Adicionar um enredo no seu idiomaInspector Simon Magellan unravels crimes and mysteries in the fictional French town of Saignac. But that's just his day job - he's also raising two teenage daughters.Inspector Simon Magellan unravels crimes and mysteries in the fictional French town of Saignac. But that's just his day job - he's also raising two teenage daughters.Inspector Simon Magellan unravels crimes and mysteries in the fictional French town of Saignac. But that's just his day job - he's also raising two teenage daughters.
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We stumbled on this by accident - a program we were watching on France 3 rolled over into an episode, and we kept on watching.
Like Columbo, each episode stands alone, though there are certain recurring characters who provide a backdrop to the investigative action. Unlike Columbo, Simon Magellan has a home life, and in general this provides the light comic relief that offsets the drama of the murder investigation.
The relations and plot twists between the various possible suspects in each murder are as tortuous as anything Agatha Christie or Erle Stanley Gardner ever dreamed up, and the frenetic pace of unravelling the tangled web in the span of a 90 minute episode keeps the viewer constantly on the edge of the seat.
The characters are for the most part highly believable, and even the bit parts and extras do a sterling job of adding credibility, especially when some of the plot propositions come across as somewhat lame. In this context, I must make mention of one young actress, Florence Coste, who played a strong supporting role in the May 2018 episode "Un Amour De Jeunesse" ("Young Love"). The ability to cry really convincingly on camera is rare. The ability to act drunk believably is almost non-existent. Ms Coste handles both with such perfect understatement that I was quite awestruck.
If I had to single out one area where the series falls short, it is in the camera work and final editing. There are jumps in the picture, badly angled shots, and a heavy reliance on a series of canned aerial views of the town to indicate that Simon Magellan is moving from place to place. But this is not an art film, it is a mystery series, and we are content to forgive the poor post-productoin for the sake of some excellent acting and fun plot.
It isn't easy to find episodes to watch. France 3 runs them from time to time in batches on successive weekends of a few weeks, but not in episode sequence, and with long breaks between. MHz Choice has the first 8 episodes available with English subtitles that are too big and too high on the screen, and therefore interfere a lot with the action. It would be nice if the copyright owners would put the existing 32 episodes on a DVD boxed set and make them available on-line.
Like Columbo, each episode stands alone, though there are certain recurring characters who provide a backdrop to the investigative action. Unlike Columbo, Simon Magellan has a home life, and in general this provides the light comic relief that offsets the drama of the murder investigation.
The relations and plot twists between the various possible suspects in each murder are as tortuous as anything Agatha Christie or Erle Stanley Gardner ever dreamed up, and the frenetic pace of unravelling the tangled web in the span of a 90 minute episode keeps the viewer constantly on the edge of the seat.
The characters are for the most part highly believable, and even the bit parts and extras do a sterling job of adding credibility, especially when some of the plot propositions come across as somewhat lame. In this context, I must make mention of one young actress, Florence Coste, who played a strong supporting role in the May 2018 episode "Un Amour De Jeunesse" ("Young Love"). The ability to cry really convincingly on camera is rare. The ability to act drunk believably is almost non-existent. Ms Coste handles both with such perfect understatement that I was quite awestruck.
If I had to single out one area where the series falls short, it is in the camera work and final editing. There are jumps in the picture, badly angled shots, and a heavy reliance on a series of canned aerial views of the town to indicate that Simon Magellan is moving from place to place. But this is not an art film, it is a mystery series, and we are content to forgive the poor post-productoin for the sake of some excellent acting and fun plot.
It isn't easy to find episodes to watch. France 3 runs them from time to time in batches on successive weekends of a few weeks, but not in episode sequence, and with long breaks between. MHz Choice has the first 8 episodes available with English subtitles that are too big and too high on the screen, and therefore interfere a lot with the action. It would be nice if the copyright owners would put the existing 32 episodes on a DVD boxed set and make them available on-line.
I am a fan of several different crime genres. This series is particularly entertaining because it takes you back and forth between the crime and the mystery and the ins and outs of Commissaire Magellan's family life. It is a wonderful balance between mystery and light humor. Nothing is over done or overly dramatic. This is a show you can watch with your family/teens/younger teens. There are gruesome or bloody moments, but always post-mortem and very temporary. The storyline is the focus, not the ability to shock an audience, which I find to be over the top, over done and erroneous. The characters are all likeable and believable. It is a nice break from the average crime/mystery show. The comedic relief is appreciated.
Magellan is simply the most formulaic mystery series I've ever seen, at least after season one. So, I've compiled a template for a budding Magellan writer.
Template for a Commissair Magellan Screenplay:
1) Open with short scene with the victim earlier the day of the murder.
2) Next scene, usually at night, the murder, tastefully done, little gore.
3) After stock footage of the town is standing in for the fictional town of Saignac, Magellan is at breakfast with his daughter and his nephew, Ludo. In the middle of the cute breakfast colloquy Megellan must get a call from his work colleague Selma telling him of the murder, to which he responds "I'll be right there" and he immediately leaves. (Note to screenwriter: The call about the murder must come at breakfast, not in the afternoon at the Police Station, or any other time.)
4) At the crime scene Magellan and Selma speak to several people who knew the victim and one gives them the name of a very likely suspect.
5) They go to interview that suspect, whom they determine is not likely to be the killer, but that suspect tells them something that leads them to another suspect, and it continues that way through several suspects.
6) One of the suspects should take a runner when he sees the two cops and Selma, being the younger of the two and in better shape, chases after him. This suspect is male and should not end up being the murderer.
8) While unraveling all sorts of family and business secrets among the suspects our two cops discover that the parentage of one of the younger characters is different than what everyone believes. (This is optional as it doesn't have to be in every episode, but the majority of them.)
9) Approximately ten minutes before the end of the episode the most likely suspect at that point must be murdered as he/she knows too much. But this second murder must quickly lead them to find the real killer.
10) During the course of the investigation there should be three scenes of Magellan at home with his daughter and live in comic relief character, the ne'er-do-well, insufferable Ludo. (Note to writer: These scenes should be cute and delightful, but so far they've been mostly ridiculous, silly and annoying.)
It should be noted that the Ludo character replaced prosecutor and Magellan's best friend Gavrillac, who was in the earlier episodes It was always unbelievable as to how the otherwise intelligent prosecutor could act so stupid. With respect to Ludo that's not a problem!
There is almost no deviation from the above formula in every episode, so if you are binge watching this night after night as I did, it becomes frustrating. Can't they do something original and break out of the mold, but they never do. Yet, despite all this I was hooked.
Indeed, it is a tribute to the writers can come up with such interesting plots and characters within these very strict guidelines.
Template for a Commissair Magellan Screenplay:
1) Open with short scene with the victim earlier the day of the murder.
2) Next scene, usually at night, the murder, tastefully done, little gore.
3) After stock footage of the town is standing in for the fictional town of Saignac, Magellan is at breakfast with his daughter and his nephew, Ludo. In the middle of the cute breakfast colloquy Megellan must get a call from his work colleague Selma telling him of the murder, to which he responds "I'll be right there" and he immediately leaves. (Note to screenwriter: The call about the murder must come at breakfast, not in the afternoon at the Police Station, or any other time.)
4) At the crime scene Magellan and Selma speak to several people who knew the victim and one gives them the name of a very likely suspect.
5) They go to interview that suspect, whom they determine is not likely to be the killer, but that suspect tells them something that leads them to another suspect, and it continues that way through several suspects.
6) One of the suspects should take a runner when he sees the two cops and Selma, being the younger of the two and in better shape, chases after him. This suspect is male and should not end up being the murderer.
8) While unraveling all sorts of family and business secrets among the suspects our two cops discover that the parentage of one of the younger characters is different than what everyone believes. (This is optional as it doesn't have to be in every episode, but the majority of them.)
9) Approximately ten minutes before the end of the episode the most likely suspect at that point must be murdered as he/she knows too much. But this second murder must quickly lead them to find the real killer.
10) During the course of the investigation there should be three scenes of Magellan at home with his daughter and live in comic relief character, the ne'er-do-well, insufferable Ludo. (Note to writer: These scenes should be cute and delightful, but so far they've been mostly ridiculous, silly and annoying.)
It should be noted that the Ludo character replaced prosecutor and Magellan's best friend Gavrillac, who was in the earlier episodes It was always unbelievable as to how the otherwise intelligent prosecutor could act so stupid. With respect to Ludo that's not a problem!
There is almost no deviation from the above formula in every episode, so if you are binge watching this night after night as I did, it becomes frustrating. Can't they do something original and break out of the mold, but they never do. Yet, despite all this I was hooked.
Indeed, it is a tribute to the writers can come up with such interesting plots and characters within these very strict guidelines.
I love this 6,great scenery, mostly fantastic actors. Magellan is a cross between Vera and columbo. At least two murders per episode, although one only had one murder. What was stupid to me was the changing of the daughter's. Yes one was old enough to leave, but then they bring in a much younger girl than the youngest. She's always in adult conversations, she has a smart mouth and does she, attend school regularly??? Simon's friend Paul was ok in the beginning, then he wore his welcome out. But I would rather have him, than the bum nephew ludo. He's very unlikable, he's lazy and dirty looking. I hope there are more seasons of this series, just get rid of ludo and the entitled daughter.
This series was enjoyable utnil the character Ludo came on board. What a loser, irritating and annoying. Aside from that character I enjoy the show with great scenery, good mysteries and very little violence. MHz is great for foreign programming which far surpasses anything in the US excepet Yellowstone.
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- ConexõesSpin-off Magellan et Mongeville (2016)
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