Um Divã para Dois

The plot seemed simple enough, a marriage in trouble, but when you have Streep and Jones you expect a treat and the did not disappoint at all. The scenes where they are sitting with the the therapist you can cut the tension with a knife. You expect Streep to be brilliant and she is, but Jones more than hold his own. It is difficult to play a man who is unable to be vulnerable and he truly excelled.

Of course as with every cinematic experience depends on your state of mind and your demographic. The couple sitting in front of me were elderly and mid way through the movie the lady leaned over and put her head on her partner's shoulder and stayed like that through the rest of the movie. This movie does that to you, it makes you appreciate your partner more, you can almost thank them for putting up with our own shortcomings.

This is a real movie for real people ... Enjoy!

I am a single, 67 year old retiree, who has been married and divorced twice; and this movie really touched me. It acted as a sort of cinematic mirror to prompt me to reflect upon the many daily choices, or even finer gradations of volition, that make up a healthy or dysfunctional marriage or relationship of any kind. The movie was about how we create our own heaven or hell, in the house, in the kitchen, in the bedroom, and in life. We lose our grip on our passionate love affairs almost the way that dust slowly collects on the floor. Didn't I just vacuum that dust yesterday? That is how a marriage can ossify, degrade itself, as if consciousness itself were shot full of some sort of novocaine by sneaky subtle injections over the years, one feeling at a time numbed.

Meryl Streep, Tommy Lee Jones and Steve Carrell are excellent and break new emotional and acting ground for all three master actors.

The movie made me think about my entire life, and it made me reflect upon my parents' marriage, too.

Tommy Lee Jones' portrayal of Arnold, a man who has been an accountant so long he can simply function on automatic with his customers, not really giving his passionate self to his business- or his marriage, ran the gamut from acceptance of various ruts to various kinds of rage, embarrassment, and stubbornness, refusal to drop his pride, or make compromises that would have been in the best interests of himself, his wife and the marriage.

The camera does not editorialize. It shows Arnold falling asleep watching golf instruction on television. The camera directly above the frying pan and close up, depicts Meryl Streep's Kay, sizzling a strip of bacon and one sunny side up egg for Arnold every day, day after day. He eats his breakfast with his back to her as he reads the paper, then gets up, every day, and gives her a peck on the check without even making eye contact, and he's off to work again- like an unemotional little engine that could.

When Sisyphus pushed that boulder up to the top of the hill, his punishment by the gods, he had to watch it roll back down to the bottom of the hill whereupon, he repeated this process - for eternity. But Sisyphus smiled - at least according to Albert Camus, he smiled. It occurred to me that relationships and marriages devolve into accommodations, and that passion, like air being spent out the tiny leaks in a worn tire, can evanesce before either party truly, deeply realizes what they are doing, what they have done. The smiles in this movie are forced, automatic, defensive, painful. Boulders are not openly acknowledged.

In this movie, every scene is slightly underplayed. No line or gesture is over the top. Almost every word of dialogue is realistic. I never felt that I was being lectured or preached to. I did think that the background music was too intrusive several times, however, almost as if someone did not trust Meryl Streep to carry the emotional load of the scene - an error of judgement. This movie needed no such authorial or directorial intrusion - That is my only criticism.

"Hope Springs" is a movie about the ingredients of happiness or lack of same, and the finesse of the actors, the director, the cinematographer and the editors is magnificent. They never stooped to dwell on any sort of cliché dialogue or acting flourishes. It was believable.

I felt that the movie really opened up my life. I wish I had seen it 45 years ago when I married for the first time. It is that good.

He shows well here, since his roles have traditionally called for one expression, one attitude, one way to deliver lines--but here, he reaches in and shows his talent. As a CPA in Omaha and husband who is really not a husband anymore, TLJ gives a great performance.

But, let's talk about Meryl Streep. Aside from pure talent and acting ability, there's an intangible that this woman has that allows her to fill a screen in a way that few have ever done...you just cannot take your eyes off her. She has not always played women that you love, but you certainly will fall head-over-heels for her character in this flick. Yes...she dazzled us in so many movies (think of her portrayal of Julia Child), but her performance of this sweet-as-sugar but unhappy wife is a work of pure art. See this movie for these performances. Awesome.

The movie overall was quite good, and Steve Carrell was a wonderful presence. Two issues: it was NOT a comedy, and should not be presented as such. The script could have used a few more funny lines; but, what REALLY bugged me was the soundtrack: while it was not always awful, there were a few times where the background songs were dreadfully intrusive. Why did the director think he had to punctuate the on-screen feelings of the protagonists with pop music that echoed their emotions? Geez...we GET it (and the songs aren't even that good).

Finally, if you're under 50, think hard before you see this...it's not meant for you.

A slightly-over-middle-age couple finds themselves in more than a rut, post-post empty nest. What to do?

An overly-simplified plot outline for a lovely, sweet, funny, sad, quiet movie that allows the cast's acting talents to shine. A great script with spot-on character development. None of your over-dramatics here.

We all know about Meryl Streep & Tommy Lee Jones, but even they deliver some newness. But Steve Carell gives us a nuanced performance without the smallest hint of shtick. Notice Elisabeth Shue in a small part that delivers big. As well as Jean Smart & Mimi Rogers.

Don't miss this one.

There is no feeling of being lonesome so crushing as being in a room with someone, in a relationship with somebody, when the feeling is gone. This couple, married thirty one years, have discovered this, as some of us have at different times in our lives.

Tommy Lee Jones is the husband, marred down in his married life that has dimmed into something he feels will never be bright again. Never expects it to be. Is perfectly willing to plod along through life as is with his anger and dismay at how things have turned out hidden and suppressed. Meryl Streep is his wife, loving and longing to be loved, feeling that marriage should not be this way, no longer feeling attractive or appreciated. Willing to come out of her shell to try for change. Elizabeth Shue, who we don't see nearly enough of lately, was excellent. I have never liked Steve Carell so much in a role as I did in his part as the marriage counselor, trying to inflate this flattened union.

Many, many couples, married for decades will feel parts, if not all of this movie, in a personal way. I go to a lot of films and the number of people in the theater for the showing of this movie was more than I've seen gathered for an afternoon in the theater in years. I mean years. That's how infrequently we have a decent movie with fabulous actors come out, with no filthy language, no gratuitous sex….nothing to detract from a solid screenplay, a story well told and well acted. This one was exasperating, touching, amusing in spots, made you smile, caused you to shake your head…..it has it all. At the end of this film, everyone…and I mean everyone…was smiling, happy that they had come to see this one. Wow. That doesn't happen often.

Perhaps the young people won't see or appreciate the truth of this film so much, but let me tell you, the young are not the only folks buying tickets to movies. And every person with a few years under his or her belt, married to the same spouse for decades, will understand it and love it!