Lonesome

Well, I'm always excited to see queer stories to be told on the big screen. But sadly, this one just missed the mark.

Videography was on point, both landscapes and people were shot to match the vibe of the scene. Sex scenes were also well choreographed and pleasant to watch. However, rather than helping it grow, the stunning visuals overshadowed the story.

Firstly, the acting was off. I don't know if it's from the director's instructions, but the long pauses between each line made the whole film off-paced. The most convincing acting was probably the actors' orgasm faces.

Secondly, the story just wasn't working. It wasn't developed organically, but instead, I got the feeling the plot points were inserted way before the story was even written, which made the story feel forced.

Thirdly, what's with the Stranger Things music constantly playing whenever there's a cutaway?

In all, with the problems in acting and the story, although it came with stunning visuals, Lonesome is only good, if you think of it as an art house porn.

I couldn't help but thinking about John Schlesinger's 1969 iconic film, 'Midnight Cowboy' while watching this Australian production. A cowboy comes from the rural part of Australia to the big City, in this case, Sydney. He meets and ends up falling in love with one of the first men he meets. There are many differences between both movies for sure, but similar threads do exist as well. The Cowboy does get to see the seedy part of life in Sydney, as did Joe Buck experience in New York in 'Cowboy'. Both characters are damaged from their pasts but trying to make do despite seemingly impossible circumstances in what is often a heartless urban landscape. The acting of the two leads is excellent, even better than the script from which they're both working. The peaks and valleys both cowboys go through in part define their characters, relationships with others, and the film itself. There is a lot of male nudity throughout 'Lonesome' that the viewer should be made aware of beforehand. I don't think it hampered the overall arc of the movie, in some instances it might have even enhanced it. I recommend 'Lonesome' to open minded adults who might want to learn a little bit about how life affects many of those unlike themselves. The LGBTQ + community should be proud of this cinematic achievement.

...about halfway through the film, and the journey of the lead character, the situation that motivated him was revealed in an effective scene. Had that revelation been used to offer deeper insights into his character, as well as those he had interacted with by that point, it could have served as a powerful character study. Instead the audience is blessed with violence, apathy, and shallow sex presented for shock value. Had the script spent more time exploring the emotional ramifications of its protagonist's loneliness, the film might have had an opportunity to be remembered for more significant reasons...

A young rural Australian man escapes a small-town scandal to Sydney, meeting another guy through Grindr.

The plot feels less important than the intimacy between the lead actor and the filmmaker. The impressive performance of lead Josh Lavery is unusual and takes time to reach its full impact. At first I felt his character was too underplayed, but at least he was aware of his limitations. Slowly throughout the film I felt the impact of his hopelessness and the tangible reality of his survival-mode. Similarly, there is a lot of nudity and no aspect of his experience is excluded, the cumulative effect of which is a deep empathy and familiarity, like intimately getting to know a new lover. Subsequently, the extent of my identification with the protagonist by the end of the film was quite shocking. His relationship with the Grindr hook-up that doesn't end is also depicted in a matter-of-fact way that somehow creates a cumulative impact, where the casualness of their commitment to each other obscures the evident fact that they have something very real and significant to offer each other. I hope this film gets a chance to reach the world and that Josh Lavery gets opportunities to surprise us further as a performer.

Powerful movie about the struggles of a young gay guy: survival, migration toward a big, gay city, and learning how to love (oneself and others) without much help along the way.

The two main actors are amazing and convincing, the photography is stunning, and the plot has a picaresque pace.

The movie reminded me of another Australian queer film, Head On (1998), which deals also about identity crisis, migration, and the difficulty to be at peace with oneself.

Lonesome also reminded me of My Own Private Idaho because of many factors: the appeal of the drifting cowboy, the family drama, and the ordeal of alcohol, drugs and chemsex.