Visões de um Crime

The condition exists, the only thing made up is that cheesy idea that you will meet someone special whose face you will remember, there are different levels of prosopagnosia and if you have it that bad, that is all.

No, you can't recognise people just by their voice, maybe after some time of focusing on it with that intention. My condition is not as bad as hers but I have to make a mental list of things that distinguishes the person from the others, which is not too practical because they are common or can change. At the start is just hair color, beard, glasses, skin color, fat/thin and "does he have glasses?", scars are blessing. The only non measurable thing I've ever use are things like "Something in his eyes makes it seem like he is always sad" (which isn't always true..., so no reliable either).

The measure she uses at some point of the movie is funny but makes sense. After some months I can actually see the differences and not just memorize them, but I'm a lucky one (and don't dare to change your haircut). Until then I have to count the stripes of the zebra.

We don't get to watch many thrillers lately so I was hopeful about this movie. It was actually satisfactory enough, the changing faces of the supporting cast was fun and sufficient to emphasize with Milla's character. If this was a bigger budget movie, it would be delightful to have some of these faces by more recognizable character actors depending on the situation and her disposition towards them. As it was, the film was more like a procession of many extras (note the collaboration of 4-5 studios). For some weird reason I expected and hoped she would at some point see Philip Seymour Hoffman as her husband, Luiz Guzman as the cop, Eric Roberts as Lanyon, but of course that didn't happen :) I agree with others that the love affair looked superficial and lacking chemistry, but just think (after watching the film) how it would be elevated by a clever and ambitious casting of supporting actors.

On the downside, the suspense level was not really high and the film never came close to being chilling. It could have been a much more captivating thriller. Sometimes the story of the killer was almost a sub-plot and it was her prognosis that was at the forefront, I guess Milla preferred it that way for having more opportunity to display her serious acting skills. My alternative would be to have more scenes with Lanyon and also more innovative stalking by the Lurker. That way the audience would engage better in making guesses about the killer's identity and could actually still be amazed by a clever twist at the end.

Here is a diversion about the leading actor (well, the movie became rather dull enough times to give me an opportunity to amuse myself by reflecting on her career). I think Milla is cleverly changing gear, she is very positively stuck in my mind with the Fifth Element (that was when Bruce Willis was a dashing action star) and I noted her acting in the Million Dollar Hotel as well as her portrayal of Jean Darc. When you come to think of it, she has a remarkably diverse and rich filmography with leading roles in major films while she was very young. Overall however, her last ten years went largely unnoticed by people who are not into resident evil, so now she has the chance to make a re-entry as a fresh face who happens to have a lot of acting experience. In the next few years she could aptly make her mark as the lead actress of noirs and thrillers (a role played by Kim Basinger and Michelle Pheiffer in the last decade).

To sum up, an entertaining and somewhat original movie which unfortunately is not intellectually challenging. Watch it, but with realistic expectations.

OK, the idea of the movie was quite lovely, didn't expect it, never seen it before therefore I'll have to start with some praises but end it with less enthusiasm sadly. The movie flows nicely, we learn more about Anna's condition, some tension building up, we start to suspect one or the other and then, well it becomes quite clear who the killer is. And from that point on, of course, things aren't that interesting anymore considering the fact that the thrill kinda lost its touch. Nevertheless, overall, it is a nice breath of fresh air really, trust me you can do a whole lot worse than this one, just keep in mind it's not really a horror, more of a thriller with some horror elements incorporated but few at number.

Also, if you liked it, and you probably will, you MUST try "Julia's Eyes"! You can call these 2 movies, step sisters to be honest, in my opinion, the Spanish one wins tho!

So, don't waste more time, try it out, try both of them out, nice adder to the gender!

I have mixed reactions after watching this movie. In some ways, the movie has exceeded my expectations, but then lets it down again and again.

On the positive side, there hasn't been a good whodunit murder mystery in a long time. Taking that into consideration, this movie is a welcome change and even starts of as a good murder mystery. Another welcome change is having Milla Jovovich in a more meaningful role as compared to her heroic association with the "Resident Evil" franchise. As Anna Merchant, Jovovich is a primary school teacher who witnesses a horrific murder after a night out with her friends. Dubbed "Tearjerk Jack" for violating women after killing them and then weeping over their lifeless bodies, the serial killer chases Anna until she falls off a bridge. Two weeks later, Anna wakes up in a hospital with a rare condition known as Prosopagnosia or Face Blindness where her ability to recognize faces is impaired. The disorder becomes an ordeal when she can no longer recognize her friends, the children she teaches and even people close to her like her father. After therapy, Anna realizes that Face Blindness is a serious disorder unless she learns to cope with it. In the process, she gets close to detective Kerrest (Julian McMahon) and learns that the serial killer is still at large. Worse, the killer knows of her condition and is now closing in to finish the job.

Written and directed by Julian Magnat, the concept is almost original and suffices as a thriller. Anna's confusion is actually felt because Magnat uses an average of 3 to 4 actors for each character in the movie. Anna's boyfriend Bryce, played by Michael Shanks, is also played by about 10 other actors. This premise works to some extant by placing the audience in Anna's perspective and each time we see different faces. Prosopagnosia is an actual disorder and portraying it in this movie is a definite tick mark for Magnat. Then it all goes downhill. The rest of the movie becomes so clichéd, it gets to be annoyingly predictable. With most whodunits, the audience is always introduced to the killer, sometimes very early in the plot, before unveiling who the killer is. With this movie, Magnat does the same, but places the killer in easy reach of Anna. So why then should we wait till the end of the movie for the killer to strike? Obviously because the film has to be made with a minimum runtime of 100 minutes! But it doesn't stop there. The ending has to be the mother of all clichés when Anna cannot tell the difference between the hero and the killer because they wear the same clothes. Another negative aspect is the unnecessary romance thrown in. In all of this mess, Anna is romantically inclined to one character, who happens to have the only face she can recognize. Go figure!

For a thriller, Milla Jovovich is not bad as the lead character. No way is she getting anywhere near an Oscar for her performance here, but her portrayal is definitely better than some of her other releases. I can't really say much about the other actors as there are various actors that keep switching each time Anna encounters another character. Since this is Magnat's second foray as director and first as screenwriter, I don't want to be too harsh on the outcome. As a learning curve, if he had paid a little more attention to the plot and it's execution in the final act, this could have been a master thriller.

Watch it if you have to, but on a lazy day. As an alternative, I recommend 1992's "Blink", a similar concept but with a better finish, starring the lovely Madeleine Stowe.

The idea behind this serial killer movie - a female witness to a serial killer who is injured and can't recognize faces, even that of the killer - is a novel one. And the woman's disability does lead to some interesting scenes of her struggling with the disability. But the movie as a whole doesn't quite work. One reason is the budget - while the movie never looks extremely cheap, it's obvious throughout that the entire enterprise was done in a cost-saving manner. The main reasons the movie fails, however, is that the movie both feels very drawn out and the serial killer parts fail to be very interesting or suspenseful compared to what we've seen in other serial killer movies before. Ironically, the movie is the most interesting when it shows the female lead struggling with her disability in day to day life. I honestly feel that if the movie had ditched the whole tired serial killer plot and made a serious movie about the woman's disability that the movie would have been a lot better.

P.S. - Does a movie really need FOURTEEN executive producers?