Um Amor Verdadeiro

Kate Gulden, played by one of the most nominated actresses of the last decade of this century, and also one of the most talented actresses Meryl Streep(Out of Africa). She is wonderful is every part that she plays. The Yale graduate is the pride and joy of the American Cinema.

Kate's health is deteriorating and her husband, George, role well developed by brilliant actor and also Oscar winner, William Hurt (Smoke, Kiss of the Spider Woman) has a hard time with the deteriorating health of his one true thing, and seeks his daughter's help. The poor daughter, Ellen Gulden, Renée Zellweger (Jerry Maguire) has way too much expected of her. No breaks! The story takes a very realistic view on the illness of a parent. In this movie the only daughter has to put her life on hold to care for the needs of others. There is always one in every family who faces that kind of responsibility. Ellen is angry the beginning of the movie, but as time passes she ends up understanding her mothers' life time dedication to her family. She even asks her mom: How do you do his, every day, in and out and nobody notices it? That is what women do, a lot of what I call invisible work. Moreover we clean, we fix, we mend, we stretch, we celebrate, we are the best friends, we are confidants, the mistress, outreachers, disciplinarians, sensitive. Some of us, like both women in this movie, have the perfect education, are the psychological pillar for the entire family and also do all that invisible work! That is Kate Ellen, and many women in our society. Many of us have already gone through that stage of life when our parents age and died. I have been there. They just went too young. I have given my parents my thanks, but I never understood them as well as when I had to play their roles, and had to walk in their shoes. This movie mirrors the reality of life. Perhaps it is sad, but that is how life is, at times. George a Professor at Harvard is complicated person, who appears to think that his work is more important than everybody else, and has a very "master/servant" mentality toward the women in his life. He is not strong enough to cope. If you want to see good acting and the reality of life do not miss this movie. Favorite Scenes: The restaurant coming to Kate, violins and all. The making of a table out of broken china. That I so symbolic! We are all broken vessels! Favorite Quotes: George: "It is only by going uphill, that you realize that you are really going downhill." George "You have a Harvard education but where is your heart?"

The DVD jacket in which this movie came describes it as "uplifting and humorous." Those are not the words I would have chosen - not by a long shot. I would choose a word like "sombre," sometimes even "depressing." Which isn't to say that it's a bad movie. It's actually a pretty good movie, featuring good performances from the leads, with enough uncertainty throughout about what's going to happen at the end that you keep watching. The uncertainty comes from the structure of the movie - it seems to revolve around Ellen's reminiscences of her mother's slow death from cancer, as she is interviewed by the DA. So, we know from the start that something suspicious happened at the end - the questions are "what?" and "who?"

Renee Zellweger was very good as Ellen - the somewhat resentful daughter who has to give up her life and job in New York to return home to care for her sick mother. Ellen evolves through the movie - moreso than any other character - as she learns to deal with both the strengths and weaknesses of her parents. Her relationship with her father (William Hurt) is quite interesting. My initial impression was that they were quite close, but the warts in the relationship start to show after a while. Hurt was effective as the detached husband - detached not in an uncaring way, but in the sense of being unable to cope with what's happening to his wife, and seeking escape from it in various ways. Finally, Meryl Streep as the cancer-stricken Kate was very convincing in the role, seeking to live out what remains of her life in the most fulfilling way possible, then dealing with the anger she feels at her increasing debilitation. In a way, watching a family deal with this kind of crisis reminded me a little bit of "Ordinary People," although this movie was far less emotionally intense. So, not "uplifting and humorous" (with all due respect to whoever wrote the synopsis on the DVD jacket) but very good in its own way. 7/10

As William Hurt also said in The Accidental Tourist, "Less..is invariably more". I guess many of us do live in denial, trying to slip through life as if certain things weren't happening. It is true that rude awakenings sometimes are the only ways for some of us to open our eyes and smell the coffee.

William Hurt executed the egotistic father's role like no one ever has before. He is gifted at portraying the role of the "blind" husband. I guess if Kathleen Turner had played the wife's part in this movie he would have had a much harder time. I believe the three of them (Hurt, Streep and Zellweger) portrayed a real family story, something far from the typical Hollywood drama. They were able to show the strong and weak sides of being human and bearing family responsibilities. Very beautiful movie, very descriptive with several not-so-long scenes. Indeed, sometimes less..is invariably more.

I enjoyed this movie as much as you can, given the subject matter. Streep is completely amazing, Renee has some great moments, and Hurt does his usual preppy jerk routine. Several scenes will make you cry, but this is not the usual fatal-disease-in-the-family fare that you might expect it to be, thanks to Carl Franklin, who keeps the story fresh when stereotypes and cliches prevail.

Yes, at least in large part to Streep's performance. The more we learn of Kate and her character, the more we love her and her strengths. The same can be said about Ellen, Zellweger's role as daughter who has postponed fast track career to come home to be with Streep as Kate faces crippling and debilitating illness. Their relation ship at movie beginning is strained to say the least. Going into the theater I was mentally prepared for a very deep and emotional roller coaster ride. A slow start with character development was actually to the movie's benefit. In terms of personal growth, the main characters, except for Streep, were not the same people by movies end. We came to learn them as they learned about themselves. Zellweger and Hurt appear one dimensional, both focused on their writing and careers, with daughter idolizing father. Streep the same as a mother content with home making. But as the movie continues to unfold, we get to see all of these characters as real; their strengths and weaknesses both. Ellen's childhood flashback illustrate happy moments of only father at first, but as time goes on, she relives the same flashbacks and notes her mother's subtle, supportive role. All are challenged to assess their lives in the face of certain death of Streep, whose role as matriarch continues to impress as the tale is told. She was the 'light' of the film, as Hurt confesses. The bedroom conversation between mother and daughter is exceptional, when secrets are revealed and the realization that potential dreams are left unfulfilled. I doubt there was a dry eye in the house at this point. Follow that up with the New Year's Eve scene, a funny breath of fresh air at a difficult and emotional part of the movie. The movie was very good with very good performance by Hurt, Streep and Zellweger. I wouldn't call it the movie of the year, but consideration should go to Streep and Zellweger for nominations. Hurt lends his expected strong presence to both roles, and makes both characters all the better. Give it an 8 out of 10.