, the filmmakers then cut to headmaster Kitano (playing a jaded and psychotic schoolteacher), whose nonchalant behavior will either result in chuckles or baffling expressions. Count me as part of the latter. I enjoy gallows humor, but it doesn't feel appropriate here, no matter how ridiculous the situation may be, and most importantly because the rest of the film is taken very damn seriously.
Equal parts disturbing and viscerally thrilling, Battle Royale doesn't offer anything in the way of good, clean fun. But exploitation buffs and action fans (with stronger constitutions) will get a kick out of it. The film's growing cult status is unsurprising, and in its own way, actually fairly well deserved.
Você sabia?
- CuriosidadesMany members of the Japanese Parliament tried to get the novel banned, but to no avail. When the film was released, they attempted to ban it also. Both efforts resulted in the novel and film becoming even more successful as people bought the book and went to the movie to see what the fuss was all about.
- Erros de gravaçãoWhen characters stab or shoot each other through clothing, there are bloodstains but no holes where the bullets or knives go through.
- Citações
[Shougo has just finished bandaging Noriko's leg]
Shuya: You know a lot about medicine.
Shougo Kawada: Well, my father was a doctor.
[a few minutes later, Shougo serves Noriko and Shuya food]
Noriko Nakagawa: Wow! This is pretty good!
Shougo Kawada: It should be. My father was a chef.
[later, After escaping the island]
Shuya: You even know how to drive a boat?
Shougo Kawada: Hey, my father was a fisherman.
- Cenas durante ou pós-créditosAs the credits roll, a class picture is displayed, showing all of the students that have been killed in the Battle Royale, including the two transfer students.
- Versões alternativasThe Special Version includes the following:
- Redone opening titles
- Redone sound effects
- Added CGI blood to make the shootouts more graphic Also, many shots were added, deleted, reedited, and extended for pacing and clarity purposes, including the following:
- A longer basketball sequence
- Added reaction shots of the kids in the classroom to Kitano's "Do you know this law" question, and after Kuninobu's death.
- A flashback shot of Mizuho and Inada and Kaori Minami to remind us of who they were when we see their bodies.
- Closer shots of Takiguchi and Hatagami's corpses
- An additional shot of Nanahara weeping at the top of the lighthouse
- Additional shots of postcards from Mimura's uncle
- Kitano shutting down power to the computers and ordering the soldiers to reboot after the Third Man attack
- A scene with Mitsuko as a 9-year-old coming home to find a pedophile in her house.
- An additional shot of Mimura triggering the explosives on the truck
- Requiems that show the real flashbacks, and we hear the dialog during Noriko's dream.
- ConexõesFeatured in Japanorama: Episode #1.2 (2002)
- Trilhas sonorasShizuka na hibi no kaidan wo
(Stairway of Quiet Everyday Life)
Performed by Dragon Ash
Courtesy of Victor Entertainment, Inc.
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Detalhes
Bilheteria
- Orçamento
- US$ 4.500.000 (estimativa)
- Faturamento bruto mundial
- US$ 1.346.583
- Tempo de duração1 hora 54 minutos
- Cor
- Mixagem de som