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IMDbPro

Balada do Amor e do Ódio

Título original: Balada triste de trompeta
  • 2010
  • R
  • 1 h 47 min
AVALIAÇÃO DA IMDb
6,5/10
16 mil
SUA AVALIAÇÃO
Balada do Amor e do Ódio (2010)
A twisted love triangle evolves into a ferocious battle between Sad Clown and Happy Clown that escalates to unbelievable heights.
Reproduzir trailer2:05
2 vídeos
51 fotos
ComédiaComédia de humor negroDramaGuerraHorrorHorror corporal

Adicionar um enredo no seu idiomaA young trapeze artist must decide between her lust for Sergio, the Happy Clown, or her affection for Javier, the Sad Clown, both of whom are deeply disturbed.A young trapeze artist must decide between her lust for Sergio, the Happy Clown, or her affection for Javier, the Sad Clown, both of whom are deeply disturbed.A young trapeze artist must decide between her lust for Sergio, the Happy Clown, or her affection for Javier, the Sad Clown, both of whom are deeply disturbed.

  • Direção
    • Álex de la Iglesia
  • Roteirista
    • Álex de la Iglesia
  • Artistas
    • Carlos Areces
    • Antonio de la Torre
    • Carolina Bang
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,5/10
    16 mil
    SUA AVALIAÇÃO
    • Direção
      • Álex de la Iglesia
    • Roteirista
      • Álex de la Iglesia
    • Artistas
      • Carlos Areces
      • Antonio de la Torre
      • Carolina Bang
    • 50Avaliações de usuários
    • 159Avaliações da crítica
    • 70Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 11 vitórias e 21 indicações no total

    Vídeos2

    The Last Circus
    Trailer 2:05
    The Last Circus
    The Last Circus: Redband Trailer
    Trailer 2:05
    The Last Circus: Redband Trailer
    The Last Circus: Redband Trailer
    Trailer 2:05
    The Last Circus: Redband Trailer

    Fotos51

    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    + 45
    Ver pôster

    Elenco principal51

    Editar
    Carlos Areces
    Carlos Areces
    • Javier
    Antonio de la Torre
    Antonio de la Torre
    • Sergio
    Carolina Bang
    Carolina Bang
    • Natalia
    Manuel Tallafé
    • Ramiro
    Alejandro Tejerías
    • Motorista-fantasma
    • (as Alejandro Tejería)
    Manuel Tejada
    • Jefe de pista
    Enrique Villén
    Enrique Villén
    • Andrés
    Gracia Olayo
    Gracia Olayo
    • Sonsoles
    Sancho Gracia
    Sancho Gracia
    • Coronel Salcedo
    Paco Sagarzazu
    • Anselmo
    Santiago Segura
    Santiago Segura
    • Padre-Payaso tonto
    Fernando Guillén Cuervo
    Fernando Guillén Cuervo
    • Capitán miliciano
    Jorge Clemente
    Jorge Clemente
    • Javier (Joven 1943)
    Fofito
    Fofito
    • Payaso listo
    Sasha Di Bendetto
    • Javier (Niño 1937)
    • (as Sasha Di Bendetto)
    Juan Viadas
    • Franco
    Ángel Acero
    • Locutor…
    David Sánchez Calvo
    • Trapecista
    • Direção
      • Álex de la Iglesia
    • Roteirista
      • Álex de la Iglesia
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários50

    6,515.7K
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    Avaliações em destaque

    8ayoreinf

    A surreal fable, with gore and blood to boot

    The first reaction I had to this film was - "an overkill". So much gore and blood in a small love triangle story, seemed excessive. But my very next thought was, I must be missing something. And as I went over the perfectly designed gory details of the movie one more time in my mind I realized I was watching a surreal fable on the fate of Spain from the Spanish civil war onward. The only proof of that claim I can give here without adding a spoiler is the fact that the opening scene of the film takes place in 1937 while most of the story happens on 1973, but there's no logical base for such a big time gap, the only reason these two dates were chosen is because the second is the mirror image of the first, and they both fit into the historic background necessary for the story.

    As a fable, we have all the right ingredients of a fable in, the characters may be slightly flat, since their symbolic value is more important than their personality but the actors make it work anyhow.

    So if your stomach can take gore and blood in quantities that would suit a horror movie, and you're interested in an original point of view on the destiny of Spain in the 20th century - it's definitely worth seeing
    Agnelin

    The movie Tarantino wished he'd made

    "Balada triste de trompeta" (Sad trumpet ballad, in Spanish -I have no idea why they translated it as "The last circus", as it's much poorer) is none short of a masterpiece, in my opinion. It is also a 100% Spanish film, meaning it is a tragicomedy, a totally Spanish genre and it also expands between two crucial moments of Spain's recent history, full of tragic events -the Civil War, the killings, Franco's repression and dictatorship- but also full of grotesque details, situations and characters that were real and now, in retrospect, feel utterly ridiculous, much more so than they were at the time -e.g. when the dictator went hunting, they really prepared the prey for him so that he would look as a great hunter- or are just seen as a byproduct of the times that Spain had to live. Director Alex de la Iglesia also cares to sprinkle the movie with historical events that are apparently disconnected to the main story -like the assassination of Franco's hard man and presumed heir as the new tyrant, admiral Carrero Blanco- but which I believe serve a function to the main metaphor that this movie is.

    The movie starts in 1937, in the heat of the Spanish Civil War. A clown is recruited by force to fight with the Republican side, and manages to slaughter quite a lot of Franco's men. His young son, Javier, is traumatized by the whole event and later, in 1973, we meet him again as the new recruit in a circus, the Sad Clown. He can only be the sad clown because he is sad himself, and cannot make children laugh. They pair him up with the Funny Clown, a ruthless but charismatic man called Sergio, who turns out to be the partner to a beautiful trapeze artist, Natalia. Javi falls in love with Natalia and thus starts a rivalry between the two men for the love of a woman, with unforeseeable consequences.

    The narration is so filled with colorful characters, crazy comedy, crazy violence mixed with comedy or with surreal elements, historical references, and an underlying sense of tragicomedy, and it is so excessive and full of surprises, one can't help but keep watching, much as it is over the top in many an occasion. You can enjoy the movie at face value and ride the wave of the story for what it is, but you can also watch this movie as a summary and insight into the recent Spanish history and how Spain seems doomed to always be split in two, similar people, brothers, always rivalling and even hating each other, seemingly beyond reconciliation, connecting episodes of sheer senselessness and absurdity with spine-chilling episodes of hate and violence, and all of it boiling down to a tragedy that you can only laugh at because it makes no sense.

    I'm not surprised that Quentin Tarantino himself was so taken with this movie, and I wouldn't be surprised if an adaptation of this movie was made soon in an American context.
    10Russian-Reviewer-Mitya

    Wonderful, beautiful and tragic!

    A magic tale of terror, dark humour and tragedy!! I think that this film is like a mix of Rodrigues, Jarmush and Kusturica... gripping and strong whilst dark, random and ghastly at the same time. Romantic and disgusting in one film. de la Iglesia beautifully makes the whole film look like a circus performance with all characters exaggerated to the point that even Franco looks like a clown. Though I appreciate that this film is probably not for everyone, I think that it's an original and interesting portrayal of, amongst other things, love and war during horrors of Spanish civil war - an interesting contrast to del Toro's "El Labiirinto del Fauno"!
    6JvH48

    After a beautiful 1st hour, the remaining ¾ hour disappointed completely

    I saw this film as part of the "Imagine" film festival 2011 in Amsterdam. It made a promising start with a good exposition of the main characters involved, the setting in which they lived (circus, civil war, etc), and personal motives behind dramatic developments later on. Actors did a great job, pictures well shot, and a perfectly fitting musical score supported the events on screen. I was fully in the mood to watch the remainder of a perfect movie. All necessary ingredients were there.

    However, after an hour my appreciation changed 180 degrees. There were too many improbable situations, unrealistic events, and several inconsistencies in the story line. Apart from that, the overload of self inflicted injuries and mutual violence started to annoy me. Equally dramatic developments might have been possible with much less blood. On top of that, the finale disappointed grossly. It was obviously intended to be spectacular, but it completely failed in that respect. I did not expect a happy ending for most of the main characters, but such a massive amount of deaths and severe injuries is uncalled for.

    When leaving the theater, I nevertheless gave a "satisfactory" score for the public prize competition, compensating the bad parts in the last ¾ hour with the good parts that made up the first hour. These film makers can do it, apparently, when they avoid their inclination to impress us with spectacular settings and special effects. I certainly hope they will in their next production.
    9damagelago

    Best film of 2010

    After the really disappointing "Oxford murders", Álex de la Iglesia returns with not only his best film to date, but with one of the best films in the last years. "Balada Triste de Trompeta" is a romantic-over the top-violent melodrama which mixes Tarantino, Hitchcock, Fellini, Todd Browning and of course it also has a lot of previous Álex de la Iglesia films like "Acción Mutante" or "El día de la bestia". Two men, one good and one bad, fighting for the love of a beautiful blonde trapeze artist (the gorgeous Carolina Bang) in a downward spiral of love and madness that also serves as a historical recount of the last 75 years of Spanish history.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      According with Álex de la Iglesia, Raphael watched the movie before the public premieres, and he didn't like voice acting of the actor who played him. De la Iglesia offered him to dub himself, and finally is Raphael's voice which is heard in the movie.
    • Erros de gravação
      When Andres is arrested, he says "maderos" to the policemen, but this word was not yet used at this time. He shoould have said "grises" (grey) because this is the color of the police uniform - only years later would it become brown. ("Madero" is log or piece of wood, which is why people called policemen "maderos").
    • Conexões
      Featured in Half in the Bag: Robot and The Last Circus (2011)
    • Trilhas sonoras
      Titles
      Vocals by Manuel Tallafé

      Performed by 'Banda de cornetas de la Fundacion Julian Santos'

      2015 Melliam Music

    Principais escolhas

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    Perguntas frequentes19

    • How long is The Last Circus?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 12 de agosto de 2011 (Brasil)
    • Países de origem
      • Espanha
      • França
      • Itália
      • Bélgica
    • Centrais de atendimento oficiais
      • Official Blog (Spain)
      • Official Facebook
    • Idioma
      • Espanhol
    • Também conhecido como
      • Balada triste de trompeta
    • Locações de filme
      • Barrio El Partidor, Alcoy, Alicante, Comunidad Valenciana, Espanha(as Madrid's suburbs, circus exteriors)
    • Empresas de produção
      • Tornasol Films
      • La Fabrique 2
      • uFilm
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • € 7.000.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 40.548
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 4.757
      • 21 de ago. de 2011
    • Faturamento bruto mundial
      • US$ 3.604.598
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 47 min(107 min)
    • Cor
      • Color
    • Mixagem de som
      • Dolby Digital
    • Proporção
      • 2.35 : 1

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