Hotel da Morte

If you consider this a Ti West film starring Sara Paxton, then it is merely a clinic on how to get the most (as a Director) from the least (minimal cast, set, SFX). And West does an impressive job of setting a mood and maintaining production quality. But It is still a so-so result. If however you consider this a Sara Paxton film directed by West, it will have a special appeal for her fans. Playing younger than her actual age at the time, with no makeup, she holds the attention. In many ways, one of her best roles.

The former fancy and elegant Yankee Pedlar Inn will be closed in a couple of days to become a parking area and the employees Claire (Sara Paxton) and Luke (Pat Healy) are taking care of the hotel while the owner is traveling on vacation in Barbados. They are bored and the hotel has only four guests: an unpleasant and angry mother with her young son; the TV actress Leanne "Lee" Rease-Jones (Kelly McGillis) that claims to be psychic; and an old man that spent his honeymoon in the hotel and wants to say good-bye the room where his wife and him had spent their wedding night.

The amateur ghost-hunters Claire and Luke decide to find evidences that the ghost of Madeline O'Malley, a bride that committed suicide when her fiancé left her in their wedding day, haunts the hotel and they summon her spirit. However, they are not prepared for what comes next....

"The Innkeepers" is a slow-paced horror movie with a promising story; unfortunately something is missing to be a good film. The characters development is long and poor, and the first two-thirds of the plot goes nowhere. Further, there is no clear explanation why Claire is threatened by the ghost of Madeline O'Malley. One good point is to see again fifty- five year-old Kelly McGillis, who has aged with dignity without trying to be forever young. I still recall her in "Witness" and "Top Gun" and it was a great surprise to see that gray-haired lady that she has become. My vote is five.

Title (Brazil): "Hotel da Morte" ("Hotel of the Death")

At the soon to be closed Yankee Pedlar Inn, the last remaining employees consisting of college dropout Claire (Sara Paxton) and amateur paranormalist Luke (Pat Healy) while away the hours tending to the limited assortment of guests or hunting for ghost activity to post on Luke's website detailing the Inn's hauntings. With the arrival of former actress turned spiritualist Lee (Kelly McGillis), Claire uses Lee's guidance to push her amateur paranormal hunts to greater extremes.

The Innkeepers is the third major film from writer/director Ti West following his two 2009 films The House of the Devil and Cabin Fever 2: Spring Fever. Although West had been slated to The Haunting in Georgia (better known as The Haunting in Connecticut 2: Ghosts of Georgia), West dropped out early on presumably to avoid a repeat experience of producer interference that befell Cabin Fever 2. Centered around the real life haunting hot spot the Yankee Pedlar Inn in Torrington, Connecticut the movie was filmed on location with many scenes shot at the actual Inn. Much like West's House of the Devil, The Innkeepers is undeniably influenced by past genre staples, but also like House of the Devil, West showcases a strong understanding of character and atmosphere.

A big part of what appealed to me with The Innkeepers was the performances and dynamics between the two leads Sara Paxton and Pat Healy. Both of them feel like well rounded everyday people who are underemployed and their interactions where they play silly games or pranks reminded me of the interactions seen in Kevin Smith's Clerks where he explored minimum wage tedium. The movie does a solid job of making the Yankee Pedlar a character unto itself and we get some moments between Claire, Luke, and the guests with Kelly McGillis quite good as the obligatory psychic expert who adds some solid humor and humanity to her performance. Much like House of the Devil, The Innkeepers is a slow burn with most of the scares situated in the back half as we build character and atmosphere in the first. Granted there were times where maybe I began to wander a little bit, but there'd always be something around the corner that would pull me back in.

Ti West continues to show his penchant for mining familiar territory and making it feel knew with solid characters and atmosphere. Definitely well worth a viewing.

"The Innkeepers" is … well, first and foremost a very difficult movie to rate and review! I can't deny feeling a bit disappointed after my viewing, but on the other hand I realize I can't possibly claim that this is a bad movie. Quite the contrary, in fact… In a relatively short time, the still very young writer/director Ti West distinguished himself as a respectable narrator with a versatile imagination and a vastly profound knowledge of the genre classics. Horror buffs' expectations naturally increase with every new movie, so after West's creative and playful zombie debut "The Roost" and the captivating throwback to 70's satanic horror "The House of the Devil", a whole lot of people – including myself – were highly anticipating his homage to atmosphere driven haunted house effort. And "The Innkeepers" is largely a praiseworthy accomplishment, for sure. Particularly the tone, atmosphere and the decors/set pieces are downright stupendous and the hotel filming location ideally lends itself for a good old-fashioned and nostalgic ghost tale. Dreamy Claire and sarcastic Luke work as reception clerks at the classy old Yankee Peddlar Inn. The hotel exists since many decades but has filed for bankruptcy now, so during the last boring weekend with minimum capacity, Claire and Luke occupy themselves with trying to find evidence of the hotel's legendary ghost story from the past. Many years ago, the abandoned bride Madeline O'Malley hung herself in the honeymoon suite, and according to the local folklore legends her restless spirits still meanders around the corridors of the Yankee Peddlar Inn. Claire seems the most receptive for the ghostly vibes, even to a point where a spiritual medium strongly advises her to leave the hotel. If it were all exclusively about style & atmosphere, "The Innkeepers" would deserve a solid 10/10 rating. Not since "The Shining" we have seen such an efficient usage of a guest house in horror films and Ti West (very) patiently takes his time to introduce the main characters, as well as to illustrate the background of the hotel and generate the ominous mood-setting. This inevitably results in very long suggestive horror tableaux (slow moving camera through the hallways, doors slowly closing by themselves, etc…) and false scares, but it's all very stylish and eerily crafted. But slow building ups do eventually have to lead somewhere and this is where the film falls short in my humble opinion. The whole denouement is too confusing and leaves too many elements open for personal interpretation. There are some truly powerful "jump" sequences in the last fifteen minutes of the film, but the horror always remains oppressed in favor of the mystery of it all. I wasn't looking for gore and filth, but a bit more excitement would have been welcome. Too bad. Purely talking in terms of "new" atmospheric ghost stories, the James Wan/Leigh Whannell film "Insidious" is slightly more satisfying.

This movie had a lot of potential with an interesting hook and great location but failed to deliver all around.

A horror movie relies on tension and atmosphere to build fear. This movie takes a very long and tedious time establishing characterization instead of mood. Unfortunately, the two main characters and in fact all the characters in the very small cast are so two-dimensional and stereotypical that all that time was thoroughly wasted. To add insult to injury, there is even a cheap jump scene at the beginning that breaks what little mood is established by the opening credits and pans of the set. When the movie finally reaches its climax, it still is not scary or horrific. It just falls flat. The ending was unsatisfying as well with no real resolution or twist.

It's just good enough to keep you watching and waiting for something to happen, but it never does.