Um campanário de mergulho corroído desce no meio de uma cidade em ruínas e o Assassino emerge dela para explorar um labirinto de paisagens estranhas habitadas por habitantes monstruosos.Um campanário de mergulho corroído desce no meio de uma cidade em ruínas e o Assassino emerge dela para explorar um labirinto de paisagens estranhas habitadas por habitantes monstruosos.Um campanário de mergulho corroído desce no meio de uma cidade em ruínas e o Assassino emerge dela para explorar um labirinto de paisagens estranhas habitadas por habitantes monstruosos.
- Direção
- Roteirista
- Artistas
- Prêmios
- 7 vitórias e 16 indicações no total
Avaliações em destaque
Even on his worst nights, Tim Burton probably didn't have nightmares quite like *this*. I'll say right now that this visually oriented picture is *not* for all tastes. Some people may feel that the "story" (such as it is) lets them down, with not much to engage them other than the grotesqueries on display. It's definitely an animation film for adults - it's dark, twisted, and very violent at times. It also tells this "story" through a succession of images rather than a conventional narrative. The viewers will notice that there's no real dialogue (as we understand it) to speak of.
This magnum opus for Tippett was *many* years in the making - he began it in 1987, and finally finished it in 2020. While I personally wouldn't call it a great film, it's so *interesting* and *provocative* to look at that it did hold my attention. That said, it's good that this has a relatively brief run time of just over 84 minutes.
I enjoyed it, and would recommend it to people looking for something way out of the ordinary.
Seven out of 10.
It is chock full of metaphorical depth related to man's relationship to both creation and destruction, and for those who are patient and are in love with the macabre, there will be so much for you to glean from it.
As for myself, I did glean a bit from the film's heavy messages, though the extremely sparse narrative left me wanting a LOT more.
We never stay with a character for longer than 20 minutes, and our journeys with them are always cut short right as they're getting interesting. The lack of any clear stakes, motivations, or goals makes it extremely hard to get invested in, and makes 83 minutes feel like two hours.
It's clear that Phil Tippett used the 30 years of production to really get his visual ideas to be made manifest in gorgeous glory, but I do so wish that he had spent more of that time writing instead.
This movie is directed by Phil Tippett (Starship Troopers 2) and contains the voices of Alex Cox (Repo Man), Anthony Ruivivar (Tropic Thunder) and Talal Selhami.
The animation in this is fun and unique and reminded me a little bit of the movie 9. The universe is fascinating and the creatures within it are clever and well done. There's a good use of lighting to create intensity and curiosity. The storyline is a bit all over the place and hard to follow. The film focuses more on its outstanding special effects, gore and worthwhile action scenes rather than the plot. The surgery scenes in this are tremendous and the tank battles are very well done.
Overall, there's a lot to like here visually and conceptually. I just wish there was a better plot to take it over the top. I would score this a 7.5/10 and strongly recommend it.
5/10.
The entire film primarily follows the journey of the main character traveling through this industrial post-apocalyptic junkyard with a lot of grotesque creatures along the way, and as an audience member you need to be open to take this journey.
The film does move a bit slow, and the lack of dialogue might not be everyone's cup of tea', but it allows time for the movie to breathe and get immersed in the world it's trying to build.
It's gruesome, eerie, yet strangely beautiful, and kind of reminded me of an animated Mad Max.
If you love stop-motion animation, especially if it includes heavy elements of sci-fi - horror you'll want to check this out.
Você sabia?
- CuriosidadesAccording to Phil Tippett, lots of work on the film was done on Saturdays by students who wanted to get some filmmaking experience. The scene with the mountain of dead soldiers was done by melting thousands of little army men together on wire, and it took six people three years to complete the scene.
- Erros de gravaçãoThe blood on the nurse's face mask changes shape and color when she gives the baby to the creature behind the wall.
- Citações
Prologue: If you disobey Me and remain hostile to Me, I will act against you in wrathful hostility. I, for My part, will discipline you sevenfold for your sins. You shall eat the flesh of your sons and the flesh of your daughters. I will destroy your cult places and cut down your incense stands, and I will heap your carcasses upon your lifeless idols. I will spurn you. I will lay your cities in ruin and make your sanctuaries desolate and I will not savor your pleasing odors. I will make the land desolate so that your enemies who settle it shall be appalled by it. And you I will scatter among the nations and I will unsheath the sword against you. Your land shall become a desolation and your cities a ruin. Leviticus
- Cenas durante ou pós-créditosThe final end credits before the copyright read:
All stop motion shot with Dragonframe High-speed photography shot with the Red Raven No doggies or kittycats were harmed making this picture Shot on location in Berkeley, California 1987 - 2020
Principais escolhas
- How long is Mad God?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Безумний бог
- Locações de filme
- Berkley, Califórnia, EUA(Studio)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 325.042
- Fim de semana de estreia nos EUA e Canadá
- US$ 8.416
- 12 de jun. de 2022
- Faturamento bruto mundial
- US$ 325.042
- Tempo de duração1 hora 23 minutos
- Cor
- Proporção
- 1.85 : 1