Eu când vreau sa fluier, fluier

Eu Cand Vreau sa Fluier, Fluier – If I Want to Whistle, I Whistle – CATCH IT (B+) A Romanian movie about a young teenager, who has spent four years in a youth penitentiary, is granted release. Before he can leave, his mother returns to Romania to bring his little brother to Italy with her, despite Silviu's objections. He meets a young woman, Ana, who is working on a research project in the prison, and becomes interested in her. In his desperation Silviu resorts to violence, and Ana becomes his hostage. The premises and the execution of the movie are really intriguing. This is my first Romanian movie and somehow I found the Romanian music very close to the Afghani music. But anyhow the best part of the movie is its young cast. George Piştereanu as rebellious teenager is simply amazing. It's so great to see how he communicates with his brother, mother, inmates and Anna. Through his performance he showed four different sides to his personality. Even though I found his actions crazy as he is so close to getting release for ever but hey it's the script. Once the movie is over all you can think if he just could have controlled himself for another few days. On the whole, it's a really nice movie and shows something really refreshing in juvenile jails otherwise I was fed up of watching rapes in almost every jail movie.

I don't usually write movie reviews, but I was so impressed after watching that I couldn't stand some of the bad reviews that were written here. This movie is indeed not for everyone. But that's the whole point of it and what brings value to it. If you were expecting some afternoon fun maybe you were watching the wrong movie. I don't like all those Romanians who are not confident about their own identity and keep bragging about the Romanian movie "industry". This movie proves that we can still make good movies on a low budget. Even if the storyline may have been a bit exaggerated the director has made an excellent portrait of Romanian prisons and of the drama that goes with it. The "reality" is "straigh in your face" and that's what I was expecting from it. The end is unexpected and fresh.

When I want to whistle, I whistle. That means I would do Anything to get where I want.I am begging everybody, I am humiliating myself I let people spit in my face, but I would do anything, and if by begging,by trying to get the minimum of understanding, I can't do it, then I can give up all the chances of happiness I still have left. Living in the post communist Romania can be a bigger drama for an individual, but that drama is hidden and digs dipper and dipper because it's not shared by anyone. Your mother works in Italy because of financial reasons. She also discovers another world, things that she never had before, and by sending some money home she thinks she's making it up. After her son gets to be institutionalised...she doesn't want to feel the guilt so she pretends to forget. Who's drama is this one?Silviu's?his mother's? his brother's? Everyones!!! But only Silviu feels the burden, only he wants to change something. It is not the result, but his spirit that matter. His spirit is alive, and everybody else is peacefully pleased with the same old. Institutionalized sanity. His sanity manifests itself as insanity in an insane society... There's a strong silence, sometimes we can even listen to it and understand it.

How far you can you go recruiting on-the-scene actors? Director Danny Boyle tried to use real drug addicts in Granton, Edinburgh, when he started making Trainspotting. Until crew were physically threatened and told to provide hard drugs or else. Tarantino took on ex-criminal Ed Bunker ('Mr Blue') to give Reservoir Dogs an authentic look. But assembling a cast from real convicts? Which is what director Florin Serban does in If I Want to Whistle I Whistle.

Although violence, if it occurs, does happen with lightning realism, it's the psychological threat, and switching convincingly from innocent charm to frightening killer, which portrays the crim's survival instincts so much more effectively.

Our story centres around a youth who blames his whorish mother for a bad upbringing. He wants two things just now in life. To save a sibling (whom he raised for eight years) from his own dissolute fate; and maybe to enjoy the real company of a sweet and attractive young prison trainee. To be 'normal.' To get married or sit in freedom with a beautiful girl enjoying a coffee on the outside. Good impulses you might think. But the excessive, violent and life-threatening means that this youngster might go to in achieving them challenges our sympathies.

Serban adapted a theatre play, incorporating elements in an acting workshop at Minors' and Youth Penitentiaries in Romania over a couple of months. "The most important things that we kept were the spirit and attitude of the inmates, the bold, uncompromising, somehow childish way of thinking and jumping into action without caring too much for the consequences. The determination of reaching a goal no matter what it takes to get there." Even his two main leads are new to acting and learn on the job – remarkable for such impressive performances.

Eighteen-year-old Chiscan has initial warmth that makes you notice him in a crowd. A charismatic but tough cookie, holding his own to get on with the other inmates. A four year sentence should end in 15 days if he stays out of trouble. Not long enough to prevent his brother from being taken abroad. Meanwhile, he must negotiate blackmail threats from other inmates to which his imminent release makes him vulnerable. A low level of threat pervades the film till hell kicks loose. We wonder when it will erupt. When it does so, it happens without warning and not the way we expect.

The absence of distracting background music and sincere performances help to make this film very engaging and watchable. The plot remains continuously unpredictable. An appearance among the staff of Ana, trainee and sociology student, adds more to the mix than men left unfazed by teenage hormones. We sense a physical attraction that could go horribly wrong. Our emotional allegiance shifts as the film gathers pace like gears crashing without a clutch. Everyone has faults, staff and prisoners. I look for the person I can most identify as 'normal.' Like Ana (professionally and morally), it's as if I want mentally to encourage good threads within someone – but protected from errors of judgement.

The lasting fascination of If I Want to Whistle I Whistle is seeing into the mind of someone in this way. Someone who can summon lightning reflexes. Display real or threatened extreme brutality. Become horrifically highly focused to achieve a result, however crazy. The movie won a Silver Bear at this year's (2010) prestigious Berlin International Film Festival. Pistireanu George, who plays Chiscan Silviu, had his first chance to act and equipped himself prodigiously (He has since become a first year student at the National University of Theatre and Film from Bucharest.) Florin Serban plans to open an acting school for people who never had anything to do with acting. "For somebody who has only heard that they are good at nothing and less than a dog in the street, it's a huge thing to realize that he can engage an audience with his simple presence, with one smile, one gesture and that he can make 200 people laugh or shiver at once." He believes deeply in acting as a healing process. "I imagine a place where people can act out their inner demons and explore places that can only be dreamt of." The film is low budget one and to an extent experimental. It suffers from being art-house niche and not being able to tackle themes in a more universal manner. But at the end you feel you have gone away with real insights into the mind of dangerous young offenders.

This film is full of suspense, tragedy, and irony. With the focus on excellent acting and directing, rather than special effects and music, this movie incites the viewer to ponder its messages long after the last credits. Raising issues related to the importance of parenting, the frustration of hoping when the system is against you, and the role administrators play in keeping the accused, even when rehabilitation is imminent, in prison.

In this film director Florin Serban's mastery lies in his ability to create an intense atmosphere parallel to that which Sergio Leone created in the "Spaghetti Westerns" of the mid-twentieth century. The tension felt when just a few forceful words are combined with meaningful body language is remarkable. Actor George Pistereanu is a talent to keep watching; his powerful interpretation of the role of Silviu is as charming and convincing as it is haunting.