Adicionar um enredo no seu idiomaNino and Bruno are two comedians who reach the heights of success with their duo act, turning them into huge TV celebrities. However, the hate between them grows as fast, and as much, as the... Ler tudoNino and Bruno are two comedians who reach the heights of success with their duo act, turning them into huge TV celebrities. However, the hate between them grows as fast, and as much, as their fame.Nino and Bruno are two comedians who reach the heights of success with their duo act, turning them into huge TV celebrities. However, the hate between them grows as fast, and as much, as their fame.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 2 vitórias e 1 indicação no total
- Legionarios brutales
- (as Ramón Txurruca)
- Guardia Civil impresentable
- (as José Sacristán)
- Objetor de SAMUR
- (as Gorka Aginagalde)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Alex De la Iglesia is an excellent Spanish director , he is back with this tragical dark comedy with ironical elements , thrills , emotions and results to be pretty entertaining . Alex had much success as "Accion Mutante" , " El Dia De la Bestia" , "Perlita Durango" and ¨La Comunidad¨ , among others . Here deals with a homage to dark humor and a typical Spanish story in which there are comedy , tongue-in-cheek , black humor , action , drama and a lot of amusement . It's a groundbreaking drama/comedy giving the right developing through the whole movie .¨Dying of laughter¨ or ¨Muertos De Risa¨ is a full-on surreal psychotronic black-comedy that blends thrills , suspense , tension as well as an amusing script full of dark humor , drama and exciting situations . Packed with scenes of ridiculous nature, this story is an absurd farce , as we follow the ascending careers of a pair of comical actors , Santiago Segura and El Gran Wyoming whose fates are issued by a top rise to fame , it is inter-weaved by the appearance a third character , a gorgeous girl , Carla Hidalgo who has some nude scenes . Interesting screenplay Alex De La Iglesia who usually writes his films and bears remarkable resemblance to ulterior ¨Balada Triste Para Trompeta¨ also with two artists -Carlos Areces , Antonio De La Torre- who reach big hits with their spectacles , becoming them at the same time into huge enemies .
The narration is so filled with colorful characters , noisy action , nutty comedy, crazy violence mixed with humor or with silly elements and an underlying sense of tragicomedy, and it is so excessive and plenty of surprises, one can't help but keep watching, much as it is over the top in more than one time . The film works on various levels and is constantly reconfigured , however contains some embarrassing , contriving moments and also certain excess . Alex De La Iglesia has created a picture here that in all honesty is very difficult to categorise in terms of genre , as there's a little bit of action , quite a lot of comedy, a good deal of crazy situations and a host of extreme gruesomeness ; but it does not fit into any one genre very well at all, in truth this is one of the things that makes it cool . Acting personnel all do excellent work in bizarre roles. Although director Álex de la Iglesia considered casting Fernando Esteso as Nino and Andrés Pajares as Bruno. Very good support cast formed by notorious Spanish secondaries such as Eduardo Gómez as Tino, Manuel Tallafé as El Mago Silber , Maria Asquerino as Mother , Ramon Barea , Alfonso Del Real , Jesús Bonilla as Sargento '23 F' , Alfonso Lussón as Berasategui and the great Sancho Gracia as Legionario . But special notice needs to be made for Alex Angulo for also being quite ridiculously role throughout . Furthermore , a brief intervention by the presenter Jose Maria Iñigo , and the magician Uri Geller . Interesting screenplay Alex De La Iglesia and Javier Guerricaechevarria who usually work united . Atmospheric as well as evocative cinematography by Flavio Martinez Laviano with a nice camera work . Adequate musical score by Roque Baños , the soundtrack flows great with the film in every way, and creates fantastic atmospheres in every moment ; the main theme of the soundtrack is based on Los Pekenikes's song Embustero. The motion picture lavishly produced by the great producer Andres Vicente Gomez was well directed by De La Iglesia . He's a cool director has got much success as ¨Accion Mutante¨ , ¨Baby's room¨ , ¨Oxford murders¨ and ¨Balada Triste De Una Trompeta¨ and winner of several Goyas (Spanish Oscars), however his movies have not yet reached box office in USA, but he has strong followers . Nonsense, ridicule , laughters , absurdity , disturbing scenes .. and many other issues ; you can find everything in this flick . The movie is a lot of fun, especially for those who enjoy surrealist as well as crazy humor . This is without a doubt a fun and enjoyable movie to be enjoyed for dark humor buffs and Alex De Iglesia fans.
I don't know how this film got made, as I don't know much about the Spanish film industry, but I'm suddenly really intrigued. This film delivers!
The acting, directing, music and costumes are all great, but the writing is off the charts. I want to see more films like this. It made me laugh so hard and made take a serious look at how I perceive celebrities-I was in good hands during this film.
DON'T MISS IT
4/4
My rating is 4 out of 10 (and I'm being generous because I'm spanish).
The thing was, I went in with such high hopes. The poster looks good, I was in the mood for a knockabout screwball comedy, and I had been busy defending this type of movie to my Spanish friends (who clearly aren't too impressed with this genre - see "El Milagro De P.Tinto"), and I was looking forward to a nice seventies kitsch affair. But it just failed to deliver. The comedy was dire (alright, I might have missed a few Spanish language one-liners, but judging by the noises the Spanish audience were making, I doubt it). But really, what's going on? How on earth did this make it past greenlighting? It can't be entertainment, surely.
Nevertheless, before sitting down to write this review, I endeavoured to find some positive aspects of the film. And, to my surprise, there were one or two diamonds in the very, very rough. Firstly: the title sequence - lovely, stylised animation, nice attention to seventies detail. Secondly, the goat gave a sterling performance - I can honestly say I have never seen a goat play dead quite as realistically - fantastic! (In comparison). Finally, the comedy old mother is alright, I suppose. But animation, goats and mothers aside, there isn't a lot to look forward too, I'm afraid.
The thing is - it's all so bloomin' unnecessary. There is no need for all the naked women (no there isn't, to all those lecherous readers out there), there is no need to push the jokes quite as far as they try, because the jokes don't work on their own. There was just no point in making the film: a brief comedy sketch on "Saturday Night Live", fine - but a feature-length movie? Never. "Muertos De Risa" is crass, stupid, unnecessary and irritating (like most of the actors). I don't think I've ever hated a movie quite as much: which is good, I'm glad it's got my passion up. I might try to watch it with subtitles, just to see if I did miss something stupendous - and you will be the first to know if I did. But I really don't hold out much hope.
Alright - this is a personal opinion; you, of course, might love it. But my advice is this: if you're after screwball Spanish comedy, watch "El Milagro De P.Tinto", if you're after soft porn, watch anything by Russ Meyer, and if you're after an example of the best Spanish cinema has to offer, then try "Todo Sobre Mi Madre". If, however, you're after something to irritate the hell out of your friends and family, maybe this is the film for you. It certainly isn't for me.
Você sabia?
- Erros de gravaçãoUri Geller's TV appearance scene in 'Directísimo' takes place on December 20 1974 (Friday). Actually, his collaboration in that program, which was broadcast on Saturdays, was on May 08 1975. Later, Nino and Bruno go to the same program, during the first days of January 1975. 'Directísimo' actually didn't begin its emissions until April 12 1975.
- Citações
Bruno: Baja ahora mismo que no quiero manchar la tapicería del coche.
Nino: ¿Y si no me bajo?
Bruno: Entonces tendré que manchar la tapicería del coche.
Vecino indignado: ¡Que pasa ahi! ¿Es que se ha vuelto loco? ¡Voy a llamar a la policía!
Bruno: ¡Eh! ¡No me pise el césped o disparo! ¡Esta es nuestra casa y hacemos lo que nos da la gana!
Vecino indignado: ¡Cuidado! No hable con él señora que es peligroso.
Bruno: ¡Eso! ¡No hable conmigo! ¡No me dirijan la palabra que me acaban de taladrar un pie y estoy muy nervioso!
Vecina desdentada: ¡Son unos cerdos degenerados! ¡Como todos los que salen por la televisión!
Bruno: ¡Cállese señora! ¡Y póngase los dientes que no se le entiende nada!
Bruno: Sal de ahí.
Nino: ¿Me vas a matar adelante de toda esta gente?
Bruno: ¿Que pasa, que te da verguenza?
Nino: No, me la suda, estoy haciendo tiempo, porque a las siete esto va a estar plagado de policías, van a ver lo loco que estás y te van a meter en la cárcel ¡Así volveremos a estar juntos!
- ConexõesFeatured in Como se hizo 'Muertos de risa' (1999)
- Trilhas sonorasLibre
Written by José Luis Armenteros and Pablo Herrero
Principais escolhas
- How long is Dying of Laughter?Fornecido pela Alexa
Detalhes
Bilheteria
- Orçamento
- € 3.500.000 (estimativa)
- Tempo de duração1 hora 53 minutos
- Cor
- Proporção
- 1.85 : 1