Bruna Surfistinha

'Bruna Surfistinha' is the story of Rachel Pacheco, an adopted Brazilian girl that constantly suffered from bullying and, feeling apart of everyone, leaved her house and family at age of 18 in search for independence to prove herself and the others that she could be someone special. Then she finds a job opportunity that could give what she was so desperately wanting. She really didn't care if it's from sex, she just wanted to make money and achieve her objectives. "More sex, more money", that's what she thinks to keep surviving.

During her hooker years, Bruna Surfistinha did start maintaining a blog, writing about her sexual experiences with her different clients, giving them special and personalized treatment in bed and also reviews and ratings about their performance in her blog, making them some kind special and taking each one of them away from their miserable unhappy life they lived in. She conquered their appreciation and the anonymous mouth-to-mouth publicity made her one of the most desirable prostitutes at that time. The blog was a successful step making her famous and respected in her business. She made a lot of money with important and rich people, living in a first class condo and having everything she ever wanted.

'What comes easy goes easy', that's what people say. Not as easy as it's supposed, but everything did go as easy as said. With her successful sex business she overrated herself and meantime became addicted to drugs, fell in depression and lost almost everything, coming back to where she started: from nowhere. Then she reemerged, got all the money she needed back to stop living from sex and wrote a best seller called "O Doce Veneno do Escorpião" (The Sweet Poison Of The Scorpion) in which the movie is based on.

That's how she became famous in Brazil. All of this - except the book episode - is in the movie.

When the film was announced many people laughed and thought it was a joke, because it's not necessary read the book to know that Rachel Pacheco (aka Bruna Surfistinha) isn't a Diablo Cody (the American ex-stripper who also became famous as a blogger and won a Best Original Screenplay Oscar for 2007's Juno). Her fame was much more a popular response against taboo than just a natural talent. Even so, the book and the life of Rachel Pacheco offered enough material for a movie that fulfills its intents.

Unlike what was previously believed, the film is surprising in all aspects. Even looking like a TV movie sometimes, the debut direction of Marcus Baldini worth some attention. The well developed screenplay with natural and accurate dialogs is also a plus. The cast, the soundtrack and the edition - which is largely responsible for most of the movie's development - are top of note here. The cinematography sometimes are beautiful and intensifies some dramatic and erotic moments without being appealing. Also, nudity and sex scenes here are just used objectively and never being abusive or compelling, very different from some ordinary titles that uses nudity and sex just as an instrument to attract audience which is very expected here but never delivers more than the necessary. The movie can easily be defined as some kind of Christiane F (1981) meets Pretty Woman (1990) because Bruna is what Julia Roberts' character would be without Richard Gere.

The movie is a slap on the face of those who underestimated its quality just by its topic. Deborah Secco, known in Brazil for her roles in soap operas since she was a teenager, finally grew up as an actress because the movie succeeds most by her performance. Credits should also be given to the supporting actresses, especially Drica Moraes (as madam Larissa), the greatness of her work is evident every time she appears.

'Bruna Surfistinha' never tries to give the character a martyr neither a heroin image, she's just someone that simply got the job and now is suffering its consequences. Much less tries to make her life a modern fairy tale being - perhaps - screenplay's greatest advantage and also what makes the movie never fall into cheap emotionalism.

For sure it's not the best thing you will ever watch, but also not the worst. Obviously it needs to be watched as a movie and not as a biographical thing with some lessons you need to learn because even the ugliest truth becomes a beautiful thing in movies, that's why it's worth watching without any profound expectations.

I could be wrong but I never saw a good quality of Brazilian movie.

If you are prepared to watch a soft porn film, this one is for you. Otherwise, forget it.

This is a movie about a former Brazilian prostitute, based on the book written by herself.

Bruna Surfistinha (Rachel Pacheco) gained national recognition after had her book on all Brazilian best sellers list, and, prior to that, she was a well-known blogger and prostitute.

One of the keys to the book's success was the simple, unskillful style, which appealed to the masses that aren't well educated and rarely read books.

Deliberately or not, the movie follows the same style, full of clichés and hypocritical moralism to help depict the main character as a victim, the greedy and shallowness of a generation that lacks proper education and goals were left aside.

Deborah Secco bears no resemblance to the original Bruna which gives the wrong impression of a fragile beauty.

Other than that, the acting is good, especially Drica Moraes which is impressive in her natural performance as a madam. The sex scenes aren't gross or out of place.

In short, it's a movie for those that doesn't need anything more than to pass the time gazing at a screen, just for fun.

"Bruna" Marcus Baldini - As if we need excuses to waste almost a couple of hours watching Deborah Seco undressing and doing it like it's hot! The story captivated me for being based on real facts that I personally didn't know. I found it interesting only because of a certain verbal gymnastics that keeps me laughing in the lexicon of the Brazilian Portuguese and the lightness in which the most serious subjects can be portrayed by Brazilian directors, sometimes even in an ethereal fashion. But this movie is worth only for the scenes with Deborah Seco, just because the emotional dimension of it is sometimes lost and one never gets to understand what leads the main character to taking such a shaky turn, one does not understand what kind of analysis is made and for trying to tell a story sometimes the film gets so close to wanting to tell too much without showing great substance. I give it a 7 out of 10, almost pulling in a 6, but our friend Deborah Seco saved the movie (although at the beginning of the movie she acting very stuck up and out of character, perhaps because they wanted her to go through an age that simply is nor hers any more).

as all other review said this is about a real life Brazilian prostitute who became famous from a blog she kept,and where she talked about her clients and even rated their performance in bed.She became very popular and even wrote a popular book about her life.In this day and age porn sells,thats about it.Either a girl sells it directly or indirectly,society seems still fascinated with the seemy side of prostitution. The problem with this movie is,the character never really becomes likable,her job would not be so objectionable if one understood why or how she ended up being a prostitute.It is never really explained,other than a story of a woman who wants to be independed,which hardly explains her trip into prostitution,as thousands of women manage independence by working at respectable jobs.The fascination with this story is all about sex,and her sexual experiences,which makes it really pretty much a commercial for the porn profession.The life of a prostitute is just glamourized,shown as just a job with a lot of money,glamour,success and popularity,pretty much anything a girl would want.There is a downside about drug addiction,but even that is shown as just a side effect of our times and of living the high life,,not especially of the profession of a hooker. All in all,i think this movie is lost in its own sensationalizing of its subject and ends up losing any focus on the reality of the story it tries to tell.