Harishchandrachi Factory

Last year marked the hundredth year of the Indian film industry. In these hundred years, Indian films, emerging from the Bollywood and is several sister (regional/local) "woods", have taken the masses as well as the classes on several memorable and entertaining journeys into the dreamworld. In his debut feature, writer-director, Paresh Mokashi traces the roots, nay, seeds of this thriving industry and presents the making of the very first Indian film.

Harishchandrachi Factory is the story how Dhundiraj Govind Phalke, the pioneer regarded as the Father of Indian Cinema, happened to get this idea of making movies and how he toiled to realise this dream of making of the very first Indian full length, Black & White, silent, feature film - Raja Harishchandra.

The story begins in 1911 where, after the failure of his printing business, Phalke is playing a magician/jester performing in his Mumbai chawl to make ends meet. When he happens to visit a tent theatre playing a movie - The Life of Christ, his imagination and curiosity are instantly kindled and he introduces his family to this magical experience of moving images, besides making multiple trips himself to understand the science behind that magic. His curiosity grows into an obstinate obsession as he follows his dream unflinchingly despite a brief bout of failing eyesight, he sets out to London to learn and understand this new age medium such that he could present the stories of the Indian mythology through it. On his return to India after learning the requisite skills and acquiring a motion picture camera, he embarks on his pioneering mission to make India's very first feature length silent movie - Raja Harishchandra. The rest of the movie narrates the eventful journey and the many hurdles that he faces on his ambitious mission.

Presenting a biopic as a feature film is a challenging task as the director has to strike a fine balance in presenting the facts within a matrix of an engaging drama (as in the case of Rakeysh Omprakash Mehra's Bhaag Milkha Bhaag which found critical acclaim and commercial success). A singular focus on factual content would reduce the film to a drab documentary while too much focus on the drama could result in a clouded, less-than perfect image of the individual. Debutante writer-director Paresh Mokashi rises to this daunting challenge by helming this meta-movie with a very nimble hand and suffuses it with healthy doses of delectable humour. Mokashi shuns melodrama and mines humour in the most unlikely situations - be it Phalke's problems in funding his venture resulting in his selling domestic assets or his search for a heroine among prostitutes (since no family woman was ready to work before camera).

He hits the bull's eye with his casting of his leads as well as the supporting cast. Nandhu Madhav nails the part of Phalke with oodles of charm, curiosity and a single-minded obsession to realise his dreams despite the multiple challenges of cynicism, superstitions and paucity of funds. Vibhavari Deshpande playing Saraswati Phalke shares a genial chemistry with him and is a perfect foil as the loving wife and pillar of strength enabling her husband to emerge as the pioneer.

The movie also boasts of solid technical team which includes Nitin Desai whose art design recreates the authentic feel of a bygone era while the score from Anand Modak conjures a rustic charm that permeates the entire movie, beginning with the opening credits. The cinematography by Amalendu Chaudhary is remarkable too as he has striven to capture most of the movie in the style of stationary camera position which was prevalent in the infancy of cinema.

Overall, Harishchandrachi Factory presents a very Indian story rich with its period feel, ethnic ethos, in a simple, feel-good narrative that is engaging and universally appealing. Harishchandrachi Factory was selected as India's official entry for the Academy Award for Best Foreign Language Film in 2009 and has also received several National and Regional awards.

Arishchandrachi Factory depicts the making of India's first full-length feature film by Dadasaheb Phalke. First of all, this film was a magnificent watch for me. The film showed so many things but in a very entertaining way and this is the major plus point of this film. The editing of this reminded me of old silent films like Chalie Chaplin. BGM is so beautiful.

Paresh Mokashi in his directorial debut did a wonderful job. Nandu Madhav as Phalke was just great & Vibhavari Deshpande as his supporting wife was perfect. If you're a true movie lover I'm sure there'll both tear & clap in the end. This was sent to the Oscars and in my opinion it should've won. This is a Must Watch for those love cinema or want to become filmmaker in future.

Available on Netflix.

© MandalBros.

This movie was the official entry for the Oscars 2010 in the best foreign language film category from India. Though the movie is in Marathi,it actually transcends that minor barrier. It is a winner all the way , well written and directed by Paresh Mokashi.Even though Indian film industry is dominated by Bollywood (Personally I hate that word) such movies like Harishchandrachi Factory are entertaining as well as intelligent. Thanks to the multiplexes such movies no longer have a restricted regional release.Throughout the movie there is a feel good element and one does not feel like being taken for a fool.

It depicts the journey of the pioneer Dada Saheb Phalke as he faces hardships while making his magnum opus and how he overcomes them. Without giving away much, I will say watch out for the way the director has recreated that era.The performances by the actors are refreshing and believable.

Never give up on your dreams, work wholeheartedly and you will win.This message is underlined throughout with out playing up to the galleries.

I gave it 9/10.

Hi everyone,

as i have mentioned i love watching movies more than i love programming...so i have decided to write a kind of review of movies which i see....after 3-4 days finally today i got time to watch "Harishchandrachi Factory"... when i started it i was hoping to see a very serious kind of movie which will depict life "Dadasaheb Phalke-- Father of Indian Cinema"..but it turned out to be a very pleasant, gentle movie....

well the movie starts with a maverick man who has left his good printing business and is working as magician doing street shows....he happens to see a "motion picture"..well normally you wont give a damn about this word...but this movie will surely tell u what it really represents......after watching this cinema..he decides to do his own motion picture or "a drama on screen" as people first used to call motion pictures....

movie then goes through his efforts to make his dream real...the best thing about movie is not actually the story but the way it is presented on the screen.... there are few scenes which are truly remarkable ..specially where Phalke sells his cupboard to buy books and people started making a big deal out of it..as if someone has died... part where phalke is looking for women actors to portray Taramati and mustache saga....

Nandu Madhav has played character extremely well but one thing i couldn't stop noticing about his acting was..it kind of looked like Chalie Chaplin...i dnt know if its true...but u have to c it yourself.... another beautiful aspect of movie was how relation between phalke and his wife is handled...its shear pleasure watching the couple together....Vibhavari Deshpande who enacted Saraswati Phalke has done well job too....

Director Paresh Mokashi has done beautiful job in writing as well as directing... portraying a life a man in 97 min is really a tough job.... so in all a nice movie... and a nice tribute to the originator of Indian Cinema which currenlty is biggest film industry in the world....

Prakash Mokashi's 'Harishchandrachi Factory' is a breath of fresh air. Of late, when the Indian film industry has mostly been churning one stale product after another with minimal positive quality, Mokashi gives the viewer this Marathi gem. Now this isn't your traditional biopic that starts from birth and ends in death. Nor is it the depressive kind. 'Harishchandrachi Factory' is a movie that is both funny and poignant. It tells how India's first film director made the first Indian movie and this is done with heart and humour.

The film starts off with Phalke skipping his job to work as a magician as he finds his passion in entertaining people. On impulse, he and his son decide to go to the theatre and they watch a short silent film about the 'Passion of Christ'. Phalke is moved by the experience and he keeps returning to the theatre. He decides to make a movie. The man just about makes enough to support his family, but his passion, determination and support of his family, especially his wife, allows him to pursue his destiny.

Mokashi has chosen a unique way of storytelling that has barely been done with biopics. His humour is both satirical, situational, witty and even understated at times. At the same time he does not derail from the focus of the film and its characters. The characters are very real. Phalke may appear larger then life but at the same time he is the common man who lives his life with hope and a little sugar. His wife is far from the caricature wife who nags about her husband's risky attempts. She supports him all the way and does not hesitate to sell off their furniture to make her husband's dream come true. The comedic sequences work excellently. They had me laughing out loud.

Nandu Madhav passionately plays who is today known as the father of Indian cinema. His spirited performance along with Vishawai Deshpande's natural portrayal as Mrs. Phalke are a delight to watch. The supporting cast do a commendable job too.

'Harishchandrachi Factory' is a beautiful little film. The execution is first rate. The cinematography, score, editing and lighting are superb. Mokashi's charming gem is one of a kind and I am sure to revisit this just to feel this film-viewing experience once again.