Sinbad e o Minotauro

or horns coming out of your forehead.

Aladdin's mission is basically that: find the lost treasure of Minos (the Colossus' head), and in the interim, overcome a few perils, or should I say "perils", such as an evil dark mage and his human fighter/horror necro ghoul, an island whose inhabitants turn into would-be 'minotaurians' from some kind of curse, some thugs here and there also intent on stopping him, and of course, the infamous minotaur, a CG-created enormous bull that bellows and stomps its way through a cave called a labyrinth (of course), flaming red eyes and no other grotesque features other than a hideous head and ginormous horns.

But to Aladdin, all these are just "details, details", as he often interjects during the movie. I don't ever recall thinking of Aladdin as a throw-all-caution-to-the wind guy, strutting into all kinds of 'unknown' dangers, and when entering the 'labyrinth', (careful! the minotaur!), "details, details". About half-way through the movie, just sitting there dumbly watching this, I am wondering where this is all going, or what exactly is this supposed to be. For a fairy-tale story, it falls pitifully short. For special effects, it is not that highly budgeted an adventure. For teaching some lessons or morals, nothing either. Appealing to an adult audience - not unless you've got less than half a brain. For children, some parts maybe, but it was much too violent and gory for a young audience (ripping off body parts and horns going right through and breaking off). The story was also poorly scripted and acted out, and I say this, not because it had to be a highly paid or budgeted film, but because it lacked substance and imagination.

How many movies have I seen throughout the years, seemingly uninspiring and old story-based, but made with such dedication and inspiration, you fail to notice they're old? Way back, even, in the days when, as a kid, I was mesmerized by 'Jason and the Argonauts', 'Clash of Titans', 'Sinbad the Sailor' (and there were a host of these with similar themes), many of them not big movies, but most left something, which today, sadly, is lacking in many of such.

No need to say more, I believe. You get the picture.

This film is lacking in several places: two of my main gripes are a better script and better actors. Costuming was fine to me, cinematography so-so but the CGI was awful even for today's low budget films.

Where was the Minotaur? It was just a large CGI bull. The end battle with Sinbad and this Bull (Minotaur) was super fast and terrible - not the great battle we would expect from this type of movie.

2/10

There used to be A-Movies and B-Movies. This is a Z-Movie. After watching the first half, I decided to bail. Because I needed to brush my teeth and that was much more interesting than any masochistic urge to continue hurting my eyes with this tripe.

In all seriousness, this was made in my home town, and I would dearly love to offer some support to our ailing industry. But to be brutally honest - after the embarrassing travesty of another recent Australian film - "Tomorrow, When the War Began" - I thought things couldn't get worse. Well they have. Much worse in fact. I don't know where to begin in trying to offer a sensible review: perhaps suffice to say try and think of the worst movie you have seen in your life. Well this is a new candidate for that title. I truly can't think of a single positive aspect to this movie. It's about Sinbad???

Maybe...just maybe, your 4 year old might like this on DVD.

So unless you work for the studio and are forced to watch this, please save your time and money and do something more productive with your time.

1/10

Sinbad (Manu Bennett) steals the Chronicles of the King Minos from the camp of the evil sorcerer Al-Jibar (Steven Grives) with the location of the golden head of the Colossus of Rhodes. He also saves the slave Tara (Holly Brisley) and brings her to his ship.

Sinbad sails with Tara and his crew to the Island of Minos and they meet a village of descents of Minos. They learn that the treasure is guarded by the Minotaur in a labyrinth and Sinbad gets rid of the beast. When they are celebrating, Al-Jibar arrives in the village with the flesh eater Seif (Jared Robinson) and his army, and demands the scroll for him. Out of the blue, the villagers turn into beasts and attack the outsiders. Who will survive?

"Sinbad and the Minotaur" is a lame movie with a good story and awful acting and costumes. The non-charismatic Manu Bennett looks like Rambo or a marine with his hair cut and his acting is limited to grimaces. Lily Brown is histrionic in the role of the priestess Arianna. The villains Al-Jibar and Seif are sinister and Holly Brisley is very sexy. Despite the low-budget, the acting and costumes could be better. My vote is four.

Title (Brazil): "Sinbad e o Minotauro" ("Sinbad and the Minotaur")

It is not a monster movie. A classic story where good and evil try to reach the same treasure. They encounter few times but none is very efficient. The bad guy needs to be more bad and wears black or covers face. The good guy is super good and popular and has magical item to cheat. Henchmen are just long enough in sight to die. Monster is there. and arrives predictable. If they just examine and sell the traps with 100y guarantee or the ever-burning torches then they would get rich.

I resented a few aspects of the film. They should have stopped using CGI and build a real life model. And it is like they wrote a movie to show a few certain items and events.